Beira-Mar

"Seashore" is not a film that rushes its audience; instead, it unfolds with the quiet rhythm of the waves, a slow and delicate exploration of connection and self-discovery. The film's strength lies in its nuanced performances, particularly from its two leads, whose chemistry is both subtle and deeply affecting. The actor portraying Tomaz is especially captivating. There's a captivating authenticity to his portrayal, a naturalness that draws you into his internal world. His performance is a quiet triumph, filled with understated emotion that lingers long after the credits roll. It's a performance that invites you to lean in and truly observe, rewarding your attention with layers of unspoken feeling. "Seashore" is a film for those who appreciate the beauty of subtlety, the power of quiet moments, and the profound impact of human connection. It's a gentle tide that washes over you, leaving a lasting impression of warmth and introspection.

I understand that to make a gay themed movie in Brazil might not be very easy but in what is generally considered one of the more passionate of Latin American countries this is lacking in passion. It's not that the story is told too slowly, it just feels like the actors spent the whole movie looking forward in mild embarrassment to the" love scene" they were going to film at the end. Half way through I was wondering if this wasn't one of those movies that are accidentally labelled as gay themed just because they have a gay friend in one scene or something and then when one of the leads goes to buy beer with the girfriends boy friend it looked like maybe they were the gay couple because those two actors actually seemed to have chemistry...but no. I gave it five stars and I feel that I was very, very generous . Not great but watchable if you can't find anything better.

A soft tale of rite of passage for two boys. The story unfolds in an undramatic way. Nothing more than the absolutely necessary is explained. The acting is superb, awkwardness, confusion, fragility and desire all perfectly depicted on the actors' faces.

So do you suppose there is a way for me to sue Filipe Matzembacher and Marcio Reolon, the directors of this staggeringly boring movie, for my time back? This film was rambling, boring, pointless. I wondered if this even had a script and they just let the actors improvise. Nothing was solved. Nothing resolved. I finally kept fast-forwarding through it hoping that something would happen. The actors were cute and seemed to be able to act. But I certainly won't be looking out for anything by these directors again. What a waste of my time. What is it with gay movies that the creators seem to think they have to get artsy-fatsy? Straight love films have a beginning, middle and end. Why can't a gay movie?

I can understand this movie doesn't get the best rating from the average gay movie viewer. It stays away from most gay movie clichés. There's no mentioning of anything gay scene related. There's no dancing to cheap house music in a gay disco or bar. There's no muscular actors or too pretty characters with successful high paid jobs. There's no singing of musical tunes nor is there a group of happy gay friends sharing their latest flings. There's no straight guys to be turned and no rent-boys and hustlers to be paid. There's no diseases and it doesn't end in drama. There's no acting in which inner dialogue is is being constantly expressed in words. There's no gimmicks or tricks to keep you entertained nor endless music scores on piano. There's two boys that could have been your best mates at school (when you discovered alternative music, alcohol and smoking weed) who admit to loving each other more than they dared show before. I enjoyed the natural pacing of this movie, the timeless boredom of seaside towns out of season, the frustration of family and the recognizable (big) events in the little lives of the everyday characters involved. Well done, I need more of this!