In Search of Fellini

USA Film Festival 2017 Greetings again from the darkness. Even In this age of "helicopter parenting" it's disconcerting to see such flagrant over-protectiveness as that perpetuated by Maria Bello's character on her daughter Lucy. For film lovers, it's even more disheartening to see how the mother uses "happy ending" movies such as It's a Wonderful Life to create the social bubble that results in 20 year old Lucy having never been kissed, and having no concept of reality (outside of what she has seen in movies).

Contrary to what that set-up would have us believe, director Taron Lexton's film is actually less Coming-of-Age and more 'Welcome to the Universe', and Lucy's journey of self-discovery is quite enjoyable to behold. Co-written by Nancy Cartwright and Peter Kjenaas, it's the 'based on a true story' of Ms. Cartwright's own personal journey prior to her nearly 30 year run as the voice of Bart Simpson.

Lucy (Ksenia Solo, Black Swan) is off on an interview-gone-wrong when she stumbles into a Fellini film festival. She is immediately entranced by the obscure imagery and often less-than-happy endings. In fact, she connects with the films in such a manner that she is inspired to travel to Italy and meet with the Maestro himself. Ms. Cartwright's real life motivation stemmed from watching Fellini's La Strada (1954), and she instantly saw herself in Gelsomina (played by the spirited Giuletta Masina).

Her travels through Italy are filled with ups and downs, and Lucy crosses paths with good people and bad. It's her first true life experience and we are along for the ride. The structure of the story is such that as Lucy is discovering life, her mother (Bello) is back home in Ohio slowly losing her battle with cancer while being nursed by her straight-talking sister (Mary Lynn Rajskub, Chloe from "24"). Such contrasting elements would fit right in to a Fellini film.

At some point, most movie lovers experience the awakening that occurs when graduating from pleasant, feel good family movies to more esoteric and philosophical cinema. Fortunately, this awakening typically occurs before age 20 and does not require an international trip or dying mother to allow us to grow as a person. Ms. Cartwright's willingness to share her story makes for interesting filmmaking and one of the more unusual coming-of-age (or Welcome to the Universe) twists that we've seen on screen.

I found this movie on the Kanopy site through my public library's subscription, viewed via Roku streaming.

This movie has somewhat mixed reviews and after watching it I have somewhat mixed feelings about it. Inspired by writer Nancy Cartwright's own adventures when she was younger, in this fictionalized story young Lucy is 20 in 1993, in Cleveland inadvertently stumbles into a Fellini film festival and is instantly mesmerized with the images those films convey.

So she sets out to go to Italy and look up Fellini. I suppose that would be like a French girl seeing "Taxi Driver" then traveling to New York to look up Scorsese. The movie is about her adventures and misadventures. Is it just a sort of "coming of age" story?

While I enjoyed it on a certain level, and the actress playing Lucy is very good, the last scenes are a bit confusing and when it was over I wasn't quite sure what the intent of the story was.

Amazingly not a valentine to Fellini, this strange film invents and fluently speaks its own language throughout. It is pure storytelling - never veering into hero worship, it stays with the story of this young, fascinated woman on her peculiar journey of discovery. It manages to extract some of the more dazzling and compelling images from Fellini's films, particularly not to say emphatically, Giulietta Masina in La Strada and weave it facilely with the character's "real" time experiences. (How did they do that?!) I expected the worst but instead found it romantic and lighthanded, at times delightful. Anyone who goes to this film in search of parenting wisdom, will likely be disappointed. We are - refreshingly - shown her upbringing as a fait accompli without moralization, or in Fellini-like fashion. The film is the opposite of prescriptive.

Very lovely work.

If you're looking for a typical Hollywood cookie-cutter predictable film, stay at home and watch Bridget Jones because this isn't one of those.

Its stunning photography and enough of a Fellini film's "Huh?", mixed with a story which made me have to suspend belief a couple times but then I remembered it's not a documentary so I was good again. Oh, yeah - it's a movie! I got immersed, involved and actually got a bit emotional at the end.

I probably came away with a slightly different take on what the film was about than you will, and that's my favorite thing about art. Go see it and enjoy the beauty of your own journey with this lovely film.

I don't recall exactly how I found this film just a short while ago, but it looked like a light, pleasant tale that included some beautiful Italian settings and an interesting arty plot. I was right with the settings, but this film delivered quite the punch just as it very likely planned to align with the beauty, but also the dramatic content of Fellini's films. I'm far from an expert on Fellini and I've only glimpsed a few scenes over the years, but I think I understand the stature of his work. So if the emotions conjured up by this little modern gem is similar to that of the maestro, I should try have a deeper look at Fellini's work.

So, I was rather surprised and taken aback a few times with the seriousness, fear and emotional weight of some of the scenes in this film. Many other scenes were almost pure art form and created quite the ball of confusion. What was she really experiencing and seeing? And how could the opening message of "Inspired by a almost true story" be true? In IMDB, it says that the film was inspired by a real adventure taken by co-writer Nancy Cartwright, the voice of Bart Simpson. I'm going to rate this is solid 7 or possibly an 8 for the simple reason I think I want to watch it again.

It was beautiful, sad, sexy, scary, joyful, hopeful. It was a real rollercoaster of a ride. But it's not for everyone, maybe not an enjoyable ride for many people. But I liked it, a lot. 7/10.