Un asesino palestino tiene por objetivo a israelíes conocidos. Una actriz inglesa es contratada para infiltrarse en la célula terrorista responsable, lo cual requerirá de todo su talento y l... Leer todoUn asesino palestino tiene por objetivo a israelíes conocidos. Una actriz inglesa es contratada para infiltrarse en la célula terrorista responsable, lo cual requerirá de todo su talento y la pondrá en riesgo.Un asesino palestino tiene por objetivo a israelíes conocidos. Una actriz inglesa es contratada para infiltrarse en la célula terrorista responsable, lo cual requerirá de todo su talento y la pondrá en riesgo.
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- 2 premios ganados y 8 nominaciones en total
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I'm baffled by some of the low ratings on this series. It's an outstanding story brought to life with great acting and directing. It's the quintessential spy movie that contains intrigue, fear, and psychological espionage. I was glad to see that the violence was placed strategically through the series rather than the typical gratuitous and monotonous onslaught of "action" movies. I'd highly recommend it if you like a more complex and subtle spy thriller.
I am not Le Carre reader, but for me the show is very well done. It keeps me entertained, the acting is good and although political aspect is not easy to discuss, it doesn't side specifically on either side. It is just really good spies/agents historically related action drama. Very enjoyable.
This six part adaptation of John Le Carré's novel of the same title opens in late 1970s West Germany as a bomb explodes in the home of an Israeli diplomat. The Israeli secret service are determined to put a stop to the attacks, which they believe are being orchestrated by a particular Palestinian terrorist. To this end a small team works to identify somebody they can put undercover in the terrorist's organisation. They select Charlie Ross, an English actress with radical left-wing associations. She is approached and ultimately recruited but can they trust her not to side with the terrorists she is meant to be infiltrating when even she doesn't know which side she will back in the end.
People expecting the style of the recent BBC adaption of 'The Night Manager' might be a little disappointed but anybody wanting a gripping drama that really captures the feel of the era should love this. South Korean Director Park Chan-wook, best known fairly extreme films like 'Oldboy' and 'Sympathy for Mister Vengeance', shows he can do restraint as we are gradually introduced to the protagonists and watch Charlie being recruited; this is not a rapid procedure. The deeper she gets the more the tension rises; approaching the final episode I had no idea how it would end for Charlie. The cast is good; especially Florence Pugh who excels as Charlie. Overall I'd say this series is well worth the effort; I really enjoyed it.
People expecting the style of the recent BBC adaption of 'The Night Manager' might be a little disappointed but anybody wanting a gripping drama that really captures the feel of the era should love this. South Korean Director Park Chan-wook, best known fairly extreme films like 'Oldboy' and 'Sympathy for Mister Vengeance', shows he can do restraint as we are gradually introduced to the protagonists and watch Charlie being recruited; this is not a rapid procedure. The deeper she gets the more the tension rises; approaching the final episode I had no idea how it would end for Charlie. The cast is good; especially Florence Pugh who excels as Charlie. Overall I'd say this series is well worth the effort; I really enjoyed it.
One needs to pay very careful attention from line one of this show to prevent getting lost. Once you get it, watching it play out is easier. You can't allow for distraction.
Although some claim it's laboriously slow, it adds to the suspense. Characters are droll and lack animation, but it works. This series makes you use your imagination & tenacity. I enjoy the character interplay & putting the puzzle pieces together only to find they are in the wrong place. NO Hollywood bang-bang, shooting up buildings & wrecking dozens of cars. I love (so far) the lack of romantic interplay, that's a bonus. I wouldn't Charlie to be a hottie. She's a naive small time actress going nowhere fast, throwing in rebellion for attention. She's fascinated & intrigued by (the older) Gadi, a very believable situation in the 70s. I love her performance.
This series is truly worth the try. Some things don't ring true, such as describing distance in miles rather than kilometers. Also a runner in the background in (I believe) Munich who is wearing modern day running clothes.
I read the book and saw the Diane Keaton film about100 years ago, so I can't vouch for the fidelity of this TV series to the novel. And, while I don't remember much about the film, I did look at its trailer on Amazon.com. Keaton's done some fine work, but, based on the trailer, her performance in the movie was over-the-top-and-down-the-other-side.
Some reviewers on this site have complained that this production was boring - like watching paint dry. Well, that's LeCarre. I'm not talking film adaptations, since a two hour adaptation has to compress a lot of activity into a short time. "The Little Drummer Girl," in six parts, every bit the equal of the Alec Guinness/Ian Richardson production of "Tinker, Tailor, Soldier, Spy." Nuanced, thoughtful, well acted.
I recently saw Florence Pugh in "Outlaw King," about Robert the Bruce. It was a small part, and she did not have much of a chance to shine. But as Charly, she proved herself a fine actress. And, while all of the rest of the cast was good, Michael Shannon gave a wonderfully shaded performance, quite unlike in "The Shape of Water."
LeCarre rarely writes any character as a hero. These are complex characters who deserve a viewer's patience, which will be rewarded throughout.
Some reviewers on this site have complained that this production was boring - like watching paint dry. Well, that's LeCarre. I'm not talking film adaptations, since a two hour adaptation has to compress a lot of activity into a short time. "The Little Drummer Girl," in six parts, every bit the equal of the Alec Guinness/Ian Richardson production of "Tinker, Tailor, Soldier, Spy." Nuanced, thoughtful, well acted.
I recently saw Florence Pugh in "Outlaw King," about Robert the Bruce. It was a small part, and she did not have much of a chance to shine. But as Charly, she proved herself a fine actress. And, while all of the rest of the cast was good, Michael Shannon gave a wonderfully shaded performance, quite unlike in "The Shape of Water."
LeCarre rarely writes any character as a hero. These are complex characters who deserve a viewer's patience, which will be rewarded throughout.
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- TriviaFlorence Pugh revealed that nudity was banned by the American television network which co-produced the drama. Purgh explained, "America is quite scared of bums and nipples. We had to make sure there were no bums and nipples out. There was one scene we did where Alex [Skarsgård] and I were under the duvet and supposedly naked, and halfway through, I hear: 'CUT! CUT!' [Director Chan-wook Park] says: 'Florence, you've got to hide your nipples more!' I'm like: 'OK!' So we do it again, and again I hear: 'CUT! CUT! Florence! It looks like you're hiding your nipples.' I'm like: 'Arrrgh! Just let me get my breasts out, I don't care!' But America does care. I don't know why. My parents were very cool and made sure we watched lots of European films when we grew up, so nudity has never been a problem for me, as long as it's done beautifully."
- ErroresShots of the reel to reel tape recorder, supposedly recording, had the device in 'play' mode , not record mode. In record mode the play/record selector turns a further 30 degrees. The 'tapes' stacked on top of the filing cabinet are 9 track half inch reel to reel tapes , not quarter inch audio tapes.
- Versiones alternativasAlso available in eight-episode version.
- ConexionesFeatured in Front Row: Episode #3.5 (2018)
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