En Londres durante la era eduardiana, el intento de George y Amy de comenzar una vida juntos se ve interrumpido por una invasión marciana de la Tierra.En Londres durante la era eduardiana, el intento de George y Amy de comenzar una vida juntos se ve interrumpido por una invasión marciana de la Tierra.En Londres durante la era eduardiana, el intento de George y Amy de comenzar una vida juntos se ve interrumpido por una invasión marciana de la Tierra.
- Premios
- 1 nominación en total
Explorar episodios
Argumento
¿Sabías que…?
- TriviaThe main character George shares many similarities with H.G. Wells. Like George, Wells also married his cousin, only to leave her for a younger woman named Amy. The couple both moved to a house in Woking named 'Lynton,' again just like George and Amy have. It was there Wells wrote The War of the Worlds.
- ErroresThe railway line between Woking and London is shown as being run by the Great Western Railway. It should have been the London and South Western.
- ConexionesFeatured in WatchMojoUK: Everything We Know So Far About War of the Worlds BBC (2019)
Opinión destacada
Boring yawn-fest with CBBC effects and a totally unnecessary and very 21st Century sub-plot.
What this story needs is the kind of love and detail that only a Director with passion for the novel (and a big budget!) can deliver.
What Peter Jackson did for Tolkien we need someone similar to do for War of the Worlds.
The impression I had was this production team were not passionate about War of the Worlds, H.G.Wells or maybe even scifi generally. Instead it seemed to me they were dumped with this project and so glossed over the alien invasion part and instead hijacked it as a vehicle for a modern agenda and made that the story instead.
Please god will I still be alive before someone actually produces a period accurate, book accurate, Thunderchild scene including, non budget limiting, visual representation of the original book ?
A message for all scriptwriters -
1. When involved in the representation of a classic masterpiece be accurate to the period it was set in, do not try to re write history with inserted modern sensibilities that simply did not exist at that time.
2. Do not be so arrogant as to think that your tinkering can improve on a literary classic, that you are somehow more skilled than the original author and can improve on their tale.
3. Do not do projects that you know require a very significant budget when you only have a limited budget. Bad effects are worse than no effects at all - some pictures can get away with near zero effects and are all the better for it (eg. the excellent Let the Right One In) but some like War of the Worlds you simply cannot do with out effects, so if you don't have the budget to do it justice then just don't do it. The money (UK TV License Payers money!) would be better spent on alternative projects.
It's quite clear the BBC can do amazing things War and Peace (2016), Peaky Blinders and even do big budget collaborations well as shown in His Dark Materials - How this got through the review board within the BBC amazes me, no wonder they were keeping it back for over a year and released it with so little fanfare they knew it was a **** up, what a waste.
What this story needs is the kind of love and detail that only a Director with passion for the novel (and a big budget!) can deliver.
What Peter Jackson did for Tolkien we need someone similar to do for War of the Worlds.
The impression I had was this production team were not passionate about War of the Worlds, H.G.Wells or maybe even scifi generally. Instead it seemed to me they were dumped with this project and so glossed over the alien invasion part and instead hijacked it as a vehicle for a modern agenda and made that the story instead.
Please god will I still be alive before someone actually produces a period accurate, book accurate, Thunderchild scene including, non budget limiting, visual representation of the original book ?
A message for all scriptwriters -
1. When involved in the representation of a classic masterpiece be accurate to the period it was set in, do not try to re write history with inserted modern sensibilities that simply did not exist at that time.
2. Do not be so arrogant as to think that your tinkering can improve on a literary classic, that you are somehow more skilled than the original author and can improve on their tale.
3. Do not do projects that you know require a very significant budget when you only have a limited budget. Bad effects are worse than no effects at all - some pictures can get away with near zero effects and are all the better for it (eg. the excellent Let the Right One In) but some like War of the Worlds you simply cannot do with out effects, so if you don't have the budget to do it justice then just don't do it. The money (UK TV License Payers money!) would be better spent on alternative projects.
It's quite clear the BBC can do amazing things War and Peace (2016), Peaky Blinders and even do big budget collaborations well as shown in His Dark Materials - How this got through the review board within the BBC amazes me, no wonder they were keeping it back for over a year and released it with so little fanfare they knew it was a **** up, what a waste.
- Amble_along
- 18 nov 2019
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How many seasons does The War of the Worlds have?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Війна світів
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was The War of the Worlds (2019) officially released in Brazil?
Responda