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This new incarnation of the Star Trek franchise has brought the series into the 21st Century and has done it very well indeed. The first film in 2009 was one of the year's best pictures and Benedict Cumberbatch was a breath if fresh air in the not as good sequel Into Darkness. With Beyond we perhaps have the weakest entry in the new trilogy but that isn't to say it isn't still a decent film. It brings back all the old characters and teams them with the member of the crew they haven't quite spent a lot of screen time with. The film does this well and despite spending a lot of time apart, the crew still fizzle when they get their moments together. Idris Elba is the next actor in the line of villains and he plays Krall well beneath the heavy prosthetics. The only downside with this character is that his pan is rather bleak and contrived. Justin Lin directs well but it does miss the Abrams blueprint. Simon Pegg and Doug Jung bring a decent enough script to the table but some of the dialogue could have been sharpened or even delivered better. This isn't as dark as the previous entries but it is a solid addition. Let's just see if these actors continue on the Enterprise's adventures or if this trilogy is enough. As long as the filmmakers don't make a film weaker than this one then all should be OK. Enjoyable if not the greatest Enterprise outing.

The third instalment of the Millennium trilogy, The Girl Who Kicked the Hornet's Nest dives further back into Lisbeth Salander's past and gives us a slight idea into why she is the way that she is. As interesting as this could be it ultimately ends up being the story's major weakness. The Girl with the Dragon Tattoo is a fantastic movie, mainly down to the mismatched leads, their chemistry and the intriguing demeanour of one of cinema's most fascinating characters, however by picking away Salander's layers we remove that mystery that ultimately made her so great. At the start of the movie she spends a lot of time in a hospital gown and it is only when she gets her 'superhero' moment (you know that one when you finally see Batman for the first time), dressed as the punk goth that we know, that you can breath a sigh of relief. The story is much slower than the previous ones and it does finally ramp in when the court case of Salander's murder accusations finally kicks in. There is still tension and frights but Salander as a character doesn't drive this film like she did before. When Blomkvist and Salander were investigating an outside case the narrative bubbles but when it shifts to closer to home the tone differs and is less appealing. The second and third instalments could be from a different trilogy apart from a couple of vital scenes. The Girl Who Kicked the Hornet's Nest still has plenty to saviour. The fact it is still made on a shoestring budget despite the first film's success is remarkable and the performances are still on form however it only goes to highlight how much you will yearn to rewatch the first film again. Long-winded, slightly messy and unevenly concluded but worth a watch solely for Salander and Rapace's once again brilliant performance.

Ben Affleck is becoming one of Hollywood's hottest sells. The movies he directs are strong and his recent performances are turning heads, he was the best thing about Batman V Superman after months of scepticism, and with The Accountant he is proving to be able to add depth to a titular action hero. Here he plays the Accountant, an autistic man having grown up learning very violent ways to defend himself from his militaristic father. Whilst un-cooking the books for deadly clientele he uses these skills to good measure until some rather lethal people start to hunt him down. The Accountant starts slow, showing a good 50 minutes of maths and numbers before any plot really kicks in but it is when it does that it really takes hold. This accountant is violent, nasty and emotionless and he makes for a rather interesting protagonist. It isn't the plot that keeps this going it is the backstory of the character. Whilst learning of his past the film hits its peak and when it returns to the main narrative it does derail slightly. This does make it rather messy as there is a lot going on with many expositional accountancy speeches that are confusing as anything, but don't see this for the numbers see it for the action set pieces and Affleck's performance. Other performers aren't given the room like Affleck but Jon Bernthal does also bring weight to his character. Kendrick gets sidelined as the story unfolds and Simmons has played characters like this in his sleep, that's not to say he isn't good here mind. Others are given smaller roles but really it is Affleck's accountant that you are here to watch. Forget about the films many flaws, contrivances and tangled narrative and go switch off for two hours and enjoy a good solid action thriller. It is a lot more fun then it is given credit for.