CALIFICACIÓN DE IMDb
6.0/10
2.7 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaTwo boys on the edge of adulthood find themselves exploring their relationship.Two boys on the edge of adulthood find themselves exploring their relationship.Two boys on the edge of adulthood find themselves exploring their relationship.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 5 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A soft tale of rite of passage for two boys. The story unfolds in an undramatic way. Nothing more than the absolutely necessary is explained. The acting is superb, awkwardness, confusion, fragility and desire all perfectly depicted on the actors' faces.
Well, this film was about...uhm, what was it about? Nothing happened - and I mean NOTHING! It was about nothing. This was like watching someone's home videos. It is a very quiet film and very weirdly photographed. There's no chemistry between the actors. I wanted to hit the forward button to get the movie to move along, or just go somewhere! I wondered why some scenes ended up in the film instead of the editing room floor. This...was...so...slow...moving...
Yawn!
Yawn!
This is a pleasantly developed story, well acted and directed. The two themes interweave - coming to see a bullying father for what he is, and using the character of a gay friend to help Martin, who is the victim of his own father's anger, arrive at freedom and self-assurance. This is one gay character who is not angst ridden, but comfortable in his own life and consequently able to be a guide and support. The final sequence shows self-doubt being finally overcome. This is not an action movie, but a story of psychological development. It is of the utmost importance when watching this film to read the subtitles carefully. The film is slow in parts because these are teenagers given time to say things they find it hard to express. There is a lot of time given to plucking up courage. A good film, and I enjoyed it.
5B24
Here is an example of self-conscious introspection going in too many directions at once. Bad enough for the viewer trying to cope with shaky frames from hand-held cameras, even worse when the narrative slows for long, heavy pauses in either words or actions. One wonders why so many low budget films share this phenomenon. It is tempting to call out to the screen, "Get on with it, already!"
Still, there is charm in the notion that two young friends can figuratively swim their way, as ocean sounds play in the distance, through casual interruptions in a simple assignment to locate and retrieve a family document of some importance as they visit a beach house in the cold of winter. It might even be possible to salvage this film by cutting out totally irrelevant scenes that serve only to provide background for their respective characters. A filmmaker's self-indulgence in attempting to recreate a familiar story from his or her past reminds me of how quickly I run away whenever someone says, "To make a long story short..." which in fact becomes a stream of consciousness without an end.
Indeed, there is no clear end to this film. It just goes on and on.
Still, there is charm in the notion that two young friends can figuratively swim their way, as ocean sounds play in the distance, through casual interruptions in a simple assignment to locate and retrieve a family document of some importance as they visit a beach house in the cold of winter. It might even be possible to salvage this film by cutting out totally irrelevant scenes that serve only to provide background for their respective characters. A filmmaker's self-indulgence in attempting to recreate a familiar story from his or her past reminds me of how quickly I run away whenever someone says, "To make a long story short..." which in fact becomes a stream of consciousness without an end.
Indeed, there is no clear end to this film. It just goes on and on.
So do you suppose there is a way for me to sue Filipe Matzembacher and Marcio Reolon, the directors of this staggeringly boring movie, for my time back? This film was rambling, boring, pointless. I wondered if this even had a script and they just let the actors improvise. Nothing was solved. Nothing resolved. I finally kept fast-forwarding through it hoping that something would happen. The actors were cute and seemed to be able to act. But I certainly won't be looking out for anything by these directors again. What a waste of my time. What is it with gay movies that the creators seem to think they have to get artsy-fatsy? Straight love films have a beginning, middle and end. Why can't a gay movie?
¿Sabías que…?
- TriviaDespite the coincidence, the blue hair wore by Tomaz in the film has no relation to the character Emma in La Vie D'Adele. Beira-Mar was shot in July 2012, ten months before La Vie D'Adele premiere in Cannes, and the writers were not aware of the existence of the comic book. The color blue was chosen in reference to the story Martin tells about his childhood, when he got lost in the beach and lifeguards raised a blue flag meaning "lost child found".
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Detalles
- Tiempo de ejecución
- 1h 23min(83 min)
- Color
- Relación de aspecto
- 2.35 : 1
- 2.39:1
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