N_Shitrit
Se unió el oct 2022
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Calificación de N_Shitrit
Sinners - Ryan Coogler's new gothic horror film - lets us viscerally experience the horrors of racism endured by the Black community in America.
Set in 1932 Mississippi, the story follows twin brothers Elia "Smoke" and Elias "Stack" (both played by Michael B. Jordan) as they return home from World War I to open a juke joint in an abandoned sawmill.
But Sinners isn't just horror. It's an emotional, powerful drama that gives voice to collective fears, historical trauma, and one burning question: surrender - or fight?
Things take a supernatural turn when the twins face a new threat: white vampires led by Irishman Remick (Jack O'Connell), who attack their club, reflecting the brutal racial violence of the time.
One of the film's most impressive elements is its production design - largely practical and built specifically for the film - which adds authenticity and draws the viewer in. Still, a few scenes suffer from less convincing CGI, which becomes obvious only in hindsight and slightly disrupts the viewing experience.
Another issue: Jordan plays both main characters, and the production chose to differentiate them with different colored hats - a solution that looks a bit silly when both appear on screen together, especially early on.
Despite being categorized as horror, Sinners doesn't go for cheap jump scares. Instead, the fear it evokes is deeper - emotional, unsettling, and immersive.
To be honest, I'm not usually a fan of gothic horror - it's just never been my thing.
But somehow, Sinners broke through my reservations and won me over. Even if gothic horror isn't your usual genre - it's absolutely worth a watch. It's powerful, gripping, and maybe even important.
And in my opinion? One of the best films of the year.
Set in 1932 Mississippi, the story follows twin brothers Elia "Smoke" and Elias "Stack" (both played by Michael B. Jordan) as they return home from World War I to open a juke joint in an abandoned sawmill.
But Sinners isn't just horror. It's an emotional, powerful drama that gives voice to collective fears, historical trauma, and one burning question: surrender - or fight?
Things take a supernatural turn when the twins face a new threat: white vampires led by Irishman Remick (Jack O'Connell), who attack their club, reflecting the brutal racial violence of the time.
One of the film's most impressive elements is its production design - largely practical and built specifically for the film - which adds authenticity and draws the viewer in. Still, a few scenes suffer from less convincing CGI, which becomes obvious only in hindsight and slightly disrupts the viewing experience.
Another issue: Jordan plays both main characters, and the production chose to differentiate them with different colored hats - a solution that looks a bit silly when both appear on screen together, especially early on.
Despite being categorized as horror, Sinners doesn't go for cheap jump scares. Instead, the fear it evokes is deeper - emotional, unsettling, and immersive.
To be honest, I'm not usually a fan of gothic horror - it's just never been my thing.
But somehow, Sinners broke through my reservations and won me over. Even if gothic horror isn't your usual genre - it's absolutely worth a watch. It's powerful, gripping, and maybe even important.
And in my opinion? One of the best films of the year.
I'd heard a lot about this movie before I even saw it - people throwing up, audience members walking out mid-screening, heated debates on Twitter... and as much as I didn't want to believe the hype, I have to admit - it's all true.
The plot follows a possession that takes hold of a former serial killer named Art the Clown, who returns to unleash terror on Christmas Eve. Yeah, it sounds campy - but it's so much more than that.
Let's be clear from the start: this film is absolutely not for the faint of heart. It's a graphic, extreme piece of work that pushes the boundaries of good taste to their absolute limit - even for me, a longtime horror fan, there were moments that were genuinely hard to watch. We all left the screening a little shaken... maybe even seeing a bit of black at the edges.
The actors? Not all of them shine, but the film does manage to create two iconic characters - both well-written and brilliantly performed:
David Howard Thornton as Art the Clown delivers a phenomenal performance, blending soft, soothing music with a love for blood, torture, and murder. And in between all that, we still catch glimpses of something strangely innocent - a childlike presence, a desire to be stopped, or maybe just a desperate craving for attention.
