Una historia gótica de obsesiones entre una joven atormentada en la Alemania del siglo XIX y el antiguo vampiro de Transilvania que la acecha, trayendo consigo un inefable horror.Una historia gótica de obsesiones entre una joven atormentada en la Alemania del siglo XIX y el antiguo vampiro de Transilvania que la acecha, trayendo consigo un inefable horror.Una historia gótica de obsesiones entre una joven atormentada en la Alemania del siglo XIX y el antiguo vampiro de Transilvania que la acecha, trayendo consigo un inefable horror.
- Dirección
- Escritura
- Estrellas
- Nominado a 4 premios Óscar
- 60 premios ganados y 194 nominaciones en total
Gherghina Bereghianu
- Innkeeper's Mother-in-Law
- (as Georgina Bereghianu)
Katerina Bila
- Virgin on Horseback
- (as Kateřina Bílá)
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Resumen
Reviewers say 'Nosferatu' is lauded for its visuals, gothic atmosphere, and strong performances by Lily-Rose Depp and Bill Skarsgård. The film's meticulous detail and haunting score are appreciated, though some find the pacing slow and story unoriginal. Themes of isolation and obsession are well-explored, but narrative clarity is criticized. Practical effects enhance the immersive experience, yet the film's length is seen as tedious by some.
Opiniones destacadas
Good, but I prefer Herzog's version
It wouldn't make much sense to compare this efx heavy remake to the black and white original (an unauthorized rip-off of Dracula). But I couldn't help comparing this to Herzog's 1979 version and would recommend any fan of this movie who hasn't already seen that one to check it out. Here's why:
Unlike Lily Depp, Isabelle Adjani projected a vulnerability that made her sacrifice all the more brave.
Eggers' screenplay basically just dresses up the original with some long-winded dialog, particularly dragging the last half out to annoying lengths. His biggest changes were the addition of shock efx imagery inserted at critical moments to amp up the horror. For me, they had the opposite effect - distracting reminders that we were watching an "artsy" film.
The CGI enhancements add some stunning visuals in places, but by lessening the authenticity they lower the horror aspect. For example, in Herzog's version, seeing thousands of real rats flooding the dock (a marvel of animal wrangling) evokes the utter horror of the moment while the rats in the new version just look like background rats in a video game.
Eggers' biggest strength is his eye for detail. The costumes are gorgeous. The settings as well. The film comes alive when Hoult arrives in Eastern Europe. The gypsy and peasant scenes are the best in the movie.
Ralph Ineson is excellent. The rest of the cast is good. I found Depp too cold and unlikeable from the start. I gave up trying to catch all her whispery dialog, ditto for the garbled rumblings of Nosferatu in a few scenes.
This film will no doubt be more enjoyable to those who haven't previously seen Herzog's, as it will seem more original and the drawn-out scenes less laborious.
I should add I'm a huge fan of The Witch and I appreciated much that was good in this film. It just wasn't a grand slam for me.
Unlike Lily Depp, Isabelle Adjani projected a vulnerability that made her sacrifice all the more brave.
Eggers' screenplay basically just dresses up the original with some long-winded dialog, particularly dragging the last half out to annoying lengths. His biggest changes were the addition of shock efx imagery inserted at critical moments to amp up the horror. For me, they had the opposite effect - distracting reminders that we were watching an "artsy" film.
The CGI enhancements add some stunning visuals in places, but by lessening the authenticity they lower the horror aspect. For example, in Herzog's version, seeing thousands of real rats flooding the dock (a marvel of animal wrangling) evokes the utter horror of the moment while the rats in the new version just look like background rats in a video game.
Eggers' biggest strength is his eye for detail. The costumes are gorgeous. The settings as well. The film comes alive when Hoult arrives in Eastern Europe. The gypsy and peasant scenes are the best in the movie.
Ralph Ineson is excellent. The rest of the cast is good. I found Depp too cold and unlikeable from the start. I gave up trying to catch all her whispery dialog, ditto for the garbled rumblings of Nosferatu in a few scenes.
