- Nacimiento
- Nombre de nacimientoEdward Maurice Charles Marsan
- Altura1.74 m
- Eddie Marsan nació el 9 de junio de 1968 en Londres, Inglaterra. Es un actor, conocido por La dulce vida (2008), Bienvenidos al fin del mundo (2013) y El secreto de Vera Drake (2004). Está casado con Janine Schneider desde el 1 de junio de 2002. Tienen cuatro niños.
- CónyugeJanine Schneider(1 de junio de 2002 - presente) (4 niños)
- NiñosChildRufus Marsan
- In 1996, he was one of several unemployed actors interviewed for a feature in Empire magazine (issue 86) about real-life Withnail & I (1987) - out of work actors struggling in obscurity.
- Has been in three movies with Charlize Theron: Hancock (2008), Blancanieves y el Cazador (2012) and Atómica (2017).
- Attended Mountview Academy of Theatre Arts, and the Academy of the Science of Acting & Directing.
- Studied acting in London under renowned teacher Sam Kogan, founder of the acting school long known as ASAD.
- I sometimes think if I had gone to Oxford or Cambridge and looked like a handsome young guy who could be in an Evelyn Waugh novel or something, I'd be a massive movie star. But there's a longevity to what I do. It's more reliable. Someone isn't deciding that I'm the next big thing. Because if they're deciding I'm the next big thing, they can decide that someone else is the next big thing.
- I used to do a lot of comedy. I don't know what happened. I think it's my face.
- I see all these people talking about acting as a great spiritual thing. It's not. There's no great mystery to acting. It's a very simple thing to do but you have to work hard at it. It's about asking questions and using your imagination. The trick to acting is not to show off, it's to think the thoughts of the character. I was lucky because when I started acting, it was doing jobs above pubs. I learned to act in anonymity so by the time people saw me, I knew what I was doing. I was crap for years but no one saw me being crap. It's a trade you learn.
- ...British actors, we have a tradition, I think it comes from weekly rep [repertory company], where we learn the lines and dodge the furniture. And also we have a tradition where we serve the writing. So when we get a script, our point of reference is the writing.
- I don't do television. And that's not a choice, it's just for some reason it's never fitted, they've never wanted me, really. ...British TV is very very introverted. They have, it's very small circles. They watch TV, they don't watch movies. (November 2008)
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