- Nacimiento
- Defunción22 de abril de 1990 · Spokane, Washington, Estados Unidos (asesinato suicidio)
- Nombre de nacimientoAlfred Salmi
- Altura1.88 m
- Albert Salmi nació el 11 de marzo de 1927 en Brooklyn, Nueva York, EE.UU.. Fue un actor, conocido por The Brothers Karamazov (1958), Escape del planeta de los simios (1971) y El verdugo de dragones (1981). Estuvo casado con Roberta Pollock y Peggy Ann Garner. Murió el 22 de abril de 1990 en Spokane, Washington, Estados Unidos.
- CónyugesRoberta Pollock(25 de abril de 1964 - 22 de abril de 1990) (their deaths, 2 niños)Peggy Ann Garner(16 de mayo de 1956 - 13 de marzo de 1963) (divorciado, 1 niño)
- NiñosCatherine Ann SalmiLizanne Ann Salmi
- PadresSvante SalmiIda Josefina Salmi
- On April 22, 1990, Albert and Roberta Salmi were found shot to death in their home in Spokane, Washington. The police surmised that Salmi, who was separated from Roberta at the time and was suffering from severe clinical depression, shot his wife and then himself.
- Father of Catherine Ann Salmi (who died of premature heart disease in 1995, aged 38) by his first marriage, and of Lizanne and Jennifer Salmi by his second marriage.
- Surname pronounced "Sammy" (like in the word 'Salmon', the 'L' is silent).
- His voice in the role of Greil in El verdugo de dragones (1981) was dubbed by Norman Rodway.
- Buried at Greenwood Memorial Terrace Spokane, Spokane County, Washington.
- [In 1990, regarding his early years at the Actor's Studio in New York] The actor wanted the audience to recognize an unsavory character as truthfully as he could, so that any audience seeing it would be repelled by that individual and vow never to be like him. If one person left a performance saying, "I will never be as bad as that character was", the actor felt fulfilled. If the person left the theater better than he entered it, we felt we were accomplishing something. The reverse was true, too. If one in the audience saw and believed the goodness in the human condition and sought to emulate this behavior, we, the actors, felt a warm sense of accomplishment. Sometimes, people would come backstage in these amateur school productions and state in an oblique way that they were better people for seeing the production. This was better than any award an actor could get, and still is!
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