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IMDbPro

Lazos De Familia

Título original: Sorry We Missed You
  • 2019
  • B
  • 1h 41min
CALIFICACIÓN DE IMDb
7.6/10
28 k
TU CALIFICACIÓN
Katie Proctor and Kris Hitchen in Lazos De Familia (2019)
A delivery driver and his wife struggle to get by in modern-day England. Directed by Ken Loach.
Reproducir trailer2:26
2 videos
95 fotos
Drama laboralDramaDrama financiero

Con la esperanza de que trabajar como autónomos resuelva sus problemas financieros, un repartidor y su familia se ven atrapados en un círculo vicioso de explotación laboral.Con la esperanza de que trabajar como autónomos resuelva sus problemas financieros, un repartidor y su familia se ven atrapados en un círculo vicioso de explotación laboral.Con la esperanza de que trabajar como autónomos resuelva sus problemas financieros, un repartidor y su familia se ven atrapados en un círculo vicioso de explotación laboral.

  • Dirección
    • Ken Loach
  • Escritura
    • Paul Laverty
  • Estrellas
    • Kris Hitchen
    • Debbie Honeywood
    • Rhys Mcgowan
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.6/10
    28 k
    TU CALIFICACIÓN
    • Dirección
      • Ken Loach
    • Escritura
      • Paul Laverty
    • Estrellas
      • Kris Hitchen
      • Debbie Honeywood
      • Rhys Mcgowan
    • 156Opiniones de los usuarios
    • 176Opiniones de los críticos
    • 82Metascore
  • Ver la información de producción en IMDbPro
    • Nominada a1 premio BAFTA
      • 10 premios ganados y 22 nominaciones en total

    Videos2

    Official Trailer
    Trailer 2:26
    Official Trailer
    Sorry We Missed You - official US trailer
    Trailer 1:50
    Sorry We Missed You - official US trailer
    Sorry We Missed You - official US trailer
    Trailer 1:50
    Sorry We Missed You - official US trailer

    Fotos95

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    Elenco principal53

    Editar
    Kris Hitchen
    Kris Hitchen
    • Ricky
    Debbie Honeywood
    Debbie Honeywood
    • Abby
    Rhys Mcgowan
    • Seb
    • (as Rhys Stone)
    Katie Proctor
    Katie Proctor
    • Liza Jane
    Ross Brewster
    • Maloney
    Charlie Richmond
    Charlie Richmond
    • Henry
    Julian Ions
    • Freddie
    Sheila Dunkerley
    • Rosie
    Maxie Peters
    • Robert
    Christopher John-Slater
    • Ben
    • (as Christopher John Slater)
    Heather Wood
    • Mollie
    Albert Dumba
    • Harpoon
    • (as Alberto Dumba)
    Natalia Stonebanks
    • Roz
    Jordan Collard
    • Dodge
    Dave Turner
    • Magpie
    Stephen Clegg
    • Policeman
    Darren Lee Jones
    • Council Worker
    • (as Darren Jones)
    Nikki Marshall
    • Traffic Warden
    • Dirección
      • Ken Loach
    • Escritura
      • Paul Laverty
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios156

    7.627.8K
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    Opiniones destacadas

    9almondpies

    Impressive performance of actors - very sad story

    Very moving and beautifully executed story. It's more tragedy than drama, but sets modern life into perspective.
    9deniseireland-54237

    Shines a light on the gig economy

    Ken Loach films are always on point, no matter the issues and societal ills being explored. Sorry We Missed You takes its audience into the life of a family whose circumstances result in both parents being at the mercy of zero hours contracts and corporate misuse of self employment to exploit their workforce for bigger profits. Its a sad indictment of our society and the gig economy which journeys more and more towards placing higher value on the pursuit of profit over the lives and well being of ordinary working class people. Anyone who buys on line and has your parcel delivered to your door or has relatives who rely on paid carers should watch this film to fully appreciate what they do for us and the sacrifices and hardships they may be facing.
    8faroukgulsara

    "you don't work for us, you work with us..."

