The Cure

Charlie goes to a spa with a suitcase full of liquor, as he's obviously an alcoholic. Other guests are Eric Campbell, who has apparently broken his foot (you know what is stepped on numerous times in this film) and Edna, who takes the liking of both men.

Funny scenes include several with a revolving door, in particular at the end, when Campbell takes a dive from his wheelchair into a small pool with special water... how did they manage to do that!

The ending is pretty good as well, as 'The Girl' is Charlies cure for alcoholism. In short, nice little Chaplin (in which he isn't The Tramp for a change) flick, which I'll give 7/10.

Much of the delights in this short film involve a tipsy Charlie (whose luggage consists entirely of bottles, to the good fortune of the weirdly bearded porter) and a grouchy, gouty, Eric Campbell - a perfect foil for Chaplin, he'd be much missed after his death in a road accident later in 1917.

Edna Purviance, Charlie's usual sweetie in these short films, is a welcome presence, but it is Chaplin himself who shines throughout 'The Cure', whether struggling from the over zealous attention of a Turkish bath attendant, walking his funny walk up steps, or getting stuck along with Campbell in a set of revolving doors.

It doesn't get much better than this.

Measured in terms of sheer belly-laughs The Cure may well be the funniest movie Charlie Chaplin ever made. Not one moment is given over to sentimentality about childhood trauma, unrequited love, poverty or anything of the sort; this time around, Chaplin is single-minded in his drive to make us laugh, and he achieves his goal with ruthless and exhilarating efficiency.

The story's setting may require a bit of explanation for younger viewers. At the time this film was made there were a number of well-known health resorts in the U.S. and Europe built around mineral springs. It was fashionable for middle- and upper-class people to spend a week or two at these spas to address whatever health problems they might be struggling with, for it was believed that mineral water cured or at least alleviated a variety of ailments. The resorts were visited by well-to-do patients afflicted with everything from rheumatism, gout, or polio to chronic alcoholism, and someone in the latter category who went to a spa to get clean and sober was said to be "taking the cure."

When Charlie arrives at the spa that is our setting, pushed in a wheeled deck-chair by a uniformed attendant and obviously still tipsy, we know right away that despite the familiar mustache he's not the Little Tramp we usually encounter. Here, though slightly disheveled, Charlie sports a dapper ensemble of light jacket, straw boater, and spotted tie, indicating that he's a respectable bourgeois citizen who has come to this place -- probably at the insistence of family or friends -- to dry out. It's soon apparent that he has no intention of changing his ways, however, for his wardrobe trunk is full of booze and he wastes no time in refreshing himself. When an attendant tries to ply him with mineral water he reacts with disgust, and after taking a sip rushes back to his room to wash the taste out of his mouth with liquor. Just to demonstrate that he's not entirely a wastrel, however, Charlie gallantly rescues a young lady (Edna Puviance) from the unwelcome attentions of an obnoxious man (Eric Campbell), and even sobers up long enough to go for a massage and a very brief dip in the spa's pool. Eventually, Charlie's stash of liquor is discovered by the resort's manager and inadvertently dumped into the spring. Soon, everyone in the place except for Charlie and Edna is drunk and disorderly, and Charlie must once again come to Edna's aid.

The great sequences in this comedy begin almost immediately, when Charlie confronts a revolving door and has his first run-in with Eric Campbell, whose unpleasant personality determines that his gouty foot will be fair game for brutality thereafter. Campbell, who wears an especially nasty-looking beard, has a great moment when he appears behind Edna in the lobby, leering at her through a curtain like a crazed goblin. Things get a little risqué when Charlie misinterprets Eric's flirty gestures as meant for himself, but the real comic highpoint comes when Charlie heads for the pool and must fend off a beefy masseur (Henry Bergman). This sequence is absolutely hilarious no matter how many times you see it, and stands with the best work of Chaplin's career.

Perhaps the synopsis of The Cure will sound distasteful to anyone who hasn't seen the film; and granted, attitudes towards substance abuse have changed over time. I maintain that Chaplin was well aware of the seriousness of his subject matter -- his own father died young as a result of alcoholism -- and that he did not take it lightly. The true subject of this film was the contemporary fashion for health resorts, and much of the humor derives from poking fun at the proponents of the spring's curative powers. We see just enough of the spa's administrative staff to get a sense of their self-righteousness, a well-meaning but pompous attitude suggesting that they know all the answers and hold the key to health and happiness. Charlie with his trunk-full of booze is a dangerously subversive element in this atmosphere, and it's his (almost accidental) overthrow of authority that's funny and exhilarating.

The Cure is beautifully staged, expertly performed, and hilarious. Where health and happiness are concerned I'd say that viewing it is as restorative as the spring waters touted by the resort's staff in the film: it's good and good for you.

This is an odd film from the outset, as Chaplin doesn't play the Little Tramp--the poor but decent soul he usually played. Instead, he's a rich alcoholic who goes to a spa to "take the cure"; i.e., rest, drink lots of mineral water and kick his booze habit. It's obvious, though, that he's not the least bit motivated as his luggage consists of dozens of bottles of booze. When the staff find them, they throw them out the window and accidentally into the spring--thus "fortifying" the water significantly. Everyone there gets drunk and Charlie finds, for the first time, he actually LIKES water! Highly ridiculous and silly, but that's slapstick for you. All-in-all, a very good film but quite a departure for Chaplin.

By the way, some time after I first saw and reviewed this movie I saw the documentary "Unknown Chaplin" and a significant portion of the first part of this interesting British show was about THE CURE. It was very interesting to see how the film evolved. In the beginning, Charlie cast himself as a bellhop and another person as the drunk. But after seeing many takes and re-takes, he apparently decided to do the drunk role himself. Many of the bellboy scenes were re-shot--now with Charlie doing them as the drunk. This documentary is a must-see for Chaplin fans.

In "The Cure", one of those 12 marvelous shorts he made during his time at Mutual Films, Charlie Chaplin turns away for once again from his 'little tramp' image that had already become his 'trademark', and returns to a role he'd played LOTS of times back in England in his theater days: that of the wealthy drunkard. And of course, not only his great experience in this field, but also all the HILARIOUSLY funny ideas he fits into those two reels of sheer, GREAT comedy, provides today's audience with JUST the same amount of laughter as it did 100 years ago - Chaplin's films NEVER 'age'...

So our tipsy 'gentleman' arrives at the sanitarium, where he's supposed to get used to drinking water instead of whiskey; he makes us ROAR with laughter with the unbelievable things he does with the revolving entrance door, he flirts with Edna Purviance, just like huge Eric Campbell does (and for a short while, Charlie actually thinks it's HIM who's Campbell's love interest!), turns the massage by Henry Bergman into a wrestling match... While at the same time, the porter starts emptying the liquor bottles Charlie's brought along with him just in case - but that's not all: he throws the remainders of the bottles out of the window right into the sanitarium's water well...

In short: "The Cure" is certainly one of the VERY best silent comedy shorts; and so it's not only a REAL treat for Chaplin fans, but also an IDEAL way for today's audiences, both grown-ups and kids, to discover the magic world of silent movies!