CALIFICACIÓN DE IMDb
6.5/10
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TU CALIFICACIÓN
Loïe Fuller era la estrella del Folies Bergères a principios del siglo XX, y fuente de inspiración para Toulouse-Lautrec y los hermanos Lumière. La película cuenta su complicada relación con... Leer todoLoïe Fuller era la estrella del Folies Bergères a principios del siglo XX, y fuente de inspiración para Toulouse-Lautrec y los hermanos Lumière. La película cuenta su complicada relación con su protegida y rival Isadora Duncan.Loïe Fuller era la estrella del Folies Bergères a principios del siglo XX, y fuente de inspiración para Toulouse-Lautrec y los hermanos Lumière. La película cuenta su complicada relación con su protegida y rival Isadora Duncan.
- Premios
- 1 premio ganado y 16 nominaciones en total
William Houston
- Rud
- (as Will Houston)
Matilda Kime
- L'assistante de Louis
- (as Mathilda Kime)
Argumento
¿Sabías que…?
- TriviaElle Fanning was first attached to play Isadora Duncan, but was later replaced by Lily-Rose Depp.
- ErroresLoie first performed at the Follies Bergere in the early 1890s, but the director of the Follies Bergere is driving an "olde tymey" car from perhaps 2 decades later when Loie ambushes him in his carpark in order to present an impromptu audition.
- Bandas sonorasDestined For Great Things
Composed by Nick Cave and Warren Ellis
Performed by Nick Cave and Warren Ellis
Opinión destacada
For the last several decades, we have had movies showing us the grime behind the apparently beautiful world of the dance. This is another in that by now too long series, one that has nothing new to add. We see lots of ugly backstage scenes, and then, very rarely, a glimpse of the beauty of a Fuller performance.
Part of that is because, if one were to judge from this movie, Fuller was very much a one-trick pony. She was not, in any significant sense, a dancer. Rather, she was a show woman who figured out how to use lighting and mirrors to create a beautiful, magical effect as she twirled around waving robes extended on bamboo batons.
In fact, however, the real Loie Fuller was a fascinating and very versatile woman involved in developing new lighting techniques and all sorts of other things to improve stage performance. This movie VERY much shortchanges her, and should not in any way be taken as a biopic. Why a woman director would reduce an evidently very intelligent and interesting woman to a pouting bundle of uncontrolled emotions I do not know.
If you were to believe this movie - and you shouldn't - there really wasn't much to Fuller's art. Nothing like ballet, or modern dance, or jazz dancing, or ... Just twirling around, waving her robes, while different colored lights and background mirrors enhanced the effect.
So we are left with her life. If it was at all as it is presented in the movie, and there is no reason to assume that that was the case, it was pretty miserable. We see that she spends lots of time building up her shoulder muscles so she can keep waving those robes, with the result that her arms often hurt. The light from the colored light hurts her eyes. She ends up in several confusing and bad relationships. A rough life, in other words. But the movie does nothing to make us care.
This movie needed a MUCH better script to make us understand and sympathize with Fuller. Otherwise, except for the few moments when she goes into her dance, it's just a lot of uncontrolled emotions that we have no reason to care about. It seems a real shame to have reduced what was evidently a very interesting and intelligent woman to a bundle of uninteresting emotions.
Part of that is because, if one were to judge from this movie, Fuller was very much a one-trick pony. She was not, in any significant sense, a dancer. Rather, she was a show woman who figured out how to use lighting and mirrors to create a beautiful, magical effect as she twirled around waving robes extended on bamboo batons.
In fact, however, the real Loie Fuller was a fascinating and very versatile woman involved in developing new lighting techniques and all sorts of other things to improve stage performance. This movie VERY much shortchanges her, and should not in any way be taken as a biopic. Why a woman director would reduce an evidently very intelligent and interesting woman to a pouting bundle of uncontrolled emotions I do not know.
If you were to believe this movie - and you shouldn't - there really wasn't much to Fuller's art. Nothing like ballet, or modern dance, or jazz dancing, or ... Just twirling around, waving her robes, while different colored lights and background mirrors enhanced the effect.
So we are left with her life. If it was at all as it is presented in the movie, and there is no reason to assume that that was the case, it was pretty miserable. We see that she spends lots of time building up her shoulder muscles so she can keep waving those robes, with the result that her arms often hurt. The light from the colored light hurts her eyes. She ends up in several confusing and bad relationships. A rough life, in other words. But the movie does nothing to make us care.
This movie needed a MUCH better script to make us understand and sympathize with Fuller. Otherwise, except for the few moments when she goes into her dance, it's just a lot of uncontrolled emotions that we have no reason to care about. It seems a real shame to have reduced what was evidently a very interesting and intelligent woman to a bundle of uninteresting emotions.
- richard-1787
- 22 oct 2016
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Dancer
- Locaciones de filmación
- Opéra de Vichy, 1 rue du Casino, Vichy, Allier, Francia(scenes in the American theatre)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 1,960,510
- Tiempo de ejecución1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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By what name was La danseuse (2016) officially released in India in English?
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