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IMDbPro

Memoria

  • 2021
  • B
  • 2h 16min
CALIFICACIÓN DE IMDb
6.4/10
12 k
TU CALIFICACIÓN
Tilda Swinton in Memoria (2021)
From the extraordinary mind of Palme D'or winning director Apichatpong Weerasethakul, and starring Academy Award winner Tilda Swinton, comes a bewildering drama about a Scottish woman, who, after hearing a loud 'bang' at daybreak, begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia.
Reproducir trailer1:51
2 videos
57 fotos
Ciencia FicciónDramaDrama psicológicoMisterioMisterio de suspenso

Una mujer de Escocia, mientras viaja por Colombia, comienza a notar sonidos extraños. Pronto comienza a pensar en su apariencia.Una mujer de Escocia, mientras viaja por Colombia, comienza a notar sonidos extraños. Pronto comienza a pensar en su apariencia.Una mujer de Escocia, mientras viaja por Colombia, comienza a notar sonidos extraños. Pronto comienza a pensar en su apariencia.

  • Dirección
    • Apichatpong Weerasethakul
  • Guionista
    • Apichatpong Weerasethakul
  • Elenco
    • Tilda Swinton
    • Agnes Brekke
    • Daniel Giménez Cacho
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    12 k
    TU CALIFICACIÓN
    • Dirección
      • Apichatpong Weerasethakul
    • Guionista
      • Apichatpong Weerasethakul
    • Elenco
      • Tilda Swinton
      • Agnes Brekke
      • Daniel Giménez Cacho
    • 105Opiniones de los usuarios
    • 134Opiniones de los críticos
    • 92Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 9 premios ganados y 27 nominaciones en total

    Videos2

    Official Trailer
    Trailer 1:51
    Official Trailer
    Memoria
    Trailer 1:51
    Memoria
    Memoria
    Trailer 1:51
    Memoria

    Fotos57

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    Elenco principal10

    Editar
    Tilda Swinton
    Tilda Swinton
    • Jessica Holland
    Agnes Brekke
    • Karen Holland
    Daniel Giménez Cacho
    Daniel Giménez Cacho
    • Juan Ospina
    Jerónimo Barón
    • Mateo Ospina
    Juan Pablo Urrego
    Juan Pablo Urrego
    • Young Hernán Bedoya
    Jeanne Balibar
    Jeanne Balibar
    • Agnes Cerkinsky
    Aída Morales
    • Vendor
    Constanza Gutierrez
    • Doctor Constanza
    Elkin Díaz
    • Older Hernán Bedoya
    Daniel Toro
    Daniel Toro
    • Anthropologist Assistant
    • (sin créditos)
    • Dirección
      • Apichatpong Weerasethakul
    • Guionista
      • Apichatpong Weerasethakul
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios105

    6.412.3K
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    Opiniones destacadas

    6frank-liesenborgs

    Without Tilda there is no movie and with Tilda, there is still no movie. What did I just see?

    In "Memoria" Tilda Swinton plays Jessica Holland, an expat woman from Scotland who lives in Medellín and is in the market-gardening business. One night, Jessica is awoken from a sleep by a strange bang, like a sonic boom. This is the long version of the movie. The short version is "what did I just watch?" If they had made a short movie (35 minutes), you would still ask the same question. This is by far the slowest movie I have ever seen and then having to admit I still did not understand the plot? Or was there no plot? Was there even a movie? So many questions that might never be answered. This movie left me behind feeling very frustrated. It might have been a masterpiece or just the opposite. But if I have to stare at trees, roads, the sky etc for at least 75% of the movie, I fall asleep. There is one thing that is very good about this movie, and that is the always wonderful acting Tilda. Without her, this movie would not even exist. This is the trick, use Tilda and some people might actually come and see the movie of my twisted "Memoria". And the only good scene was when Jessica was visiting the doctor. She was trying to ask Xanax but had to struggle to get a prescription because Xanax is addictive! And this is happening in Medellin, once the cocaine capital of the world...
    8Jeremy_Urquhart

    Memoria is a film

    A woman hears noises. The audience will hear the noises, too. The woman jumps when she hears the noises. So too might the audience. She wants to find out what the noises are. We're along for the ride, trying to understand her journey as best we can...

    Memoria is a film that's very, very different. Mostly, it's unique in a good way, but it is a challenging watch and if you're like me, you might come out of it not knowing exactly what you just saw... but hopefully, you'll appreciate how it made you feel.

    I read this was only ever going to be shown theatrically, and that it would never get a streaming release or be released on DVD/Bluray. I thought that sounded pretentious, but now after seeing the film, if they stick with that plan, I understand why. Memoria is a quiet and sometimes deathly still film. I don't know if most people (myself included) would be able to concentrate on it completely if they were at home, and had mobile phones and the like as distractions.

    This becomes clearest in the second half, which warps and seemingly deconstructs time itself as you're watching it. I know how pretentious that sounds. But approximately the last half is one long sequence that is slow in a way that's kind of awe-inspiring. And I can only estimate that this concluding chunk of the film was one half of it. It may have been more like 70 minutes. It could've been as short as half an hour.

    With no clear narrative or structure, you're left no choice but focus intently in on what is (or isn't?) happening. It ends up being hypnotic. Some people were audibly relieved when it was over. I'd be lying if I said I was riveted the whole time, but I was too impressed with how Memoria as a whole felt to watch unfold to say it came anywhere close to being a waste of time.