Lauren LaVera, returning as Sienna Shaw (first introduced in Terrifier 2), plays a modern "final girl" with a mystical backstory, mental and physical resilience, and a character that's surprisingly easy to connect with.
What stands out the most is the sense that Art is always one step ahead. Just when you think you've seen it all - he surprises you again, in ways that are more shocking, more extreme, and more disturbing.
But... the ending is a letdown. After such a creative, intense, and chilling ride - the finale feels clichéd and emotionally flat. As if someone just wanted to wrap things up quickly, without giving the story the ending it truly deserved.
Still - Terrifier 3 is one of the most intriguing (and most extreme) horror films of recent years. It's highly recommended to watch the second film beforehand - it's slightly more accessible and provides important context for the characters and events of this one.
Bottom Line: Terrifier 3 is not just another horror flick - it's a brutal, visceral experience. If you're looking for something that'll challenge both your stomach and your psyche - this is exactly what you've been waiting for.
This isn't refined cinema - it's adrenaline, shock, and nightmares.
And if you made it to the end? You've earned a medal.
The plot follows a possession that takes hold of a former serial killer named Art the Clown, who returns to unleash terror on Christmas Eve. Yeah, it sounds campy - but it's so much more than that.
Let's be clear from the start: this film is absolutely not for the faint of heart. It's a graphic, extreme piece of work that pushes the boundaries of good taste to their absolute limit - even for me, a longtime horror fan, there were moments that were genuinely hard to watch. We all left the screening a little shaken... maybe even seeing a bit of black at the edges.
The actors? Not all of them shine, but the film does manage to create two iconic characters - both well-written and brilliantly performed:
David Howard Thornton as Art the Clown delivers a phenomenal performance, blending soft, soothing music with a love for blood, torture, and murder. And in between all that, we still catch glimpses of something strangely innocent - a childlike presence, a desire to be stopped, or maybe just a desperate craving for attention.
Lauren LaVera, returning as Sienna Shaw (first introduced in Terrifier 2), plays a modern "final girl" with a mystical backstory, mental and physical resilience, and a character that's surprisingly easy to connect with.
What stands out the most is the sense that Art is always one step ahead. Just when you think you've seen it all - he surprises you again, in ways that are more shocking, more extreme, and more disturbing.
But... the ending is a letdown. After such a creative, intense, and chilling ride - the finale feels clichéd and emotionally flat. As if someone just wanted to wrap things up quickly, without giving the story the ending it truly deserved.
Still - Terrifier 3 is one of the most intriguing (and most extreme) horror films of recent years. It's highly recommended to watch the second film beforehand - it's slightly more accessible and provides important context for the characters and events of this one.
Bottom Line: Terrifier 3 is not just another horror flick - it's a brutal, visceral experience. If you're looking for something that'll challenge both your stomach and your psyche - this is exactly what you've been waiting for.
This isn't refined cinema - it's adrenaline, shock, and nightmares.
And if you made it to the end? You've earned a medal.
When nature collides with the consequences of human actions, a new creature is born - violent, uncontrollable, and above all: unpredictable. The Bayou illustrates this perfectly.
The story opens with a plane crash that leaves a group of survivors cut off from the world, surrounded by murky waters, creeping shadows, and a constant sense of danger. At the center stands Kyle, the film's protagonist, who leads the group in a fight for survival. The film blends survival thriller with biological horror, where the main threat is mutated alligators. However, the plot doesn't really evolve or shift in a meaningful way. It maintains a steady level of tension - which works in its favor at times, but also holds it back.
From beginning to end, the interactions between characters feel forced. Conversations lack flow, and the dialogue sounds like it's being read directly from the script. On the other hand, the cinematography deserves praise - each shot feels intentional and well-placed. The directing and writing, however, come across as the bare minimum. The film opens on a warm, almost family-like tone - something I always consider a great setup for a horror film. But just as emotional moments begin to build between the characters, the film quickly cuts them short to rush into the plane crash and the threat waiting in the bayou - even before the characters have boarded the plane. It feels like there was no real interest in developing the characters, just a rush to get to the action. It's as if none of the writers really wanted to tell a deep story - they just wanted to deliver a solid jump scare experience. And in that regard, they did pretty well.
