Guerra de papás 2

This, in my opinion, is a fantastic movie. The actors and actresses are phenomenal. I do love that they added Mel Gibson, who plays the perfect "dad" to Mark Wahlberg. Will Ferrell and John Lithgow are a true match for a "father/son" combo.

To me, this movie is uplifting and all around fun. I, unfortunately, deal with a lot of stress/anxiety but I turn this movie on and it "soothes" me.

I can't wait for number 3.

Thank you to all the wonderful people who made this movie happen.

A depressingly nihilistic film that would have at least been commendable for its unabashed cruelty - that is, if an out-of-place clichéd 'happy ending' hadn't been tacked on. As such, it only works as an exercise in awkward gags and uncomfortable dramatic beats, hammering the final nails into the coffin of three careers while it's at it. Now, if you're looking for a darkly comic view at a dysfunctional family, you'll find this for the first half of the film. If you want an upbeat, feel-good family comedy, keep your fingers in your ears and your eyes 'wide shut' until the final twenty minutes. If you want a good Christmas film, I suggest you go home and put The Polar Express back in the DVD player.

If you liked Daddy's Home you'll love the follow up, I have no doubts about that.

The addition of John Lithgow and Mel Gibson was inspired. The casting was spot on, and in particular the chemistry between Lithgow and Ferrell was just exceptional.

As you'd expect, Will Ferrell and Mark Wahlberg both smashed it, showing once again that they have fantastic on screen chemistry.

The humour was great, the story was fun, and it had a lovely Christmassy vibe. It doesn't reinvent the wheel, rehashing some of the same jokes/themes from the first film, but that doesn't mean they aren't still funny and there are enough new ideas to keep things fresh.

A great laugh and a solidly entertaining film!

Comedy and tragedy have always gone together hand-in-hand. Every great comedy tends to have its bitter-sweet moments: Roberts Blossom as the "shovel-killer" grandad in "Home Alone" (who always reminds me of my late Dad... in appearance I might add, not that he was a shovel killer!); John Candy's depressed shower-ring salesman in "Planes Trains and Automobiles"; Ron Burgundy bawling in a phone box in "Anchorman". The balance between the two is the key thing and comedies can sometimes get it wrong (the Bird Woman in "Home Alone 2" for example!).

Here is another case in point: "Daddy's Home 2", which has some laugh-out-loud comedy moments, but is generally so utterly drenched in schmaltz and sentimentality that the film becomes far harder work than it should be. (By the way, I never saw "Daddy's Home" (but read the IMDB synopsys): it was not a prerequisite for seeing this movie).

Will Ferrell ("Get Hard", "Anchorman") reprises his role as the somewhat incompetent Brad, 'sharing' his family of kids and stepkids with the much more streetwise Dusty (Mark Wahlberg, "Patriot's Day"). After a poignant school recital, the pair realise the damage that a distributed Christmas is doing to their offspring and they determine to spend Christmas all together this year. In the process they vow to try to put aside their attempts at one-upmanship - "the harbour is closed" - in the interests of giving everyone the best Christmas ever.

But their plans are turned upside down when their fathers also turn up for Christmas: Mel Gibson (in a sublime piece of casting) plays Dusty's dad, astronaut-hero Kurt, who is even more macho and extreme than Dusty, and John Lithgow ("Miss Sloane"; "The Accountant") plays Brad's airy-fairy father Don... the apple has not fallen far from the tree there.

Kurt forces the family to 'fight' Christmas on a neutral turf by renting a palatial AirBnB in a snowy wilderness. Tensions rise between the diverse individuals until a breaking point is inevitably reached.

There are some great farcical sight-gags in this movie. Quite a few of the funniest ones are spoiled by the trailer, but there are still a few standout routines that made me guffaw. A hi-tech shower is predictable but funny; and Brad's use of a snowblower to apocalyptic ends is the funniest scene in the movie.

