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Una nueva y audaz adaptación de la novela gótica clásica de Wilkie Collins.Una nueva y audaz adaptación de la novela gótica clásica de Wilkie Collins.Una nueva y audaz adaptación de la novela gótica clásica de Wilkie Collins.
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- 1 nominación en total
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BBC I applaud you for having the courage to produce and put out something that can hardly be classed as mainstream. Wilkie Collins classic tale is known by many, how good though that this masterpiece of storytelling will be given to a brand new audience. The production team have done a fabulous job in creating the creepy, gothic, almost sinister atmosphere. I'm struck by the closeness to the text, although I'm sure in the current climate, with constant reinterpretations and changes that there'll be some tampering, however, the core story is delivered. Very well acted with all performing well, Dougray Scott and Jessie Buckley both showing their natural presence. Superb production values, great costumes etc. I enjoyed it, I'm so glad the BBC still has the confidence to produce something like this for a prime time Sunday slot.
Dear BBC I really enjoyed it, and I'm glad you updated it, but please remember there are plenty of other works that could do with a re-telling, Frances Durbridge's Melissa would be a great one, and a little different.
Enjoyed. 8/10
Dear BBC I really enjoyed it, and I'm glad you updated it, but please remember there are plenty of other works that could do with a re-telling, Frances Durbridge's Melissa would be a great one, and a little different.
Enjoyed. 8/10
The Woman in White was very entertaining and having read the book I was prepared to be either amazed or disappointed. It was the former. I had only seen one previous adaptation from 1982 but this one was every bit as good. Fosco was coprulent in the novel but in this adaptation they slimmed him down. That aside, it kept very much to the book and yes some things were tweaked here and there, it was still something that I would recommend. 5 episodes was enough. All in all, a brilliant effort and well done to all.
Although fairly predictable, I enjoyed this series which was recently on PBS. Being a fan of books and movies from the 1800s, I was glad to find one that I hadn't seen yet and which wasn't written by the Bronte sisters or Jane Austen. The most creepy character had to be Countess Fosco. Solid performances and gorgeous settings in the huge English countryside manors we love.
I will keep this brief for the sake of anyone coming upon this classic gem of a mystery for the first time. Completely disregard any review of this mini-series that's been rated lower than a 4. The people giving it super low ratings will bang on about it being an unworthy adaption or that the spirit of Willie Collins is completely lost on the writers and directors of this series.
Ok I lied, not so brief of a review... but anyways these sour puss pretentious wanna be thespian mentioned above are people that have their minds made up before watching any literary classic adapted for the small screen. To them the book is always better no matter what. But guess what no duh... the books always better but that doesn't mean adapting a classic is a crime. I read the book. And having such I can tell you the makers of this show did a good job. The characters and sets were on point and the mystery delivered. I couldn't ask for more in an adaptation, much better than "the moonstone" another recently adapted Willie Collins story brought to the small screen. Sorry for the rant but I hate snobs. Watch and decide for yourself. The acting was great.
As this five-part series opens we are told that Laura Glyde, nee Fairlie, is dead and that there are suspicions about the cause. Over the course of the series we are shown what happened. Young London artist Walter Hartright is employed to go to Cumberland to catalogue Frederick Fairlie's art collection; while there he is also to tutor his nieces Laura and her half-sister Marian Halcombe. Shortly before heading north he meets a timid woman dressed all in white... when he gets to Cumberland he is surprised to discover that Laura is the spitting image of the woman. It soon emerges that the 'Woman in White' is Anne, a local girl who had been sent to a London asylum for reasons unstated at this point. Walter gets on well with the girls, in particular Laura, so her uncle sends him away. Shortly afterwards she is married to Sir Percival Glyde and moves to his remote house along with Marian, Sir Percival's friend Count Fosco and his wife, who is also Laura's aunt. It soon becomes obvious that Sir Percival only married her for her money and the sisters' situation becomes precarious.
I really enjoyed this adaption of Wilkie Collins classic novel; the introduction may tell us that Laura is doomed but that only serves to raise tension; especially following her marriage. Sir Percival is fairly menacing from the moment we see him but gets worse after the marriage; Fosco and his wife are perhaps more frightening as we see them apparently helping the sisters while also scheming against them. There are some impressive twists that should surprise some viewers. As well as solid mystery the series has a lot to say about women's rights, or lack thereof, at the time... something that was obviously more radical at the time the original book was written. The cast does a fine job; most notably Olivia Vinall, in the dual roles of Laura and Anne; Jessie Buckley as Marian; Dougray Scott, as Sir Percival and Riccardo Scamarcio, as Fosco. There is also a fine performance from Art Malik as Erasmus Nash, the man employed to help discover the truth about what happened to Laura. While not essential to the story there is some impressive scenery to be admired during the series. Overall I thought this was a great drama; the central mystery is intriguing and there is a good sense of threat for much of the time.
I really enjoyed this adaption of Wilkie Collins classic novel; the introduction may tell us that Laura is doomed but that only serves to raise tension; especially following her marriage. Sir Percival is fairly menacing from the moment we see him but gets worse after the marriage; Fosco and his wife are perhaps more frightening as we see them apparently helping the sisters while also scheming against them. There are some impressive twists that should surprise some viewers. As well as solid mystery the series has a lot to say about women's rights, or lack thereof, at the time... something that was obviously more radical at the time the original book was written. The cast does a fine job; most notably Olivia Vinall, in the dual roles of Laura and Anne; Jessie Buckley as Marian; Dougray Scott, as Sir Percival and Riccardo Scamarcio, as Fosco. There is also a fine performance from Art Malik as Erasmus Nash, the man employed to help discover the truth about what happened to Laura. While not essential to the story there is some impressive scenery to be admired during the series. Overall I thought this was a great drama; the central mystery is intriguing and there is a good sense of threat for much of the time.
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- TriviaThe scenes in the sand dunes and on the beach were filmed in Northern Ireland just outside Newcastle Co Down with the beautiful Mourne Mountains as the backdrop.
- ConexionesReferenced in The Toxic Avenger: The Musical (2018)
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- How many seasons does The Woman in White have?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
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- Sitio oficial
- Idioma
- También se conoce como
- La mujer de blanco
- Locaciones de filmación
- Florence Court, Enniskillen, County Fermanagh, Northern Ireland, Reino Unido(Limmeridge House exteriors)
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