Waiting for Anya

OK movie set in southern France during the waning years of WW2. Noah Schnapp stars as Jo, a young French boy who finds a man hiding in the woods while he is helping out with the family's sheep. He follows him to a neighbor's house and discovers that the house is being used to harbor Jews who are travelling to Spain for safety.

The movie is intended for younger audiences and many of the scary elements you would see in similar movies has been considerably toned down. Even the German army that has occupied the town seem oddly tame.

While the movie is well acted, the characters lack any depth and are rather cliched. Noah Scnapp and Anjelica Huston are oddly cast being American. The movie is OK overall.

Better movies in this genre are Downfall, Au Revoir Les Enfants; and Schindler's List.

The story was good and rather interesting. Unlike some others, I did not find the film boring to watch but oh my god with the directing! What did the director think when he was shooting this film?! Some scenes don't add up, others are simply gap fillers with nothing to add to the overall story. Some acting was seriously an eyesore!

If this film was handled better by a different director, it could have been a different outcome for sure. With 3 out of 5 stars, it might seem generous - maybe it is - but I still think it's worth watching despite all of its shortcomings, of which there are many.

This is a scenario we have seen many times, in many different movies: a family, a group of children or some other sympathy-worthy bunch of individuals, escape from Nazi persecution by crossing the Alps or the Pyrenees or some other obstacle to reach freedom and safety. Many of these movies are truly gut wrenching, engrossing and emotional experiences, sadly, this movie is not quite up to that standard. In fact, it's rather bland.

The makers of this movie mean well, you can see that, but they miss the mark. The scenery is gorgeous. The outdoor shots of the village mostly look suitably authentic. The interior shots though look more like what Hollywood thinks a provincial home, shop or school should look like rather than the real thing. The casting is slightly odd too. It seems a peculiar choice to cast two high profile American actors as French peasants when everyone else in the movie is French or German as the case may be. Angelica Huston and Noah Schnapp are fine actors. I like them both, but they are miscast here. The story here isn't particularly interesting and certainly doesn't evoke the emotional response it should. The story seems rushed and there is a lot that is left unexplored. We never see below the surface of the characters or learn what makes them tick. We don't get to know the characters well enough to really care about them. There is no sense of threat or danger, no dramatic climax and the ending falls flat. Some scenes seem very amateurishly staged. For instance, there is a scene towards the end of the movie where an entire village is supposedly rejoicing. It is the most halfhearted, anemic, poorly attended celebration I have ever seen.

To cut a long story short, this is not a bad movie; there's just nothing special about it. There are so many better and enjoyable movies in this genre that I find myself wondering why the heck they made this one at all. If you really want to see this sort of thing done right, may I recommend the movie 'Fanny's Journey', which was recently streaming on Netflix. It is one of the good ones and there are many others.

Beautifully filmed in a mountainous area of France near Spain. The point of view of a young boy roped into help Jewish children hiding and then fleeing over to Spain. There are some Allo Allo cliched characters played by famous actors including Jean Reno and the quintessential good German Thomas Kretschmann. Angelica Huston is surprisingly okay. There isn't much wrong with the show but it feels boring and cliched with one dimensional characters. But if you accept it is for younger audiences then it's okay for what it is. After all the writer is War Horse's Michael Morpugo.

Anjelica Huston is the widow "Horcada" who has for quite a while been serving as a conduit to help escaping Jewish and French citizens across the Pyrenee mountains and into the safety of neutral Spain. The arrival of a small but menacing Nazi detachment in their village, however, makes this task even more perilous - and she is fast running out of allies. It's at this point that she turns to the young "Jo" (Noah Schnapp) who is more accustomed to herding sheep, and soon he is providing an essential link trying to get the escapees to freedom. The story here is not that unfamiliar, but there is a solid effort from the engaging young Schnapp and the writing does try to humanise the occupiers - largely via the persona attributed to the corporal (Thomas Kretschmann) - as the story gradually develops. Tómas Lemarquis exudes a fairly subtle degree of menace as their commander and a solid supporting cast including Jean Reno and Sadie Frost help keep this nicely shot, if largely unremarkable and maybe just a bit too wordy, drama moving along to the only denouement we were ever going to get. It is a nice, feel-good, film that makes for a perfect afternoon tea and biscuits watch. Don't expect anything gritty or harrowing, just enjoy some stunning cinematography and a few characterful leading performances.