Sanpo suru shinryakusha

Apparently, Kiyoshi Kurosawa, the director of the film, focus on expound the theme of the story mechanically, while structure of script is somewhat unsatisfactory. In addition, Kiyoshi Kurosawa did not deal with relationship well between the personal expression and mainstream value. However, because of veteran cinematography and proper performance, the executive ability of every single shot is very good. Therefore, in general, emotional expression is obviously better than the construct of world view in this film. In other words, the hesitation of director stops the film from becoming a classic work, if he could make a more determined decision, it will turn into a better film.

There's a lot of crappy Japanese sci-fi out there so this was a pleasant surprise. The music gets a little hokey occasionally but I was impressed with the acting, direction, and cinematography. As alien body-possession, other-dimensional movies go, this was enjoyable.

I can't really fairly review this movie because I pulled it off the internet and the home-made subtitles were often incomprehensible. But I can say that the trailer that inspired me to hunt this down was a lie. This is a two-hour movie with maybe 25 minutes of fighting and explosions, and the trailer made it look like a John Woo movie.

Instead, this is a rather slow-moving drama about extraterrestrials on earth to prepare an invasion. The most interesting idea in the film is that these aliens can only understand human concepts, like love or ownership, by absorbing them. Doing so removes that concept from the human, in some cases leaving them angry or confused but other times giving them a revelatory happiness.

I might have liked this movie more with better subtitles - certainly I would have been clearer on the fine points - but I would have rather watched the movie the trailer had promised me than the one I got.

Seen at the Viennale 2017: At the beginning I liked this movie. I like the succinct dialogues that appear to be very often a trademark of Japanese movies. But with ongoing time, I sat in the cinema thinking: come on!, we got it, please show us the next scene. I did not look for the time. But it became a pain. Very often I thought, okay now comes the logical end. But no. Another intermediate dialogue had to be followed. And another one. And another one. At the end I was really exhausted.

Characteristic spooky Kurosawa romance but with added science fiction and suspense elements. The husband is acting strangely in hospital, the teenage girl emerges from the house blood stained and a cheery teenager connects with a reporter who shows up in a borrowed TV truck. The film spends most of it's not short running time exploring the mechanics of spaceman invasion and it's done through rather endearing aliens - even when they start wreaking havoc with very loud, government issue automatic weapons.

Scope filming and subdued playing register and the business of having the characters appear against backgrounds more brightly lit than they are manages to be eerie.