This film will no doubt be more enjoyable to those who haven't previously seen Herzog's, as it will seem more original and the drawn-out scenes less laborious.
I should add I'm a huge fan of The Witch and I appreciated much that was good in this film. It just wasn't a grand slam for me.
Fell short of the hype it received
The movie doesn't quite live up to the hype it has built over time. While the cinematography, costumes, and sound design are impressive, the film falls short where it matters most-delivering real horror. Lily shows promise as an actress, but her tendency to over-exaggerate certain scenes takes away from the immersion. The slow pacing and lack of genuine scares make you double-check if you're even watching a horror movie. Despite a few good moments, it ends up feeling underwhelming and forgettable. Nosferatu felt less of a creepy vampire but more of a old man with a deep and weird voice. Not the worst, but definitely not memorable.
Ridiculous overacting
It is boring. The acting is way too much and ridiculous overacting. The crying, the terrified faces and behaviour all felt so overplayed and unnecessary. The scenes, images and costumes are very impressive but that's about it. I didn't like any of the characters, Lily Rose Depp and her husband are not my definition of beautiful or handsome. The count's "breathing" is very annoying too.
The scenes as individual images were really well-made. I like historical settings in movies but overall, the film felt pretentious and self-indulgent, trying too hard to impress without delivering real meaning or a real story.
The scenes as individual images were really well-made. I like historical settings in movies but overall, the film felt pretentious and self-indulgent, trying too hard to impress without delivering real meaning or a real story.
Did Not Do It For Me
I usually love Robert Eggers' work - his films have this unique ability to pull you into eerie, unsettling worlds that linger with you long after the movie has finished. But his take on Nosferatu just didn't land for me.
The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.
To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.
Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.
To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.
Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
It's..... something
I was very excited to see this movie and finally went to see it. And it is....... Fine.
I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.
It also wasn't very scary. Very creepy! But not very scary.
The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.
The actors are good but overall the majority of the film feels pointless.
The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.
I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.
It also wasn't very scary. Very creepy! But not very scary.
The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.
The actors are good but overall the majority of the film feels pointless.
The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.
Banda sonora
Previsualiza la banda sonora aquí y sigue escuchando en Amazon Music.
¿Sabías que…?
- TriviaThe exteriors of Orlok's castle were filmed at Hunedoara Castle, also known as Corvin Castle, a Romanian castle located in Transylvania and one of the largest medieval castles extant in Europe.
- ErroresWhen Willem DaFoe sets fire to Knock's coffin, you can clearly see the gas jets igniting under the coffin.
- Citas
Ellen Hutter: Professor, my dreams grow darker. Does evil come from within us, or from beyond?
- Créditos curiososThe Universal Pictures, Focus Features, Maiden Voyage Pictures and Studio 8 production logos are 1920-styled versions, in homage to the era Nosferatu (1922) released.
- Versiones alternativasThe "Extended Cut" features four minutes of new footage, lengthening two scenes that were already included in the theatrical version. The first new scene is a Count Orlok monologue, responding to Thomas's mention of the ritual witnessed at a tavern during his journey, where the townspeople dug up a body from the forest and impaled it with a stake. The second scene shows more of the Second Night and foreshadows Ellen's eventual acceptance of agency over her own fate.
Selecciones populares
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Director Robert Eggers' Essential Watchlist
Director Robert Eggers' Essential Watchlist
Nosferatu director Robert Eggers recommends four of his all-time favorite films + one beloved TV series which he regularly returns to for inspiration and entertainment.
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Ma Cà Rồng Nosferatu
- Locaciones de filmación
- Corvin Castle, Transylvania region, Rumanía(Castle shown in the trailer, 40-second mark)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 95,608,235
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,652,560
- 29 dic 2024
- Total a nivel mundial
- USD 181,764,515
- Tiempo de ejecución
- 2h 12min(132 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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