Lynda Obst(1950-2024)

Lynda Obst nació el 14 de abril de 1950 en Nueva York, Nueva York, EE.UU.. Fue una productora y escritora, conocida por Interestelar (2014), Contacto (1997) y Una noche por la ciudad (1987). Estuvo casada con David Obst. Murió el 22 de octubre de 2024 en Los Ángeles, California, EE.UU..

8.7

7.5

6.9

6.4

The Hot Zone
7.3
Serie de TV
- executive producer
- producer
- 2019–2021
Good Girls Revolt
8.1
Serie de TV
- executive producer
- 2015–2016
Hot in Cleveland
7.4
Serie de TV
- executive producer
- 2010–2015
Helix
6.7
Serie de TV
- executive producer
- 2014–2015
Interestelar
8.7
- producer
- 2014
Helix: Fabricating the Plague
7.5
Cortometraje
- executive producer
- producer
- 2014
The Soul Man
6.0
Serie de TV
- executive producer
- 2012–2014
La mentira original
6.4
- producer
- 2009
Cómo aprender a besar y no morir en el intento
6.3
- producer
- 2008
Cómo perder a un hombre en 10 días
6.5
- producer
- 2003
Sin rastro
4.8
- producer
- 2002
Hello, He Lied & Other Truths from the Hollywood Trenches
6.7
Película de TV
- executive producer (sin créditos)
- 2002
Alguien como tú
6.1
- producer
- 2001
The '60s
6.9
Miniserie de TV
- executive producer
- 1999
Contra el enemigo
6.4
- producer
- 1998

Sitio oficial
- Official Site
Nombre alternativo
- Lynda Rosen Obst
Nacimiento
- 14 de abril de 1950
- Nueva York, Nueva York, Estados Unidos
Defunción
- 22 de octubre de 2024
- Los Ángeles, California, Estados Unidos(Chronic Obstructive Pulmonary Disease (COPD)
Cónyuge
- David Obst(divorciado, 1 niño)
Niños
- Oliver Obst
Otros trabajos
Wrote book called "Hello, He Lied", which was published in 1996, about Hollywood and producing.
Listados publicitarios
- 1 Biografía impresa

Trivia
Attended Pomona College, in Claremont, California, receiving her degree in Philosophy.

Citas
Directing is the last frontier for women in the movie business. We are studio heads, we are producers and we are writers, but we are not directors in any numbers. The studios are certainly complicit, but I think there's some part of it that is women not saying: 'I want this job!' For a really long time, the powerful women in this town have been the nurturers of talent as opposed to the talent. And somehow, women haven't felt empowered to say, 'Give the money to me to make the movie.'