The film opens with a highly intense score that initially feels out of place. But putting that moment aside, Segun Akinola delivers an excellent soundtrack. He manages to heighten the tension and even make the most predictable jump scares feel genuinely terrifying. The overall sound design is also impressive.
While the official budget has not been released, it's hard to ignore the CGI quality. Watching an alligator run like a flying bison from Avatar: The Last Airbender made it clear we were in trouble. Every interaction between the survivors and the creature felt detached from reality - awkward and far from realistic. That said, the creators seemed aware of this flaw and tried to compensate with clever camera work that kept things visually ambiguous. They also used real alligator footage, which blended surprisingly well and helped maintain a relatively realistic tone.
The ending, however, felt like a different film altogether - in the best way. Suddenly, the acting was more compelling, the camera work more precise, and a powerful flashback paired with an emotional score created a standout finale. The music in the final scene reached another level entirely, delivering a true sense of euphoria - one I'll likely remember for years.
The Bayou aims to immerse us in a story of survival, fear, and hysteria deep within the wild - but for the most part, it simply keeps us guessing when the next jump scare will arrive. There are moments of brilliance - both emotional and suspenseful - but they are few and far between.
If you're new to the horror genre, this could be a decent starting point. But if you're a seasoned fan looking for depth or innovation - you can probably skip it. You're not missing much.
The story opens with a plane crash that leaves a group of survivors cut off from the world, surrounded by murky waters, creeping shadows, and a constant sense of danger. At the center stands Kyle, the film's protagonist, who leads the group in a fight for survival. The film blends survival thriller with biological horror, where the main threat is mutated alligators. However, the plot doesn't really evolve or shift in a meaningful way. It maintains a steady level of tension - which works in its favor at times, but also holds it back.
From beginning to end, the interactions between characters feel forced. Conversations lack flow, and the dialogue sounds like it's being read directly from the script. On the other hand, the cinematography deserves praise - each shot feels intentional and well-placed. The directing and writing, however, come across as the bare minimum. The film opens on a warm, almost family-like tone - something I always consider a great setup for a horror film. But just as emotional moments begin to build between the characters, the film quickly cuts them short to rush into the plane crash and the threat waiting in the bayou - even before the characters have boarded the plane. It feels like there was no real interest in developing the characters, just a rush to get to the action. It's as if none of the writers really wanted to tell a deep story - they just wanted to deliver a solid jump scare experience. And in that regard, they did pretty well.
The film opens with a highly intense score that initially feels out of place. But putting that moment aside, Segun Akinola delivers an excellent soundtrack. He manages to heighten the tension and even make the most predictable jump scares feel genuinely terrifying. The overall sound design is also impressive.
While the official budget has not been released, it's hard to ignore the CGI quality. Watching an alligator run like a flying bison from Avatar: The Last Airbender made it clear we were in trouble. Every interaction between the survivors and the creature felt detached from reality - awkward and far from realistic. That said, the creators seemed aware of this flaw and tried to compensate with clever camera work that kept things visually ambiguous. They also used real alligator footage, which blended surprisingly well and helped maintain a relatively realistic tone.
The ending, however, felt like a different film altogether - in the best way. Suddenly, the acting was more compelling, the camera work more precise, and a powerful flashback paired with an emotional score created a standout finale. The music in the final scene reached another level entirely, delivering a true sense of euphoria - one I'll likely remember for years.
The Bayou aims to immerse us in a story of survival, fear, and hysteria deep within the wild - but for the most part, it simply keeps us guessing when the next jump scare will arrive. There are moments of brilliance - both emotional and suspenseful - but they are few and far between.
If you're new to the horror genre, this could be a decent starting point. But if you're a seasoned fan looking for depth or innovation - you can probably skip it. You're not missing much.