Café Society

There is a lot going against this movie. Jesse Eisenberg's character comes off as a complete asshole within 10 minutes of the film, thanks to a really terrible scene between him and a Jewish hooker. None of the humor in that scene landed, which just made the situation really sad and uncomfortable to watch, and then kind of difficult to root for Eisenberg at all after that. Steve Carell isn't bad by any means, but he seems incredibly miscast in a role like this (not to say that he can't act in roles that are more serious, but this Hollywood film executive didn't really suit him). Both of the Dorfman parents come off as really awkward on screen and thus kill any of the jokes that they're meant to deliver. The only actor that gives a notable performance in this movie is Corey Stoll as the brother, but it's not enough. Kristin Stewart was mostly fine, but occasionally started picking up some of her infamous Kristin Stewartisms throughout. Carell and Eisenberg become really close out of nowhere, both of the couples' relationships are sped up by Woody Allen's narration (which doesn't really add anything to this film), and this movie is only 90 minutes long, so I feel as if they could have definitely spent more time with all of these relationships, instead of just having Woody tell us what was happening. And on top of all of this, while this is a beautiful film to look at, there is nothing new in this movie. It's another Woody Allen movie with the same romances and love triangles centered around white people who like jazz with a pretty inconclusive and unsatisfying ending.

I liked it, fun, adorable... I found the rhythm a little slow, the narration always helps, not to get lost in space time, but the story could captivate more, a little dragged, but cute, it lacked a little bit of chemistry, despite being a fan of the two... Jesse Eisenberg s2 Kristen...

Set in the 1930s, a young Bronx native moves to Hollywood where he falls in love with the secretary of his powerful uncle, an agent to the stars. after returning to New York he is swept up in the vibrant world of high society nightclub life.

Café Society opened this year Cannes Film Festival and is the latest film directed by Woody Allen. It's a story that mixes various parts of the Allen back catalogue to varying degrees of success. A film that wants more than anything to entertain. In many ways Café Society could be said to restate almost all of the key ideas and themes of Woody Allen's films in one way or another: life, chance, fate, love and guilt.

It also comes from the movie providing the performances. Jesse Eisenberg is so seamlessly cast as the prototypical Allen protagonist that when the film shift from Allen's voice over to Bobby speaking it feels continuous. Bobby's broken heart has caused him to undergo a Bogartian growing up: from a gauche boy to a mature disillusioned man, trapped in the wrong marriage. Moreover, Kristen Stewart sad eyes, throaty delivery and slightly heartbreaking aura make her almost interesting, ad an easy chemistry between her and her third-time co-star Jesse Eisenberg and he fits perfectly into his role while she simply overflows the screen.

But if Café Society is Allen quoting Allen, sometimes literally, at least he's quoting his better bits. Surprise comes from the movie providing the honeyed cinematography by V. Storaro which uses silhouette, graphic compositions and glowing close ups in an often genuinely breathtaking manner. "Life is comedy, but it's one written by a sadistic comedy writer" says Bobby. The comedy writer Allen on display here is more wistful and nostalgic for the very concept of unfulfilled true love, for the heyday of the Hollywood star system, for a New-York of gangsters and back alley craps game and stolen kisses at dawn in Central Park. And all of that nostalgia is okay. Because we were getting pretty nostalgic for the good odd days of warm, witty, fond and funny Woody Allen too.

Make no mistake Café Society is still late-period Allen. Men are described in terms of their characters and complications, while women are still described in terms of their beauty and their effect on said men. When Blake Lively's character motherhood becomes the butt of an exchange between two men, about how women who become mothers devote way too much time to their children (and ultimately not enough to their husband); it's a sour note that reminds us that Bad Allen is always there, underneath.

Overall, this film is Woody Allen's most charming film since Midnight in Paris and maybe most beautiful to look at, maybe ever. It's a little pretty little reminder of what once was

I myself am a sucker for a movie that gives a take on old school Hollywood and Woody Allen did a beautiful job with Cafe Society.

The cinematography on this one did a great job of capturing the feel of 1930s California and New York city. I can't get over how beautiful this thing was shot. A knock out combination of lights setting and music to bring out the mood.

And the jazz numbers that lace this flick did just that for setting that beautiful tone

Jesse Eisenberg started off a little too much Woody Allen at first (one particular scene in the beginning that acts like a hilarious sketch routine, where Jesse's character Bobby buys a hooker). It did get some getting use to, before it became his own thing.

Corey Stoll's character Ben, a though Jew who becomes a night club owner, whole involvement in the film taste like Scorsese light, which only made it even that more interesting.

It's a good Woody Allen comedy,but They are all good to me. If you like one you like them all (but I'm more partial to the ones he does not star in, like this one), and it's super impressive he does one of these on annual basis and he's able keep the quality constant.

It'a funny film with laugh out loud moments, and very crafty narrative narrated by Allen himself. This movie is just another love letter with the city he loves (and a thoughtful P.S you're OK too California), and makes Woody feel like such a helpless romantic, but that's what makes the movie so good to watch.

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In my humble opinion most Woody Allen movies have a feel but some you can feel more than others and I do believe this is one of those stronger ones. Im sure it has something to do with the beautiful cinematography, scenery and costumes but also the love story was just so believable and Jessie Eisenberg and Kristen Stewart were just so genuine. Funny I don't normally even like those two actors but put them in a Woody Allen movie and it's a whole new performance. Lastly, I couldnt help but notice that most reviews on here are really good or really bad and that's most likely because you either get his movies or you don't. And I really got this one.