Lady Dynamite

It's a bummer when reviewers bring down the overall rating for a show because it isn't their cup of tea or doesn't work for them stylistically. I have a feeling the negative reviewers here were not familiar with Maria Bamford before watching Lady Dynamite. This is all her, this is her brand of comedy, and she's f'ing hilarious. Clearly many in the comedy community feel the same way, given the number of amazing people she's brought in to be on the show--another major highlight of the show for me.

Comedic sensibility is very personal and certainly this show isn't for everybody, but that does not make it garbage, as I believe one reviewer called it. In terms of the kind of show and style of comedy it's going for, Lady Dynamite is knocking it out of the park! It just might not be your park; good thing there are plenty of other TV shows out there.

At the beginning, I thought this show was, as people have said here, "derivative" and only marginally funny. Kept it on because I was doing something and didn't have the free hands to turn it off. I had a few chuckles and wasn't expecting much. But every single person on the show is a great comedian and/or actor, and the situations are novel. By the end of the second episode it had gained momentum, I was won over, but switched to The Americans. Then I woke up today and it was the only show I wanted to watch, for some reason it stuck with me. (Probably because it brings up memories of when I was in the music business and how people treated each other, and times when I made great money but walked away, but this time I'm laughing.) So I put on episode 3 and I've been laughing my ass off ever since. It gets funnier and funnier at each new episode!

I came onto IMDb just to find out more, and see there is a contingent for whom it isn't reaching. Well I would say, maybe you have to watch a few more episodes. But I'm someone who loved BoJack Horseman, Action, Party Down, Extras. Also, there are so many funny details that people might not get -- like the Minnesota hair when she flashbacks to Duluth, or the "Latin" saying on the wall of the church. When I see the flashbacks, I'm laughing already, before anyone opens their mouths.

If I were to watch this show as a comedy, I would have found it incredibly irritating and outrageously offensive. The show isn't funny, and I don't think it's really supposed to be. It's actually quite sad and deep.

It's about struggling with bipolar disorder. As someone who struggles with mental illness myself, I find it fascinating. It's like looking through someone else's eyes. I find that the structure of the show how things transition and connect is very reflective of how my own mind works.

My recommendation: If you want to better understand what it can be like to live with a mood disorder, watch Lady Dynamite. Don't watch it as a comedy though; watch it as dark, serious drama.

Lady Dynamite is so zany and out there that it was a little difficult to get a grasp on when I first watched it. Ironically, my difficulty with the material wasn't because there's nothing like it on TV but because I saw traces of nearly everything else on TV: The cutaways of 30 Rock, the awkward attempts at social justice statements from Master of None, the use of a comedic veneer to mask trauma that's shown on Unbreakable Kimmy Schmidt, the 4th wall randomness of Man Seeking Woman or Family Guy, and the feminist celebration of woman as proudly dysfunctional adult from Broad City. That's not even bringing up the long list of shows that feature a comedic actor playing exaggerated versions of themselves pursuing showbiz start-up that starts with the Larry Sanders Show and goes all the way up to Comedians, Difficult People and Garfunkel and Oates (all relatively stale editions of the genre because all the good plots in this genre have been used up).

Welcome to Peak TV: Where the overabundance of innovative voices on TV makes it harder to stick out and a comic voice as original as Maria Bamford is penalized for not coming out five years ago.

What's good news is that a lot of these complaints are less valid after a scattershot pilot that's loaded with every gimmick imaginable. After that, the show starts to even out and one can see some of the better creative decisions behind the show. It helps to separate the show from other entries in the "comedians playing themselves" genre in that Bamford isn't trying to advance her show business career at all. At times, she seems blissfully ignorant of exactly how well she's doing (her faux sister Susan is alarmed at how much she makes at a studio session). In another episode, she turns down Judd Apatow because in that particular episode, her new focus on life is about doing as little as possible in life. After a few episodes, one can better make the argument that this even if it's a clichéd genre, Bamford's work is the ultimate personal statement: Maria Bamford is simply figuring out her life and way of expressing it on screen as she goes along.

The show is a bit hit-or-miss on the strength of its plots but it helps that the 2nd and 3rd episodes-- dating a bisexual guy, trying to form a family band, and awkwardly attempting to be politically correct-- are winners.

I love comedy, especially stand-up. Louis, Chapelle, Hedberg, Burr, are who I consider Legends. I've seen Maria's stand-up in the past and I didn't quite get her or laugh at her comedy. Her name stuck though so I gave this show a chance. This show flings Maria at the world unapologetically. And I get her now! I see her unique talent. You can see that she has that incredible wit, that only comes with decades in the game. I'm really happy for Maria that this show is so great.

You work hard, and you just never know when your time is, well Maria's time is now it appears. She's very brave for sharing her depression, anxiety, mental illness with everyone-- Her humour overcomes it all in the end.