    During the infancy of my career, many a time, being the most junior of the team, I usually ended up having to see poor patients who just made it to the clinic at closing time. I soon came to know that they were living far from civilisation, deep in rubber or palm oil estate. Coming to the hospital meant getting up at four in the morning, preparing breakfast for the school-going children and being able to get on the first 6 o'clock morning bus to town. Invariably, they would be delayed. The transport out to the main road would not turn up. Perhaps, the feeder bus would break down or the bus that they had to change left earlier.

    They would eventually reach the hospital close to noon. After getting an earful for not keeping to their time, they would have to seen by the junior most doctor of the team. The senior ones would have left the clinic for more pressing needs. Unable to make a definitive plan of medical treatment for them, these patients who would require most of the expertise from the medical team ended up discarded by the system. They would be given another appointment; the whole ritual needs to be repeated. On top of all these, as they are daily wage earners, absence from work meant the loss of a day's earning.

    I thought all these slave-like working conditions would end as the world changed. With globalisation, workers were promised working conditions and preservation of unassailable rights of the workers. Marx's dream of working for sustenance and having leisure time to enjoy the reason for their existence, they thought, would of fruition with the gig economy. They do a gig when and if they want. The workers would be their own boss. They work for themselves; not for the bosses or company. They do not work for a company but with the company. What the company failed to highlight were the fine prints, the exclusion clauses and the penalty they were to be imposed if specific rules are not followed.

    Fast forward, and workers realise that the whole economy is just a scam. The same old economic ideology is just re-packaged. The same plot of scheming the poor to feed the rich is in full force. The workers continue breaking their back until a new horizon emerges. Who knows what else would they promise the next time. Meanwhile, like Sisyphus, the unendowed have the find simple pleasures within their unending cycle of hardship, a flicker of hope, resolution, pain and the curse of repeating it all over again.

    Still reeling with debts from the 2008 economic downturn, Ricky thought he found a sure way to end his financial woes. The promise of good returns as an independent despatch services provider, he felt his hard work was the only thing that separated him from economic independence. For that, however, he needed to purchase a pickup van. For its down payment, he had to sell off the family car in which, the wife, Abbie, a home care nurse moved around to meet her patients.

    Soon everyone realises that it is not all hunky-dory. Ricky has to spend long hours at work. Abbie finds it taxing to meet her demanding schedule. Their two teenage children are left to their devices. The parents are unable to meet up to their school and their children's emotional needs. Ricky's woes only accumulate. He has to pay damages for lost items which are not covered by insurance and to work despite his injuries after mugged.

    It looks like the dependence on others will spill over on to the next generation. Their dependency on their digital hand-held devices is not mere addiction. It has become their essential tools to do their school, learning, communication and more. The digital world is another platform that is manipulated by the economic giants to make people fall at the service providers' feet. This is yet another doublespeak and the dehumanising trap of the neoliberal economy. Instead of building an antifragile society that grows stronger with every stress that is hurled upon them, we will be left with a brittle one, needing support at the mere thought of pressure.

    Again, our electron microscopic friend, COVID-19 has shown us the fragility of the gig economy. Being locked down for two weeks may be excellent for family time and bonding, but neither bring in the cash nor pays the bills.
    9planktonrules

    Powerful...and quite painful to watch.

    "Sorry We Missed You" is an exceptional film from British director Ken Loach that I recently saw at the Philadelphia Film Festival. It's amazingly realistic and powerful....as well as incredibly sad and depressing. This is NOT a criticism...more just to let you know that it's anything but a 'feel good' sort of movie.

    The story is about a working class family in crisis. The father worked 90 hour weeks as a delivery man. His boss is completely unsympathetic and hard...like a rock. The wife is also working 12-14 hour days and together they barely get by. But, because they are barely home, it's taking a huge emotional and physical toll on them as well as the family. Through the course of the film, you see these decent people fall apart....and there doesn't seem to be any answer for their predicament.