    Tilda Swindon deserves praise, too. I think the film asks a lot of her, and asks her to do it all subtly, too. She gives a great performance, and one that I don't think many others could do. Overall, this is a very slow and perplexing film, but I can't call it boring, and because of the unique experience it provided, I wouldn't call it frustrating or pretentious, either. It's absolutely worth 137 minutes of your attention, as long as you're mostly onboard with seeing something out there, and one that seeks to give you a unique film-watching experience more than it gives you a traditional narrative, or any easy answers.
    gortx

    An experience as much as a film

    "Enjoy the silence" a title card states as Apichatpong Weerasethakul invites the viewer to experience MEMORIA; And, an experience it truly is as Weerasethakul's metaphysical film infuses the viewer with natural sights and sounds. That opening acts almost as an overture, as the Director's personal sketches are superimposed over still photographs from the production of the film - all 'scored' to absolute silence.

    MEMORIA's protagonist is Jessica (Tilda Swinton) who awakes one morning to a mysterious sonic bang. Jessica is a botanist living in Columbia who is visiting her sister in Bogota. The bang continues to haunt Jessica as she goes about her daily life. Slowly, she feels that her mind is slipping - is she imaging the sounds? People she believes she has met don't seem to exist. On a drive back to her home in Medellin, she meets (or does she?) a man named Hernan (Elkin Diaz) and they spend a long afternoon together.

    Weerasethakul's film doesn't have a formal plot. Swinton is so attuned to her filmmaker's methods that she inhabits rather than acts. The Director's method is to utilize only the most minimal of editing with extended takes. Cinematographer Sayombhu Mukdeeprom exquisitely captures the crucial mood and beauty of the natural world on 35mm film. The sonic bangs seem ever more loud because the sound design accentuates an organic soundscape; even the human voices are seemingly mixed below normal levels.

    "Sometimes there's no escape except in dreams" reads another title card after the 'overture'. The classical definition of "Memoria" can be very loosely translated as "Memory", but its true meaning is much deeper. It describes a way in which the human mind stores and utilizes those thoughts and senses. The sonic bangs can be seen as a way of triggering Jessica's states of consciousness. Her own Memoria.

    MEMORIA isn't a film for general audiences. Indeed, it's release is a never-ending world tour with the Producers claiming it shall never be sold for home viewing - streaming or physical media. It's very much a communal experience in a theater. The aural and visual tour de force to be savored not only by the individual -- but, by the audience in toto.
    8elokayaman

    Demanding but rewarding only for those who are 'there'

    This movie is only for the eyes of a few people. To those eyes, it offers many answers, inspiration, and a lot of insight - to the latter it will look like total rubbish. I understand and respect this. However, this movie was fascinating for me. It requires a great amount of patience and total attention - and a base knowledge of buddhism helps a lot with many symbols scattered around the movie. It is something that needs you to focus with an open mind - because it has nothing to do with a story, a plot, it rather gives you the chance to observe a very subtle reality often ignored. Not with a storyline, but a chain of circumstances which may look meaningless or unimportant if you don't look close enough. Sounds were used brilliantly, and the whole movie made me feel there was nothing decorative, all scenes, and little things, and pauses were there only because they were absolutely necessary to deliver the message. It was more like a meditation. This one provided me so many unexpected answers and spiritual inspiration, and I'm sure I'll be thinking about it and 'feeling' it for a while.
    3FilmFlowCritics

    This movie could easily be 45min shorter and it still would feel to long!

    Maybe this movie was to overhyped for me, but it probably is the biggest disappointment of 2021 for me.

    The concept was ambitious, but the movie still cant decide what it wants to be and in the last 10mins it completely shifts its genre, which was just to much...

    Tilda Swinton is brilliant in it, no doubt, but this plot, that gets dragged out more and more (and I usually love slow paced movies, but that was even to much for me) simply doesnt help itself. It reminded me a bit of LOST at times, where it mysteriously opens up a loooot of questions but never answers any of those.... or you could say... "it leaves it up for interpretation". A second viewing would certainly help you to understand those connections better, but I cant make myself endure this another time.

    Its such a shame that this amazing idea has not been executed much more smoothly.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      In an unconventional move, art-house film distributor Neon is releasing Memoria in the USA "from city to city, theater to theater, week by week, playing in front of only one solitary audience at any given time." And furthermore, according to IndieWire (10/5/21) the film will only play in theaters and it will not become available on DVD, on demand, or on streaming platforms. They later abandoned this release strategy though after touring through only New York and Chicago and the film was eventually released in many cities simultaneously across North America in April, 2022.
    • Citas

      Older Hernán Bedoya: I remember everything, so I limit what I see.

    • Conexiones
      Referenced in Radio Dolin: Stream with Anton Dolin (2021)
    • Bandas sonoras
      Memoria
      Written by César López

      Piano performed by César López

      Cello performed by Sandra Parra

      Recorded by Julio Monroy

      Recorded in Bogotá, Columbia by Burning

      (C) 2020 Burning

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    Preguntas Frecuentes

    • How long is Memoria?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de febrero de 2022 (México)
    • Países de origen
      • Colombia
      • Tailandia
      • Francia
      • Alemania
      • México
      • Catar
      • Reino Unido
      • China
      • Estados Unidos
      • Suiza
      • Taiwán
      • Japón
      • Países Bajos
      • Hong Kong
    • Sitios oficiales
      • Anna Sanders Films (France)
      • Bord Cadre Films (Switzerland)
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Пам'ять
    • Locaciones de filmación
      • Colombia
    • Productoras
      • Kick the Machine
      • Burning
      • Illuminations Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 52,656
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 6,797
      • 26 dic 2021
    • Total a nivel mundial
      • USD 588,713
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 16 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Atmos
      • D-Cinema 48kHz 7.1
    • Relación de aspecto
      • 1.85 : 1

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