Wahlberg and Ferrell are a trustworthy double act (after their initial surprise pairing in "The Other Guys"). Gibson and Lithgow also inhabit their roles perfectly, although it was hard of me to relate to either of them. The scene on the airport escalator as they arrive is very well done.

The supporting cast all play their parts well: ER's Linda Cardellini as Brad's wife and Dusty's ex-wife; Brazilian model and actress Alessandra Ambrosio, as Dusty's (almost unbelievably good-looking) new wife Karen; and WWE star John Cena as Karen's ex-husband. (Doesn't ANYONE stay married in the US any more?). The kid stars - Didi Costine, Scarlett Estevez and Owen Vaccaro - are also good, with Estevez being particularly appealing. Watch out for a funny cameo in the final scene as well, which I found very amusing ("You only have one story" ... LoL).

What drowns out the comedy though is the sentimental storyline around a personal tragedy being lived out by one of the family. The angst and nasty back-biting that surrounds this I found neither funny nor pleasant. The story builds to a snow-bound cinema (showing "Missile Tow" starring Liam Neeson... a great "pointless answer" for the BBC's "Pointless" quiz!) and a finale song that is just so over the top that it has both an "awww" factor and is bile-inducing all at the same time. The screenplay is by Sean Anders and John Morris, with Anders also directing.

Will Ferrell films can be like a game of Russian Roulette, and I fully expected this to be truly awful. It wasn't, and as a Christmas comedy it is an OK watch... and thankfully significantly above "Jingle all the Way"!

(For the graphical review, please visit bob-the-movie-man.com or One Mann's Movies on Facebook. Thanks).

These days I rarely enter an IMDb review. And when I have in the past it has usually been to offer an under-represented opinion. Here goes:

I suspect that some critics are triggered by bits that appear in trailers for the film, like the running joke that Will Ferrell kisses his father John Lithgow as Mel makes wry commentary on it. What someone today might call "gay panic" or "homophobia" is actually better described as CULTURE SHOCK, a term without so much judgment. It is all part of a character arc and effectively underscores the difference in parenting styles at the heart of the movie's conflicts.

This movie opened on my father's birthday, which might have been a good time to see it (or a terrible weepy time) but I had to work. I finally saw it and had the cinema all to myself on a Friday afternoon. The movie deserves more success. It is about on par with most Christmas dysfunction movies like Christmas Vacation. Watching a few of the set-piece moments, especially where they culminate, I am flabbergasted that critics have been hostile. Rotten Tomatoes guaranteed fresh the remake of Ghostbusters and this movie gets a splat? Something is rotten besides tomatoes in the state of Denmark.

The movie skewers gun safety, drinking, and Christmas rituals --- while introducing something I've never heard of: Do people dress as characters in public Nativity scenes? Overall, I found the movie pleasant and mild. The actors are all charming, even the model girlfriend who actually does have a discrete character that isn't quite a cliché.

You can safely disregard any review by a Mel Gibson hater. Adam Carolla's co-host reported Mel saying some quite correct and positive things about the trend of holding abusers accountable, but then she couldn't resist what she called a "refresher" on Mel's past troubles. Those kinds of "refreshers" tend to leave out CONTEXT!!!! and also tend to omit the factor of alcoholism and bipolar disorder, two valid obstacles which I am pleased to see him overcome. He is quite funny in this. I hope he keeps acting (and directing).

There is a fun movie within a movie that is an interesting commentary on Hollywood taste. The movie had me laughing (albeit alone in an otherwise empty theatre) and pretty much smiling the rest of the time. I found it to be a notch better and funnier than the original. Will and Mark are a bit more grounded here. The one scene that didn't work for me as physical comedy was a snow blower catching a string of Christmas lights and pulling it dangerously around, only because it reminded me of a cable snapping in the Piranha remake and slicing someone. The possibility of serious injury was prolonged a few seconds too much. But most of the movie is about little mundane moments and conflicts people can rise above. The ending is Christmas Movie cheesy and that is okay with me.