- Premios
- 1 premio ganado y 6 nominaciones en total
Luciano Pavarotti
- Self
- (material de archivo)
Vittorio Grigòlo
- Self
- (as Vittorio Grigolo)
Madelyn Renée Monti
- Self
- (as Madelyn Renée)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It's only been 12 years since the great tenor Luciano Pavarotti died of pancreatic cancer, too young at the age of 70. Ron Howard's documentary doesn't only make you miss the singer, it also makes you miss, Of all things, a robust music industry. The Movie itself reflects heavily on his life and his final days as an Opera Singer before his passing, and the direction that Ron Howard uses as his Key Directing Style fits very perfectly with the flow of this Movie. I love Opera Music as much as anything in the Musical Department and I REALLY love Pavarotti, and this Movie has lots of respect shown for the man. This is one of those Independent Movies and it may not play in many Theaters, so I had to find a Theater far away from where I live to see this Movie and I loved everything about it.
Easily one of the best Documentary Movies ever made and an extremely accurate take on one of the greatest Opera Singers in History!
No being real familiar with Opera but somewhat with Pavarotti I was not sure what to expect, but decided since Ron Howard does not make bad movies, bound to be good. After watching and learning so much about Pavarotti the Opera Star and Man was very moved. What an Incredible Performer and even better Human Being. I very much want to visit Italy to see his Musuem and Hometown. See an Opera. I saw the Film at a neat little theatre in Downtown Monterey CA
This year's big doc may be Ron Howard's "Pavarotti," a love letter about the great tenor. More than any opera singer since Enrico Caruso a century before, Pavarotti made opera cool in the latter part of the 20th century. With his larger-than-life personality and crystal-clear voice, he became a worldwide sensation, performing everywhere from rural outposts to massive stadiums to outdoor parks.
Howard manages to piece together decades of film --- often grainy and amateurish - with deeply personal interviews with the Maestro's ex-wives, former mistress, daughters, peers (Placido Domingo, Jose Carreras, and several sopranos), and admirers. He weaves biography with taped performances from the time Pavarotti was a promising young singer through his waning years.
In fact, Howard presents Pavarotti's life as opera. A man of great passion - for opera, for women, for food, for children - Pavarotti lived large. And he died painfully. Howard manages to make the audience feel the highs and the lows of Pavarotti's personal and professional lives.
But the film is long. It proves that even great directors can fall in love with their own films. Howard could have spent less time in the run-up to stardom to get us to the fantastic success of his middle years and the explosive teaming with Domingo and Carreras as The Three Tenors. His death is handled beautifully as is Pavarotti's heartfelt charitable endeavors in concert with Princess Diana, Bono and many others.
Even if you don't love opera, you will enjoy this stunning documentary.
Howard manages to piece together decades of film --- often grainy and amateurish - with deeply personal interviews with the Maestro's ex-wives, former mistress, daughters, peers (Placido Domingo, Jose Carreras, and several sopranos), and admirers. He weaves biography with taped performances from the time Pavarotti was a promising young singer through his waning years.
In fact, Howard presents Pavarotti's life as opera. A man of great passion - for opera, for women, for food, for children - Pavarotti lived large. And he died painfully. Howard manages to make the audience feel the highs and the lows of Pavarotti's personal and professional lives.
But the film is long. It proves that even great directors can fall in love with their own films. Howard could have spent less time in the run-up to stardom to get us to the fantastic success of his middle years and the explosive teaming with Domingo and Carreras as The Three Tenors. His death is handled beautifully as is Pavarotti's heartfelt charitable endeavors in concert with Princess Diana, Bono and many others.
Even if you don't love opera, you will enjoy this stunning documentary.
When it comes to opera singers, there aren't many household names that people know or actually talk about, with the exception of one person, Luciano Pavarotti. Few documentaries make it all the way to the cinema, not to mention having a premier screening, so I was curious about what made this one so special.
I knew who Pavarotti was before watching this film and I have heard his performances, but I had no idea what kind of man he was and how people loved him for his voice, charisma, generosity and his big joyful smile. Ron Howard seamlessly blended the footage of Luciano's life to make it flow like a regular film while accentuating on the musical parts that left me in awe of how talented and impactful he was, specially hearing it through Dolby Surround system.
This film is more than just a documentary about a singer; it is a story of a man who worked tirelessly to achieve worldwide fame and yet not once did he lose himself in the process and that is how he will be remembered. He loved life, he loved the ones around him and he loved helping others. Luciano is one of those people whom I would love to meet just to bask in his grandeur and absorb some of his happiness, positivity and energy that he radiated.
I knew who Pavarotti was before watching this film and I have heard his performances, but I had no idea what kind of man he was and how people loved him for his voice, charisma, generosity and his big joyful smile. Ron Howard seamlessly blended the footage of Luciano's life to make it flow like a regular film while accentuating on the musical parts that left me in awe of how talented and impactful he was, specially hearing it through Dolby Surround system.
This film is more than just a documentary about a singer; it is a story of a man who worked tirelessly to achieve worldwide fame and yet not once did he lose himself in the process and that is how he will be remembered. He loved life, he loved the ones around him and he loved helping others. Luciano is one of those people whom I would love to meet just to bask in his grandeur and absorb some of his happiness, positivity and energy that he radiated.
It's highly unlikely that in our lifetime we will ever see another Luciano Pavarotti.
A man whose voice was beloved across the world and a man whose image was instantly recognisable for many, a rare achievement for a modern day opera singer, Pavarotti was that rare breed of human being that managed to share an incredible gift with millions upon millions of admirers and if this Ron Howard documentary does one thing unquestionably well, it's that it reminds us all of the privilege it was to get to witness this talent be shared with the masses.
