CALIFICACIÓN DE IMDb
7.1/10
14 k
TU CALIFICACIÓN
La vida real de Tommaso Buscetta, el llamado "jefe de los dos mundos", primer informador de la mafia en la década de 1980 en Sicilia.La vida real de Tommaso Buscetta, el llamado "jefe de los dos mundos", primer informador de la mafia en la década de 1980 en Sicilia.La vida real de Tommaso Buscetta, el llamado "jefe de los dos mundos", primer informador de la mafia en la década de 1980 en Sicilia.
- Dirección
- Guionistas
- Elenco
- Premios
- 27 premios ganados y 37 nominaciones en total
Goffredo Maria Bruno
- Stefano Bontate
- (as Goffredo Bruno)
Opiniones destacadas
I liked it. Although certain events of the so-called "Second Mafia war" took place, between the
1981-83, have been changed and rightly accelerated due to the film's rhythms (for istance the death of Salvatore Inzerillo is set in 1982 and not 1981 and is little bit different about how he was killed). Bellocchio has been able to discreetly direct a film that is not at all simple and above all with a character as a protagonist absolutely not easy to manage.
Favino is certainly the strong point of the whole film, with a really intense acting from beginning to end. So much has fallen well in the shoes of Buscetta that sometimes seems to see and above all feel the real Don Masino. The Maxi-Trial of 1986, shot among other things in the Palermo's bunker room, the same where the real historical juridical process took place is certainly the point that entertains the viewer the most. The comparison between Calò and Buscetta is truly faithful to what was really there, the same thing the scenes with the other Pentito, Salvatore Contorno, the scenes when he speaks fluent sicilian slang are really similar with the original deposition, but having proposed with other realism also other salient moments with the other defendants was really classy. Perhaps the film falls just in the act after the Maxi-Trial and following the 1992's Massacres (Capaci and Via d'Amelio) , when going towards the conclusion by now the same Buscetta becomes precisely more and more "invisible" and without anything more particularly interesting to reveal.
Favino is certainly the strong point of the whole film, with a really intense acting from beginning to end. So much has fallen well in the shoes of Buscetta that sometimes seems to see and above all feel the real Don Masino. The Maxi-Trial of 1986, shot among other things in the Palermo's bunker room, the same where the real historical juridical process took place is certainly the point that entertains the viewer the most. The comparison between Calò and Buscetta is truly faithful to what was really there, the same thing the scenes with the other Pentito, Salvatore Contorno, the scenes when he speaks fluent sicilian slang are really similar with the original deposition, but having proposed with other realism also other salient moments with the other defendants was really classy. Perhaps the film falls just in the act after the Maxi-Trial and following the 1992's Massacres (Capaci and Via d'Amelio) , when going towards the conclusion by now the same Buscetta becomes precisely more and more "invisible" and without anything more particularly interesting to reveal.
A fabulous movie based on the true story of Tommaso Buscetta, the repentant member of Cosa Nostra which, with the help of the magistrate Giovanni Falcone, revealed the most important names of the mafia. Great directing, and Pierfrancesco Favino is truly awesome. May seem slow, being a film focused on dialogue and words but it is a beautiful portrait of the more psychological side of the character.
This film covers more or less 30 years of italian (not only) history, and tells the story of the mafia penitent Tommaso Buscetta, who accepted to collaborate with the judge Giovanni Falcone.
The plot is accurate to what really happened and doesn't leave much to the director.
Great acting by Pierfrancesco Favino playing Buscetta.
No parla italiano, and that gave me some problems following the narrative, due to a very bad english CC's, that mustve been issued by an overeager middle schooled italian or siscilian. and that is a major drawback for the film....
which is very good indeed, about the big trials towards the leadership of the cosa nostra divisions of siscily in the late 70's and the 1980's. i do remember some of the names, and especially the bomb attack on giorgio falcone made a deep impression to me when it happened. it also shows the primitive judicial system that were excecuted in italian court rooms, with poor discipline and frightened judges and officials and corrupt police.
the story do spring back and forth very fast and often, but survives by good time and place info on each shift. the pace are slow, but the acting are very well done and the lead male actor gave an excellent performance on many levels. i wish i had those cool demeanors...
if you want to see a film with some similarities to don corleone, and killing spree of blood feuds alla sciciliano style, then the grumpy old man recommend il traditore. a strong 8.
which is very good indeed, about the big trials towards the leadership of the cosa nostra divisions of siscily in the late 70's and the 1980's. i do remember some of the names, and especially the bomb attack on giorgio falcone made a deep impression to me when it happened. it also shows the primitive judicial system that were excecuted in italian court rooms, with poor discipline and frightened judges and officials and corrupt police.
the story do spring back and forth very fast and often, but survives by good time and place info on each shift. the pace are slow, but the acting are very well done and the lead male actor gave an excellent performance on many levels. i wish i had those cool demeanors...
if you want to see a film with some similarities to don corleone, and killing spree of blood feuds alla sciciliano style, then the grumpy old man recommend il traditore. a strong 8.
... through the life of a famous Cosa Nostra turncoat as he provides evidence to jail some pretty nasty villains/colleagues. A little bit all over the place and confusing as hell at the start, and most of the way through, especially as to the allegiances to a number of families. The court scenes are nonsensical and, if that is the way Italy does justice, I'm surprised anyone ever went to jail or that the truth ever really surfaced.
¿Sabías que…?
- TriviaGiovanni Montinaro, son of Judge Giovanni Falcone's chief of security, strongly opposed the film, criticizing the choice of releasing it on the anniversary of the murder of his father and of the others involved in the attack. He let it go when Pierfrancesco Favino told him that the date was chosen by the production precisely as a way to pay homage to Falcone, his wife and his security detail, killed that day in 1992.
- ErroresA scene set in Miami, FL, USA, shows hills in the background. There are no hills anywhere close to Miami.
- Citas
Tommaso Buscetta: Riina used to say better to command than to fuck.For me it's the opposite.
- ConexionesReferenced in Il était une fois...: Le Traître (2022)
- Bandas sonorasSays
Written and Performed by Nils Frahm
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is The Traitor?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Traitor
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 296,027
- Fin de semana de estreno en EE. UU. y Canadá
- USD 23,240
- 2 feb 2020
- Total a nivel mundial
- USD 8,860,587
- Tiempo de ejecución
- 2h 33min(153 min)
- Color
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta