The Ones Below

Character buildup. For most of the movie. Too bad they are so two dimensional it hurts, some drastic change of behavior is supposed to be intriguing when it's just a welcomed announcement that things are actually moving towards the ending, which is obvious right from the start.

Don't miss the blatant, obnoxious plot device near the middle, or you might actually get surprised by some detail at the end. The Hand That Rocks The Cradle even had that more subtly, in addition with a decently paced script. Which is another crappy movie, but fairly entertaining for its time.

Acting isn't bad, until daddy throws his fit, but the plot is bad, predictable, and dare I say, unimaginative. A TV movie from the 80's.

Well Acted and Suspenseful Psychological Thriller that is held Down by an Obvious Ending that is Telegraphed in the Second Act. There is No Twist to that and once the Twist is No Longer a Twist, everything is Less than it could be.

The Ending is also Drawn Out like it Thinks You didn't see it coming. Oh My! Didn't Everyone? So the Third Act is a Ho Hum, get it Over with affair. It isn't a Bad Movie just one that is Short on Surprises and in a Psycho-Thriller that's a Death Sentence.

The Cast tries hard and the Emotional Dial is set at 10 most of the Time and it makes for some Engagement and Intrigue, but it really has Nowhere to Go after the Middle. The Movie is Shot with some Style, but the Familiarity with the Story is its Premature Problem.

Overall, Worth a Watch but Ultimately a Let Down for those accustomed to this Type of Thing. A Good Effort Overall, but Average or just Slightly Above.

In 2016, a British thriller entitled The Ones Below was released, though it originally first screened at the Toronto Film Festival the previous year. While it did sweep under the radar, there is a good chance that this film will go on to be a cult classic in the near future. As for what I think, while it did leave me horrified the first time watching it, I will admit that it isn't without its flaws. That being said, what does make the film intriguing to watch is how it tackles the frustrating anxieties of early motherhood, and subverts these themes with paranoia.

The film revolves around a married couple named Kate and Justin who have recently had a baby. However, when new neighbors named Theresa and Jon have moved into the flat beneath theirs, tensions begin to rise with their friendship regarding said newborn. Writer/director David Farr succeeds very well at showcasing the hormones and emotions of a mother during a time like this. Although if you may be ecstatic that you've made a human being of your own, it doesn't necessarily mean you automatically know what you're doing in a situation where your life could be at risk. In addition, given Kate and Theresa's friendship, Farr manages to make even the simplest conversations feel innocent albeit awkward and unsettling.

With two suspicious neighbors comes idiosyncratic character traits, and compared to the more seemingly light hearted Theresa, Jon is more abrupt, making Kate and Justin's interactions with them become all the more disturbing. In fact, after the baby Billy is born, odd occurrences and disturbing noises keep on arising, which nearly drive the couple nuts: from car honks, to muffled baby monitor sounds, to even a cat slinking underfoot. With tense moments like these, there are definite comparisons to be made with Rosemary's Baby, let alone by the subject matter and the lean and brisk tone. Not to mention, it's great to see a horror movie nowadays without a single jump scare, or even gore for that matter; nice change in age.

In terms of negatives, while the twist is very well structured and horrifying, the climax does drag on at points to get there, and after a while it does become a little too obvious what the outcome will be. Also, even during the film's second act, Theresa and Jon's intent becomes pretty obvious if not inevitable, and even with all the stakes that occur, the narrative really starts to reveal how straightforward it really is. Nonetheless, I still recommend The Ones Below for its unsettling atmosphere, subversive mix of parenthood and paranoia, and its traumatic twist that will give you trust issues for the rest of your life. The truth is that there are plenty of people out there who will end up causing you suffering for the sickest of reasons, and this film understands just how risky raising a child can really be.

I think David Farr gave more time to this thriller than to his much- anticipated and more popular le Carre adaptation, The Night Manager. For this one is a real winner between the two, despite of the variance in genre.

Kate (Poesy) and Justin (Moore) are a sweet preggers couple living in peace in the upper part of a duplex apartment. The newest renters of the lower part are another sweet but superstitious couple from Germany, Theresa (Birn) and Jon (Morrissey), also expecting a child. Soon after they move in. an emotionally devastating incident brings endless grief to the ones below and paranoia to their luckier neighbors above, especially to Kate. Because Kate thinks that Theresa and Jon might have some ulterior motive. And then the plot starts moving swiftly, exhibiting some great cinematography and writing as it moves.

Poesy is excellent in her enactment of an anxious mother of a newborn. Her petite appearance helps and so does the support from her spouse who is a rather normal husband torn between work and personal life. Theresa and Jon steal the limelight, and the writer aptly denotes and connects them with the color yellow that is effervescent of their apparent darker side.

The story involves human nature and the extent to which it can go when stricken with sorrow. Consequences and damages stop being concerns as the person quests to achieve what is not rationally right and what can only be achieved through crime. Farr has written the story well, and with the backing that he gets from the camera and score, he definitely places his attempt in the good baskets.

BOTTOM LINE: David Farr's The Ones Below is a finely made film with some good actors playing natural and slightly eccentric characters who are just trying to manage life... and death. A good afternoon watch at the cinema.

Can be watched with a typical Indian family? YES

Great cast, great performances, great direction...but the script...it was as if the writers either got bored of the whole thing or hastily finished it on deadline day.

An absorbing, at times very tense buildup, hints at something possibly occult going on, but then a rushed ending that didn't need the buildup! It begins with a kind of Rosemary's Baby feel to it but the plot and tension builds to a certain level then remains there at that pace for the rest of the film.

Well worth watching, but just enjoy the actors and mood and don't expect to be blown away by any clever plot twists and turns.

It should have been shown as a Sunday evening BBC2 play or something.