    This movie was brilliant in that the actors seemed nothing like conventional actors....they were REAL. But, unlike non-professional actors, they were convincing and extremely effective. I applaud them and Loach for delivering a film that makes you think and feel....and challenges your preconceptions about the fairness and decency in the modern economy. A film not to be missed...unless you are depressed. If you do suffer from clinical depression or your life has been hard lately....maybe you might want to skip this one.
    Alba_Of_Smeg

    I wasn't quite prepared for this one

    This one really resonated with me. Sorry We Missed You highlights the struggles that normal everyday people experience day to day while trying to balance work and family life and the rate of exploitation in the job market. It's hard hitting, urgent, heartbreaking and most importantly REAL. The fact that Loach is still motivated and inspired and making great films so late in his career is wonderful.

    We are shown a glimpse of daily life of the Turners. A low income family with limited options and imperfect decisions. Much like the real ordinary men and women out there every day doing what ever job they can to make ends meet whether it's zero hour contracts, sub-contracts, agency work, sole trading or just a crap job you can almost guarantee they've experienced unscrupulous management, no health and safety, no sick pay, no paid holidays, no travel expenses, dodgy cheques, penalties and sanctions.. I know I have. It's a jungle out there and the grim reality is the world is full of people and businesses willing to take advantage of you at every turn and this film tries to capture just that.

    I know Loach often uses unknown or first time actors in his films, but he has a way of bringing out really good performances from them. In Sorry We Missed You it's no different. The characters are really believable in their roles. Kris Hitchen's performance is outstanding in this film. He completely owns the role of Ricky. A solid actor, i'll be checking out his other work from now on. Debbie Honeywood does a great job as Abbie, however not not every line of dialogue hits the mark. Her description of her recurring dream and a few other scenes felt more like a run-through of her lines. Though not overly distracting and she more than makes up for it with her kind hearted compassionate performance. Ross Brewster played the part of the depot manager we love to hate so well. Numbers and figures man, not a care in the world for the workers. Prize pick, basically. The type of character I think we've all come across at some point.

    I found this so relatable, after all that's the point isn't it. The hard grafting father working his arse off but never seems to be able to get ahead, the loving mother doing everything she can to hold it all together as she watches her family fragment, the self destructive teenage son at that "stupid age" angry, selfish and misunderstood. It made me laugh, it made me sad, it made me angry, infuriated even, and it got me thinking. What more could you want in a film. Fantastic.

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    Intereses relacionados

    Meryl Streep in El diablo viste a la moda (2006)
    Drama laboral
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Luz de luna (2016)
    Drama
    Michael Douglas in El poder y la avaricia (1987)
    Drama financiero

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Kris Hitchen took inspiration for his part from his time working as a plumber in the years between acting jobs.
    • Errores
      At 59 minutes and 37 seconds into the movie the head of a crew member is visible in the background mirror when Ricky is reading a letter from the school.
    • Citas

      Abbie Turner: This is my family, and I'm telling you now, nobody messes with my family.

    • Conexiones
      Featured in WatchMojo: Top 10 Movies of 2020 (So Far) (2020)
    • Bandas sonoras
      Know How
      Written by Matt Dike, Isaac Hayes, John Wylie King, Michael Simpson and Marvin Young

      Performed by Marvin Young (as Young MC)

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    Preguntas Frecuentes18

    • How long is Sorry We Missed You?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de octubre de 2019 (Francia)
    • Países de origen
      • Reino Unido
      • Francia
      • Bélgica
    • Sitios oficiales
      • Official Facebook
      • Official Instagram
    • Idioma
      • Inglés
    • También se conoce como
      • Sorry We Missed You
    • Locaciones de filmación
      • Shields Road, Byker, Newcastle upon Tyne, Tyne and Wear, Inglaterra, Reino Unido(street scene)
    • Productoras
      • Sixteen Films
      • BBC Film
      • BE TV
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 28,273
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 9,436
      • 8 mar 2020
    • Total a nivel mundial
      • USD 8,943,790
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 41min(101 min)
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.85 : 1

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