CALIFICACIÓN DE IMDb
6.0/10
1.4 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaWith the impending Y2K apocalypse fast approaching, Abbie is faced with the ultimate challenge - the unbeatable level 256 on Pac-Man - and he can't get off the couch until he conquers it. A ... Leer todoWith the impending Y2K apocalypse fast approaching, Abbie is faced with the ultimate challenge - the unbeatable level 256 on Pac-Man - and he can't get off the couch until he conquers it. A survival story set in a living room.With the impending Y2K apocalypse fast approaching, Abbie is faced with the ultimate challenge - the unbeatable level 256 on Pac-Man - and he can't get off the couch until he conquers it. A survival story set in a living room.
- Premios
- 2 premios ganados y 3 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Potrykus is one of the most talented and well known directors to come out of the West Michigan film scene. I haven't had a chance to see his first film "Ape" yet but his sophomore offering of "Buzzard" is a delightfully funny and rebellious workplace punk rock anthem for the everyman. "The Alchemist Cookbook" certainly caught some off guard with its change in tone from his previous work but it is a decent horror film with some really special moments in it.
Having seen both of these films, I was really primed to see some thing more than unique when I got to go to a special screening of "Relaxer," in conjunction with this years ArtPrize.
I didn't know anything about this film going in but within a minute the premise is being set coyly with a wink and a nod. Sure the challenges that Cam throws at Abbie are extreme and cruel but the idea that Abbie, or Joshua Burge, would take the ludicrous challenge to sit in one spot on the couch for six months seriously is even extreme enough that you can almost feel the director winking into the camera saying, "That's right. We ain't movin' and we ain't gonna cheat. We are doing' this."
The entire movie, one of the characters never moves their butt off their seat. This really impressed me. On the one hand, as a film maker I know that the grind of moving locations every day can really wear a crew down. Being at one set the whole time would sure be nice. But then again, I can imagine it might start dragging a bit after a while. Day after day in the same place. Clocking in and clocking out. I mean, half of us in this business do it because we dream of breaking out of that kind of routine.
That's where the movie is subtly brilliant, probably unintentionally, but if not, Kudos to you, Joel. Even the way that it gets made is a sort of commitment to break out of the normal, the thing that is holding us back. I have never gotten a chance to talk to Joel but I bet that even like the smallest of us film guys, he lament's that we can't work on the scale we want, for the rates we want, and with all the time we want.
We make sacrifices and before you know it we are back on the couch. Wasting the days into the new millennia. At the very least, watching this film made me want to fight the things that keep me down. They may not be as gross, or funny, or outlandish as in "Relaxer," but they still need to be taken down.
Having seen both of these films, I was really primed to see some thing more than unique when I got to go to a special screening of "Relaxer," in conjunction with this years ArtPrize.
I didn't know anything about this film going in but within a minute the premise is being set coyly with a wink and a nod. Sure the challenges that Cam throws at Abbie are extreme and cruel but the idea that Abbie, or Joshua Burge, would take the ludicrous challenge to sit in one spot on the couch for six months seriously is even extreme enough that you can almost feel the director winking into the camera saying, "That's right. We ain't movin' and we ain't gonna cheat. We are doing' this."
The entire movie, one of the characters never moves their butt off their seat. This really impressed me. On the one hand, as a film maker I know that the grind of moving locations every day can really wear a crew down. Being at one set the whole time would sure be nice. But then again, I can imagine it might start dragging a bit after a while. Day after day in the same place. Clocking in and clocking out. I mean, half of us in this business do it because we dream of breaking out of that kind of routine.
That's where the movie is subtly brilliant, probably unintentionally, but if not, Kudos to you, Joel. Even the way that it gets made is a sort of commitment to break out of the normal, the thing that is holding us back. I have never gotten a chance to talk to Joel but I bet that even like the smallest of us film guys, he lament's that we can't work on the scale we want, for the rates we want, and with all the time we want.
We make sacrifices and before you know it we are back on the couch. Wasting the days into the new millennia. At the very least, watching this film made me want to fight the things that keep me down. They may not be as gross, or funny, or outlandish as in "Relaxer," but they still need to be taken down.
An interesting point that smacks of the 90s but judging by its thin content it would have served better as a short film.
If you think this is a comedy you may be an idiot
If you made it all the way till the end like i did... you may be an idiot
3.9
3.9
This film gets two stars instead of just one from me because I sat through all of it to see how it would (could?) end. Otherwise my singular thought, when it finally did finish, was to regret not knowing where I first heard of it so I could ignore their recommendations forever into the future. Sorry if this offends anyone who enjoys "unique" films but I used to think I did too. Until this one.
In a twisted way, this film out-Eraserheads ERASERHEAD. A deeply, deeply disturbed movie.
¿Sabías que…?
- TriviaDallas says "I didn't wheez your juice", a very 90s reference, reflecting Relaxer's 1999 setting, as "wheezing the juice" was said by Pauly Shore in the movie Un cavernícola adolescente (1992). It means to steal by drinking directly from the bottle, or the tap of a soda fountain/Icee machine.
- ConexionesReferenced in Film Junk Podcast: Episode 718: Fast & Furious Presents: Hobbs & Shaw (2019)
- Bandas sonorasAlexander Nevsky, Op. 78: III. The Crusaders in Pskov
Composed by Sergei Prokofiev
Performed by USSR State Symphony Orchestra, Republican Russian Academic Choir Capella, Alexander Yurlov Russian State Academic Choir, Yevgeni Svetlanov, Alexander Yurlov & Yuri Ukhov
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Relaxer?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 6,133
- Total a nivel mundial
- USD 6,133
- Tiempo de ejecución
- 1h 31min(91 min)
- Color
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta