The Sounding

THE SOUNDING won the 2017 Arizona International Film Festival Grand Prize for a reason. It is rare for a film to move audiences as much as THE SOUNDING did.

Catherine Eaton is the Director, Co-Writer, and Star of THE SOUNDING. This combo can be a problem but this triple play enhanced the film. I can't imagine anyone else in those roles.

People were talking about it for days. It has been a while since a film grabbed an audience like that.

If THE SOUNDING screens anywhere near you, SEE IT!!!

"The Sounding" starts with the highly original premise of a woman who speaks only in Shakespearian quotations. From there, it delves into a fearless examination of communication, cognition, and resolving one's truth with the presumptions of society. An outstanding lead turn by writer/director Catherine Eaton makes this a must-see. Admirers of Frank and Eleanor Perry's "David and Lisa" take note.

The Sounding is the kind of film you see every few years that comes out of the indie circuit and rekindles your belief in storytelling and the power of human connections. Beautifully shot, acted, and realized. These are filmmaker we'll hear from in the future. And Catherine Eaton is already a movie star.

The Sounding is a brave film about resistance: resistance to conformity, to conventionality, to the expectations of the dominant culture and its narratives about normality and sanity and the kinds of lives we're allowed to pursue without the cultural enforcers, including the medical establishment and the state, coming down to set us straight via medication and even incarceration. So long as we speak the exoburban language of consumption and self and reaction and generally behave, chances are good we'll be left alone. But, if, one day, we lose faith in conventional discourse and subvert it by beginning to speak . . . Shakespeare, well, all bets are off.

Catherine Eaton is mesmerizing as Liv, a young woman who, on a windswept island off the Maine coast, has chosen to remain silent for years. Eventually, she begins to speak again, but in an English composed entirely of Shakespeare's words. That's when the assault on her freedom begins. She must be protected, mustn't she? Surely, she must be normalized, the cause of her anomalous behavior diagnosed, and a path to "recovery" prescribed and followed. Surely she must give up her resistance to those who would help her. Surely.

Ms. Eaton both directs the film and delivers a masterful, haunting, and powerful performance as Liv. The cinematography is breathtaking — the Maine coast is difficult to get wrong, but its desolate, Novemberish beauty is a poignant setting for Liv's struggle to be free and live an authentic life as she imagines it. Eaton has written that the film is ultimately about "otherness" and its cost. It couldn't come at a more propitious moment than the present that is witnessing a demonization of the foreign Other who presents such a vulnerable scapegoat onto which too many Americans are projecting their anxiety and insecurity. It will be a great benefit for this film to be available for all Americans to see and think about.

Look, very rarely do filmmakers and storytellers take huge risks in an attempt to take an audience into new territory...The Sounding is as much about that risk as it is about an intriguing, complex woman who plumbs the recesses of grief and genius. There are few perfect films, but what really matters is years from now will you still be thinking about it? This is one of those works who will resonate long after the lights have gone up in the theater and the remote control click has turned the screen off at home. A true achievement!