As a documentary, Pavarotti pales in comparison to other recent examinations of famous figures such as Amy, Diego Maradona or Whiteny and continues on a trend for Howard to direct films in a solid fashion without ever trying to push the boundaries or his abilities but it's a workmanlike effort that is hard to not enjoy as we witness the young Luciano ply his trade from simple beginnings in his home country, right through to his defining stints in the 3 Tenors or his highly sought after live shows.
What we see throughout and what we hear about from those that knew Luciano best, is that Pavarotti was a fiercely determined man, one that was hell-bent on ensuring he never once took his gift for granted as he set about improving his workmanship in the field right through to his later years.
There's a power in watching Pavarotti perform and Howard's extensive access to archival footage and previously unseen home video footage helps create perhaps not the quintessential hard look exploration of his life, but an inside look into what a one in a billion talent looks like.
Despite the fact we are often watching decades old clips of performances or interviews there is also a clear and definable charm and showmanship that Pavarotti possessed.
As he walks into a room full of people, talking to students at a masterclass or simply sitting one on one with an interviewer, he was a consistently open and honest figure who at the very core of his being was nothing more than a devilishly charming rogue that faced many of the similar fears and worries we everyday people had, even though he had to be on top of them frequently to be able to deliver on the name and magic that he built his life around.
It's not the warts and all experience some documentarians would've gone for, but as a piece of fan service and carefully put together reminder of the genius that was, Pavarotti does its job without ever attempting to over work itself.
Final Say -
For long term fans and those that might simply need a showcase for the amazing voice that was Pavarotti, Howard's documentary will provide exactly what keen viewers will be seeking and while it never threatens to become a grand documentation, Pavarotti is a finely tuned ode to one of the modern era's great entertainers and popular figures.
3 ½ handkerchiefs out of 5
A man whose voice was beloved across the world and a man whose image was instantly recognisable for many, a rare achievement for a modern day opera singer, Pavarotti was that rare breed of human being that managed to share an incredible gift with millions upon millions of admirers and if this Ron Howard documentary does one thing unquestionably well, it's that it reminds us all of the privilege it was to get to witness this talent be shared with the masses.
As a documentary, Pavarotti pales in comparison to other recent examinations of famous figures such as Amy, Diego Maradona or Whiteny and continues on a trend for Howard to direct films in a solid fashion without ever trying to push the boundaries or his abilities but it's a workmanlike effort that is hard to not enjoy as we witness the young Luciano ply his trade from simple beginnings in his home country, right through to his defining stints in the 3 Tenors or his highly sought after live shows.
What we see throughout and what we hear about from those that knew Luciano best, is that Pavarotti was a fiercely determined man, one that was hell-bent on ensuring he never once took his gift for granted as he set about improving his workmanship in the field right through to his later years.
There's a power in watching Pavarotti perform and Howard's extensive access to archival footage and previously unseen home video footage helps create perhaps not the quintessential hard look exploration of his life, but an inside look into what a one in a billion talent looks like.
Despite the fact we are often watching decades old clips of performances or interviews there is also a clear and definable charm and showmanship that Pavarotti possessed.
As he walks into a room full of people, talking to students at a masterclass or simply sitting one on one with an interviewer, he was a consistently open and honest figure who at the very core of his being was nothing more than a devilishly charming rogue that faced many of the similar fears and worries we everyday people had, even though he had to be on top of them frequently to be able to deliver on the name and magic that he built his life around.
It's not the warts and all experience some documentarians would've gone for, but as a piece of fan service and carefully put together reminder of the genius that was, Pavarotti does its job without ever attempting to over work itself.
Final Say -
For long term fans and those that might simply need a showcase for the amazing voice that was Pavarotti, Howard's documentary will provide exactly what keen viewers will be seeking and while it never threatens to become a grand documentation, Pavarotti is a finely tuned ode to one of the modern era's great entertainers and popular figures.
3 ½ handkerchiefs out of 5
Ron Howard: The Power of True Stories
Ron Howard: The Power of True Stories
Oscar-winning director Ron Howard reveals why he is drawn to true stories, from drama Apollo 13 to his latest documentary about the life of opera legend Pavarotti.
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- TriviaEpilogue: "As of his death in 2007 Luciano Pavarotti had sold more than 100 million albums and performed live for more than 10 million people. The Pavarotti International Voice Competition, which Luciano founded in Philadelphia, launched the careers of countless opera singers, many of who are still performing. Luciano had built aid centers in Bosnia, Guatemala, Kosovo, Tibet, Cambodia and Angola. His charities and foundations have raised millions of dollars for children in conflicts around the world. This work continues to this day through La Fondazione Luciano Pavarotti."
- ErroresDuring one of his talking-head interviews, Maestro Zubin Mehta is mis-credited as 'pianist'.
- Citas
Luciano Pavarotti: I was very lucky to have my father singing in the church. Even for a little boy, by imitation, you always *do* what your father is doing. So, he was my teacher.
- ConexionesReferenced in OWV Updates: Blu-Ray Update (27/03/2020) (2020)
- Bandas sonorasA Vucchella
Written by Francesco Paolo Tosti and Gabriele D'Annunzio
Performed by Luciano Pavarotti and Leone Magiera
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- How long is Pavarotti?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 4,600,249
- Fin de semana de estreno en EE. UU. y Canadá
- USD 144,032
- 9 jun 2019
- Total a nivel mundial
- USD 8,083,942
- Tiempo de ejecución
- 1h 54min(114 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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