Taekwondo

Boy, talk about a slow burn! This is a gorgeous to look at film about a group of good looking straight (?) young men who get together for a weekend and spend much of it naked and stoned discussing their previous or next sexual conquests. Thereafter, it isn't really about anything - or did I miss something? We get a sense from early on that Gabriel Epstein "Germán" has the hots for his taekwondo buddy Lucas Papa ("Fer") but the meandering way in which this story progresses makes for a terribly ponderous route to courtship. It isn't that it needs to be end to end sex, it's that it ought to be end to end something! Basically, nothing happens....

From the first scene I knew I would enjoy this movie. I loved Call Me By Your Name for how intimate and real the setting felt, which is certainly present in Taekwondo too. The long shots of different details of the house that the movie spends all its time in; the zoom ins on the little, habitual actions the characters take; the non-existent censorship that doesn't necessarily make certain scenes or shots crude, they are purely shown for what they are - they made it feel like I was there. The lack of structure in the storyline and the mundaneness of the characters' conversations and activities added to that feeling too.

However, it felt like this aspect of Taekwondo took over the majority of the movie, so much so that the actual genre that it's supposed to be was barely present. While Taekwondo is supposed to be a gay romance, there is no actual romance until the last minutes or so. What we do get feels like a blink in comparison to the entirety of the movie. I understand that the non-sexual intimacy between Fernando and Germán, the two main love interests, that we see right from the beginning is part of their romance, but it's just too little. Especially considering the fact that many people would come into this movie with the expectation of a gay love story.

I think the movie as it was was lovely and atmospheric, and I don't necessarily think there needed to be more romance, although it would have been nice. But perhaps the producers could have altered how Taekwondo was marketed, so that it didn't appear as a romance movie as much. That said I don't know the details of how marketing went about for Taekwondo because I found out about this movie on someone's watch list.

All in all though, if you like watching men without the toxic masculinity present and in all their glory, and if you simply want a movie to escape into, I'd recommend this. I would suggest to look for other movies however if you're particularly looking for gay romance.

If you want to appreciate male beauty then this is your canvas: the torso, the legs, the chest, the thighs; everything is here. This movie is about the art of capturing male beauty at its finest hue. It is slow-paced to make you absorb the beauty. Moments of silence really gives you the chance to absorb what the camera has captured.

As a film that touches on the male relations subject, I found it refreshing how it approached the theme from a non-stereotypical stance. It is about discovering, and getting comfortable with each other, from a minimal dialogue. It is about being present, there and then. This is what I applaud Marco and Martín for. It wasn't about filling the conversation but it was about giving the audience the chance to grow with the characters by appreciating them by getting to know them.

The men in this work of art are just breathtaking; the perfect dose for those who appreciate Latin men beauty. It is an Argentinean film so you really get what Argentina has to offer in terms its accent and its men: the Arab-looking, the Spanish-looking, the Italian-looking, the Swedish-looking, the Russian-looking. Everything!

The movie was a bit too is low for my f Taste but it is a good movie and also it is good for the eye candy.

That could have been made in a 30 minute short movie but the story can be very compelling.

In 2014 I thought and wrote of Berger's Hawaii... Berger's use of eroticism is a bit obvious in this. Perhaps because I've seen his moves before, they stand out as a bit contrived.

It seems for Taekwondo the only effort to stretch and evolve has been to up the ante of sexual tension with more men and more (much more) nudity. Again Berger shows us that eroticism is introduced by so much more than sex. Its still an animal notion of combined human attraction, contact and bond. The movie clings to his oft used narrative "will they or wont they" but here it felt reduced to teen angst. I recognized some effort to add questions of machismo, sexuality (as usual) and questions of the bonds of friendship. If you've seen Berger's wonderful "Plan B" or "Sexual Tension" "Absent" or "Hawaii" you've see most of the tricks and many of the shots also used in this movie as well as pacing, shot composition, and narrative exploration before, but in a better movie than this one.