OSCARS

For his magnificent and multifaceted contributions to the art of film music (statuette).

For their contributions to the environmentally responsible industry conversion from silver-based to cyan dye analog soundtracks.

For the design and development of the Rosetta process for creating digital YCM archival masters for digital film restoration.

For the design and development of the ILM Image-based Modeling System.

For the design and development of the Furnace integrated suite of software tools that robustly utilizes temporal coherence for enhancing visual effects in motion picture sequences.

For the design and engineering of the Preston Cinema Systems FI+Z wireless remote system.

For the design and development of the TDI process for creating archival separations from digital image data.

For the design and development of the E-Film process for creating archival separations from digital image data.

For the design and development of the Hollywood Film Company Brumagic MPST Densitometer.

For the design and development of the Arriflex 235 Camera System.

For the design and engineering of OpenEXR, a software package implementing 16-bit, floating-point, high dynamic range image files.

For the design and engineering of the Arri WRC wireless remote lens control system.

For the design and engineering of the cmotion Wireless Remote System.

For the design and development of the RE: Vision Effects family of software tools for optical flow-based image manipulation.

For his technological contributions, which have brought credit to the motion picture industry.