Starfish

It is very pretentious though. This is a one-man live action dream, a nightmare or a trip. It has a single track plot, nauseatingly slow with chaotic details and a few peekaboo scares. It reconnects with reality and speeds up closer to the end. Monsters and vfx here are not to amaze but to add to sophistication. Somber and ethereal music makes for a more enjoyable experience.

I will always love discovering new filmmakers that clearly have the potential to grow throughout future projects. Even if their first outing doesn't quite blow me away, talent is talent, and I believe this exact statement is worthy of mentioning director A.T. White. Directing short films and working in the music industry, those are two very similar fields, in terms of expressing visual style in a short period of time. Starfish is his first official feature film to be given a wide release and although it does feel like an elongated, independent music video, there is also a lot to like here.

Following Aubrey, as she grieves the loss of her best friend, she also wakes up to realize most of the world has ended and she may be the only person living, among a few new creatures that have found a new resting place. The premise of this film alone is what sucked me in and many of the visuals held my interest, but I have to admit that the way this story is told kind of wore thin by the time Starfish reached its third act. I actually almost started disliking it when a certain fourth-wall moment happens, but I forgave it for not lasting too long.

As mentioned earlier, director A.T. White comes from a background of short films and music, which is why this movie felt like a long music video at times. Told through many bizarre visuals and many high-key dramatic scores, quiet is definitely not a term to describe this one. There were times when, even though very good, the score felt incredibly unnecessary, but I admire the desire to place music in certain scenes. Also composed by White, there's a clear vision here and all I can do is commend the effort.

Having worked with White in the past, Cinematographer Alberto Banares is another standout here. The way certain things are framed or manipulated was clearly done in-camera, which is always something I admire in any film. If for nothing else, this is a movie that benefits from a solid score, some superb cinematography, and very coherent direction that is seen through from start to finish. Having a talented star in Virginia Gardner (known most notably for Marvel's Runaways) didn't hurt either.

In the end, Starfish is a film that I loved in concept and enjoyed quite a bit throughout the first two acts, but I could see what it was going for and the revelations didn't work for me throughout the final few minutes. Everything about this movie is admirable, but that's all I really got out of it in retrospect. I can't recommend this movie to average filmgoers, but it may be worth a shot for those wishing to pursue a filmmaking career. There are a lot of impressive techniques throughout this movie.

Some movies you have to "pause" when you go to the bathroom. This is the kind of movie that you can "start it" go wash your car come back and you would have missed nothing. In a one women show the turtle got voted "best new comer"... seriously though there's nothing here. Productuon values are good. Virginia Gardner the lead and only character in the movie is very good. The writer/director had nothing to say no story to tell. Well he did have a story to tell but seems he chose not to tell it or lost it in editing. Just kidding this movie was not lost in the editing room. Starfish is what you get when you have a kernel of an idea and a slightly smaller kernel of imagination. (6 turtle puns deleted out of respect for the 3 people who will read this review)

This movie may have been billed as Drama/Horror but essentially it's neither. Although the premise of the film is a girl battling thru the end of the world in which monsters have come thru from another dimension, its really just all a bunch of metaphorical hooey that the writer/director was using to express his personal grief issues. Thus the only person who truly understands this movie is its creator, the rest of us can only take our best guess as to what it all means. My interpretation is that the star represents the director, coping with some marital and grief issues and the monsters are the occasional terror and anxiety they felt in their isolation. The premise of some magical sound hidden in the various mixtapes feels like a thin veil put on the film so it could be categorized. If you want a monster horror flic, this isnt for you but if you have a personal relationship with grief, loss, or regret, then you may find some understanding in the film, but dont look for any big answers.

The good: the lead is breathtakingly beautiful. Good actress too. The cinematographiy is very clever and eyecatching. The bad: a "thriller" this ain't. It could be bottled and sold as a sleep aid. I literally fell asleep halfway through.