Touch

From the very beginning of the review, the name pinned in my head was Alan Kurdi. A three-year-old Syrian boy whose image made global headlines after he drowned on September 2nd 2015 in the Mediterranean Sea. Yes, that poor baby was a refugee and after that incident in overnight the refugee as well as asylum seekers crisis became a global issue. Nowadays in world politics, this is one of the most consequential issues. The short film 'Touch' shows how after surviving war, how those poverty-stricken vagrants are persisting in their lives.

The story begins with a Tamil interpreter who is fighting for the Asylum seekers in Australia. The current situation of the Asylum seekers makes her frustrated and her frustration level forces her to quit the job. But in a last massage therapy session, an asylum seeker's dreadful and nightmarish past changes her way of thinking. The asylum seeker lady had a beautiful untroubled and gleeful past with her parents, husband, and babies. But war demolished everything. Armies brutally murdered her husband, not only that the bloodthirsty monsters gang raped the helpless woman. Through a lot of obstacles, she alone escaped from her country and came to Australia. The severe trauma of that incident took away all her emotions. During the massage therapy, she reminisces about her past and burst into tears. This incident remolds the frame of mind of the interpreter.

These poor refugees and asylum seekers are forced migrants, they are forced to leave their homes and seek protection as a result of conflict or persecution. According to a report, about 86% of the world's refugees are living in developing countries. Australia's humanitarian intake has remained relatively steady over the last 20 years, with around 12,000 to 13,000 people typically accepted every year. The barbarism and cruelty during the war; the helplessness of the refugees, are perfectly pictured in the film. All the actors did their job so perfectly and passionately that it is really very difficult to mention ones. Especially the character of therapist took the eye and I think every refugee needs that motherly "Touch". Editing and sound quality incomparably harmonize with the film. Story line of the film is so proficient and up to the par that music in the film was like an auxiliary.

Refugees who have lost their own country, own culture are also ordinary people like us. These helpless people should get some privilege and sympathy. We don't want to discern another Alan Kurdi. Only love, care, and attachment can help these poor people to retrieve their normal life again. Director Ghirija Jayarraj needs a lot of kudos and claps for giving us such a sublime message.

Arindam Bhunia/Cult Critic/CICFF

I am a coward when it comes to movies with any sort of violence in them. I'd rather not watch. Make-believe violence, like in James Bond movies: that sort of violence bothers me not at all. But real violence, violence that I know or suspect the reality of, that sort of violence depicted in a movie bothers me no end. It occupies my mind for days and agitates me no end.

But, of course, violence is real. One cannot not see violence. It is something we must see and acknowledge. And it is something we must address. In many nations we see one group of people or more singled out for an extra dose of violence: African-Americans in the US; the Uyghurs in China; low-caste Hindus in India, and now increasingly Muslims as well. It's important to see this violence and it's important to speak out against it because, as Martin Luther King said so very well: injustice anywhere is a threat to justice everywhere.

For our own sake, for our children's, even if for no higher altruistic reason, we must see violence and recognize and condemn it. I twice abandoned "Touch" anticipating having to face up to violence. The third time I did watch through.

There is the violence that nation states quietly and routinely subject their own to for the sake of economic and political gains that accrue to political overlords, and to those who fund the political overlords for their own selfish interests. There is also transnational violence that drives entire industries and economies. We know that Julius Caesar went to war in 80 BCE because he were deep in debt and had to do something to avoid the debtors' prison. So he went forth to loot and plunder and capture people to sell as slaves. Today American presidents cook up excuses to fuel perpetual wars around the world to keep a lot of US industry working and a number of its people employed.

The victims of the violence that our governments visit, whether upon their own people or upon people in some other land, that violence ravages the lives of many. Many who are not silenced, not killed, must flee, and it behooves us all, all across the world, to provide sanctuary to people so traumatized and uprooted.

"Life is mostly froth and bubble Two things stand like stone Kindness in another's trouble Courage in your own" (Adam Lindsay Gordon)

Produced by Ghirija and Gopi Jayarraj, siblings, "Touch" is a movie about a refugee, Salvi, who flees Sri Lanka for Australia. It is by way of being a supplication to us to look kindly upon people who have suffered, people ravaged and brutalized, people who have had to flee. The movie tells us again, like Shakespeare once did that

"The quality of mercy is not strained It droppeth as the gentle rain from heaven upon the place beneath It is twice blest It blesseth him that gives and him that takes."

"Touch" is also a testament to the kindness of strangers. What does it help for Nicole to massage Salvi? It did not strike me first as something that would be any use at all. It took me a while to realize that the act of touching someone really is the core of this movie as it is also the core of our lives. There is no better way to show our love, our belongingness, our caring, our compassion than by how we physically touch another person.

Those people we abhor, those are the ones who become untouchable to us. The exclusion of shudras in India, the separate toilets and water-fountains of old for Whites and Coloreds in the US: the withdrawal of contact is everywhere a symptom of hate and intolerance.

It is a mother's touch, on the other hand, that gives us our lives. It is a lover's touch that gives us some of our greatest pleasures. So yes, I understand now why it is important that Nicole should offer Salvi a massage. I understand why Ghirija and Gopi call their movie "Touch".

Give it the twenty-seven minutes it asks of your time, and you will find it a benediction of sorts. Ghirija and her family had to flee Sri Lanka or die when Ghirija were but two years old. Today she is a Bharatanatyam and Odissi dancer, a movie producer, an artist of great sensitivity, and she is all that that because her family found sanctuary, first in India, then in Australia.

And it is true I think that people who lose everything sometime in their lives, if they survive, they have a great deal to give all the rest of us who have not had to pass that trial by fire they worked their way through.