Ironbark

One of Benedict Cumberbatch's best performances to date, which makes it one of the greatest acting performances period. His startling physical transformations, spot-on dialogue delivery, and appropriately subtle and highly-effective character manifestations (he's a spy not a Hollywood super-hero for those hung up on the film not emulating Bond or Bourne "big moment" scenes), are all testimony to his commitment to the acting craft. He once again proves why he is (simply-put) one of this era's greatest actors.

This role should garner award nominations across the spectrum of such ceremonies for Benedict.

The Courier is well above average as espionage films go - subtle pacing actually magnifies tension in the story - the most elemental fuel for any thriller.

No spy film is better at emotionally connecting the viewer with the lead character - painting an accurate portrayal of both a spy's methodology, and the inevitable inner conflicts and angst involved in the job, and in one's personal life. This unique trait elevates the film.

The Director maintains a refreshingly low-key atmosphere in scenes, befitting the "trade-craft" of espionage that thrives on innocuous and concealing behavior (rather than the overly dramatic big moments too often leaned upon in blockbuster spy films). None of that nonsense would actually occur as spies would bring too much attention to themselves - a sure way of having a short career and brief lifespan.

This is a spotlight film role carried by Benedict, but a film of this immense achievement does not occur without similarly great performances by the supporting cast.

Merab Ninidze hits one over the Berlin Wall and deserves recognition for his remarkable supporting role performance.

Rachel Brosnahan was spot-on as well, and is clearly on a roll after her deserved critical praise for 'The Marvelous Mrs. Maisel'.

Tom O'Conner's screenplay is brilliant as is Dominic Cooke's directing, and Gareth Scales' editing which somehow brings this fascinating true story to film in under two hours.

The Courier has me once again ('Spotlight' being the first in 2015) breaking my long standing rule of not putting a film on the Top 100 All Time Greatest list within a year of its release. I often view better films multiple times over the long haul. Some hold up; some gain respect; and some regress. I'm anticipating The Courier will not lose ground over time, and may gain, but we shall see.

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We need more movies like this. If you enjoy movies that teach history with good acting and are clean without all the typical Hollywood garbage then this movie is for you. Terrific movie!

Excellent film,first class acting.the while film is remedy to the big blockbusters.the transformation of Benedict Cumberbatch,from clueless pawn in a political high stakes game to a more caring person as well as the physical change is staggering.abetted by a solid supporting cast.a must see film this year.

Real life stories can be tricky. In the horror genre they can fail miserably ... in the War scenarios or spy and real people stories, it does look differently though. Like with this one. And while I reckon one could argue that side characters feel shallow or one dimensional (the wives for example), I'd argue there is not enough time to get and have everyone have their moment.

Still the British wife we have here, does have some zingers and you can really feel her pain and understand her anxiety over all that is happening. Even if she has the wrong idea of what is going on. Having said all that, the actors are fantastic and the tension is really holding up throughout ... you may know where this is going (and what happened with Cuba and the missilie crisis), but it won't take anything away from what we see on screen.

It's 1960 and the Cold War is heating up. High level Soviet official Oleg Penkovsky (Merab Ninidze) is concerned. He risks everything to contact the West. CIA agent (Rachel Brosnahan) suggests using an amateur as a conduit. They recruit everyday salesman Greville Wynne (Benedict Cumberbatch) who has done some business behind the Iron Curtain.

This is an old fashion espionage thriller. It's heightened by its true story nature and the two lead performers. Greville's regular everyday-man character is very compelling. The two men's friendship is very interesting. It may not be something new but it is very well-done. The last part is a little flat but that has to do with its true story nature. This is a throwback in the best sense.