CALIFICACIÓN DE IMDb
6.6/10
3.4 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaAn anthology of three original shorts written and directed by Hiromasa Yonebayashi, Yoshiyuki Momose and Akihiko Yamashita.An anthology of three original shorts written and directed by Hiromasa Yonebayashi, Yoshiyuki Momose and Akihiko Yamashita.An anthology of three original shorts written and directed by Hiromasa Yonebayashi, Yoshiyuki Momose and Akihiko Yamashita.
Todd Haberkorn
- Dad
- (English version)
- (voz)
- …
Henry Kaufman
- Shun (segment "Life Ain't Gonna Lose")
- (English version)
- (voz)
Yuri Lowenthal
- Sato (segment "Invisible")
- (English version)
- (voz)
Liam O'Brien
- The Invisible Man (segment "Invisible")
- (English version)
- (voz)
Joe Odagiri
- Tômei ningen (segment "Tômei ningen")
- (voz)
- (as Jô Odagiri)
Maggie Q
- Mom (segment "Life Ain't Gonna Lose")
- (English version)
- (voz)
Opiniones destacadas
Saw the first two stories and gave it up. They build up to nothing, they don't serve any purpose whatsoever. Cutely-drawn flat characters. It's basically a waste of time watching this. Rather re-watch Totoro.
Modest Heroes is an anthology movie. The first segment is about tiny little crab people or something. Two crab people lose their father and have to find him. For some reason, it drove me nuts. I hated how there was dialogue, but the characters only ever said each other's names or grunted/laughed/used other non-words. It was just something on a gut level that made me unjustifiably angry. I wish they'd either talked properly or said nothing at all. It looked nice visually but the no man's land when it came to communication bothered me non-stop.
The second film is a lot more grounded and moves away from fantasy. It's about a young boy who's allergic to eggs, and looks at the stresses of raising a kid who could well die if they're exposed to something they shouldn't eat. It sort of works emotionally, but the way it escalates at the end felt a bit contrived. I didn't entirely buy it. Maybe shortcuts have to be taken for some short stories to work, but eh(gg).
The third film gets fantastical again, being about an invisible man who finds himself becoming even more invisible, losing his grip on the world and becoming less able to interact with it. It's easily the most visually engaging of the three, and I think it has the most interesting premise, too. It's definitely a highlight and saves Modest Heroes somewhat. To consider it as one whole, it's not bad for something that's just an hour long and the presentation is strong, but the storytelling - outside that final short - is kind of lacklustre.
The second film is a lot more grounded and moves away from fantasy. It's about a young boy who's allergic to eggs, and looks at the stresses of raising a kid who could well die if they're exposed to something they shouldn't eat. It sort of works emotionally, but the way it escalates at the end felt a bit contrived. I didn't entirely buy it. Maybe shortcuts have to be taken for some short stories to work, but eh(gg).
The third film gets fantastical again, being about an invisible man who finds himself becoming even more invisible, losing his grip on the world and becoming less able to interact with it. It's easily the most visually engaging of the three, and I think it has the most interesting premise, too. It's definitely a highlight and saves Modest Heroes somewhat. To consider it as one whole, it's not bad for something that's just an hour long and the presentation is strong, but the storytelling - outside that final short - is kind of lacklustre.
The core concept behind this movie is sweet, wonderful and touching. There are small things in everyday life that takes a great deal of courage and fortitude. There are "modest heroes" out there who deserves our recognition and I'm sure that we all know quite a few of them. Unfortunately, the three stories told here struggle to do justice to this idea. They range from meh to sort of ok-ish. On top of that, the music and the animation are often just too weak to support the narrative ambitions of this title. There are a couple of good ideas here and there, but the of lack pathos, weight and artistic direction results in a mediocre rendering of those ideas.
In their little nature, these segments reveal a simple, but no less deep and entertaining.
KANINO AND KANINI: The most intriguing aspect was surely the world-building, which kinda reminded me of ARIETTY, from Studio Ghibli.
I also appreciated how they used just that invented language, but managing to still make everything understandable and sweet.
I almost wish we could see a full movie out of it, let's hope Yonebayashi will eventually consider doing it XD
LIFE AIN'T GONNA LOSE: I'm pretty sure this will be the most relatable to many people.
Even I was touched in a kinda personal way, because even my mother suffers from allergies, although thankfully she never went into serious troubles because of it.
But I really enjoyed the realism of Shun's frustration, and the way his mother is constantly worried about him.
I could perfectly sense the pain, both physical and spiritual, and that's no easy task, in animation.
I think it's something it should be showed to everyone, kids and adults alike
INVISIBLE: The darkest of the three, though not in a too heavy way.
The idea is not fully original, given how the metaphor of "invisibility" to show the alienation from society has been used many times in books, movies and comic books.
But despite that, here it is shown in a very spectacular and effective way thanks to the animation and the visuals, almost like a live-action, like only Japanese animes can do.
The way the body transmits all the necessary feelings without any of it is just amazing and, again, full of true pain, it deserves all the appreciation it can get.
KANINO AND KANINI: The most intriguing aspect was surely the world-building, which kinda reminded me of ARIETTY, from Studio Ghibli.
I also appreciated how they used just that invented language, but managing to still make everything understandable and sweet.
I almost wish we could see a full movie out of it, let's hope Yonebayashi will eventually consider doing it XD
LIFE AIN'T GONNA LOSE: I'm pretty sure this will be the most relatable to many people.
Even I was touched in a kinda personal way, because even my mother suffers from allergies, although thankfully she never went into serious troubles because of it.
But I really enjoyed the realism of Shun's frustration, and the way his mother is constantly worried about him.
I could perfectly sense the pain, both physical and spiritual, and that's no easy task, in animation.
I think it's something it should be showed to everyone, kids and adults alike
INVISIBLE: The darkest of the three, though not in a too heavy way.
The idea is not fully original, given how the metaphor of "invisibility" to show the alienation from society has been used many times in books, movies and comic books.
But despite that, here it is shown in a very spectacular and effective way thanks to the animation and the visuals, almost like a live-action, like only Japanese animes can do.
The way the body transmits all the necessary feelings without any of it is just amazing and, again, full of true pain, it deserves all the appreciation it can get.
This movie consistices of 3 segments
The first short is about a brother and a sister who go fishing and they encounter so big large fish. The second segment is about a kid called shun who is allergic to eggs. The third segment is about a guy who is always invisible for some reason.
I personally find it a good watch on Netflix especially if you are looking for something which is short.
The first short is about a brother and a sister who go fishing and they encounter so big large fish. The second segment is about a kid called shun who is allergic to eggs. The third segment is about a guy who is always invisible for some reason.
I personally find it a good watch on Netflix especially if you are looking for something which is short.
¿Sabías que…?
- Trivia"Invisible" is the sophomore directorial work of veteran animator and supervising animator Akihiko Yamashita, the first being the Ghibli Museum-exclusive short film Chûzumô (2010), premiered eight years prior, and his debut as a writer.
- Bandas sonorasPonoc Tanpen Gekijô no Têma'
(Ponoc Short Theatre Theme)
(opening theme)
Performed by Kaela Kimura
Lyrics by Kaela Kimura, Shinobu Watanabe & Studio Ponoc
Music & Arrangement by Shinobu Watanabe
Courtesy of ELA/Victor Entertainment
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Modest Heroes?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 178,027
- Fin de semana de estreno en EE. UU. y Canadá
- USD 178,027
- 13 ene 2019
- Total a nivel mundial
- USD 178,027
- Tiempo de ejecución
- 53min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta