Una fuerza misteriosa saca a la Luna de su órbita alrededor de la Tierra y la hace estrellarse en un curso de colisión con la vida tal como la conocemos.Una fuerza misteriosa saca a la Luna de su órbita alrededor de la Tierra y la hace estrellarse en un curso de colisión con la vida tal como la conocemos.Una fuerza misteriosa saca a la Luna de su órbita alrededor de la Tierra y la hace estrellarse en un curso de colisión con la vida tal como la conocemos.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If you go into this movie expecting anything other than cheesy acting and a preposterous story the you will be sorely disappointed. If you go in with your brain in neutral then you might just have some fun. Halle Berry brings a little gravitas to her role but Patrick Wilson and John Bradley ham it up for all it's worth. The special effects are pretty good and no one does end of the world stuff like Emmerick does. It has something that a lot of other movies lack, s sense of fun. It knows it's audience and never pretends to be anything other than a popcorn flick.
6/10 - with the visuals of a true space blockbuster, this B movie features nonsensical dialogue, many many characters that serve absolutely no purpose, and an absolutely insane third act...but nonetheless, it's fun.
This movie will bust the counter at Cinemasins by violating all laws of physics and common sense while adopting every single cliché possible.
If you want science, watch a scientific program with real scientists.
This is a popcorn movie where nothing makes sense and you just enjoy the ride.
If you want science, watch a scientific program with real scientists.
This is a popcorn movie where nothing makes sense and you just enjoy the ride.
I don't think it's a bad movie. The effects were great. The movie üas just too long, longer than necessary. The subject of the movie is, of course, very, very, very ridiculous, but so are many movies too. I enjoyed watching the movie with my snacks and beer. I guess I like these kinds of movies, even though they're silly.
Being a Millennial, I can attest to our generation that it was a great time to be alive with "Independence Day" and "Godzilla" being some of our favorite tween-age blow-up-knock-down action movies to go see with our friends in the theater 3 times in the same day, with campy yet lovable characters like Will Smith and Jeff Goldblum. Those were the days. I still enjoy watching those flicks from time to time - not just for the nostalgia. They are still quite entertaining in their own right.
Now we have "Moonfall" some 25 years later. Cut from the same construction paper, but more like pieces of old scripts from Roland Emmerich's late '90s writing room shredder taped together in hopes the characters and dialog would be usable in telling the grandiose destructo-type story instead of just talking props. Speaking of which, I give props to Halle Berry, Patrick Wilson, and John Bradley (who actually had a solid character to go with his style) for trying, but it simply wasn't enough.
I've listened to commentaries and interviews with Emmerich and I personally think he doesn't have good instincts on how to put a balanced action film together since the mid 2000s (with the ID4 sequel, if you watch the deleted scenes cut what would've been the best and most meaningful scenes of the entire movie) with the aim of just going big and loud, using any means whatsoever. It works...until it doesn't. Action fatigue sets in frequently in this and many of his recent past movies. It's alarming when I am physically incapable of caring less about the world ending than watching these characters attempt to get from beginning to end - in fact, there was no palpable peril despite the entire earth getting properly f'ed up, we only see it in overhead shots of floods and earthquakes and meteorites (I think COVID may have had something to do with not being able to have scenes with dozens of extras on the ground clamoring over each other like in all other action flicks from the days of yore).
However, the concept was intriguing and in my opinion, pretty great. It reminds me of Arthur C. Clarke's "Rendezvous with Rama" but with the Moon instead of a floating cylinder in space. I really did enjoy watching the last 20-30 mins or so play out after an hour and a half of random skipping around characters trying to hatch the plan to get us to that point while trying to make the audience like and/or care. If the script had half the heart and good campiness of something like "Independence Day", it definitely could have kicked my rating up a little.
Wait for streaming.
Now we have "Moonfall" some 25 years later. Cut from the same construction paper, but more like pieces of old scripts from Roland Emmerich's late '90s writing room shredder taped together in hopes the characters and dialog would be usable in telling the grandiose destructo-type story instead of just talking props. Speaking of which, I give props to Halle Berry, Patrick Wilson, and John Bradley (who actually had a solid character to go with his style) for trying, but it simply wasn't enough.
I've listened to commentaries and interviews with Emmerich and I personally think he doesn't have good instincts on how to put a balanced action film together since the mid 2000s (with the ID4 sequel, if you watch the deleted scenes cut what would've been the best and most meaningful scenes of the entire movie) with the aim of just going big and loud, using any means whatsoever. It works...until it doesn't. Action fatigue sets in frequently in this and many of his recent past movies. It's alarming when I am physically incapable of caring less about the world ending than watching these characters attempt to get from beginning to end - in fact, there was no palpable peril despite the entire earth getting properly f'ed up, we only see it in overhead shots of floods and earthquakes and meteorites (I think COVID may have had something to do with not being able to have scenes with dozens of extras on the ground clamoring over each other like in all other action flicks from the days of yore).
However, the concept was intriguing and in my opinion, pretty great. It reminds me of Arthur C. Clarke's "Rendezvous with Rama" but with the Moon instead of a floating cylinder in space. I really did enjoy watching the last 20-30 mins or so play out after an hour and a half of random skipping around characters trying to hatch the plan to get us to that point while trying to make the audience like and/or care. If the script had half the heart and good campiness of something like "Independence Day", it definitely could have kicked my rating up a little.
Wait for streaming.
¿Sabías que…?
- TriviaA real astronaut was on set during production as an advisor. Whenever he approached Roland Emmerich and said "That's not really possible," they told him to roll with it because "it's just a movie."
- ErroresThe effect of the Moon is inconsistent throughout the film. People and cars are getting lifted by the gravitational pull while at the same time, debris of mountains hit by incoming Moon rocks fall down at full speed.
- Citas
Sonny Child: I don't wanna move. I hate New Jersey.
- Créditos curiososThe Lionsgate, Huayi Brothers and Centropolis Entertainment logos are interspersed with footage of the Apollo 11 mission, and are all together in black and white with TV static.
- Bandas sonorasAfrica
Performed by TOTO
Written by David Paich and Jeff Porcaro (as Jeffrey Porcaro)
Published by Hudman Publishing Co. Inc. and Rising Storm Music (ASCAP)
Administered by Spirit Four Music (GMR)
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Trăng Rơi
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 150,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 19,060,660
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,868,997
- 6 feb 2022
- Total a nivel mundial
- USD 67,319,703
- Tiempo de ejecución2 horas 10 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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