Billy Blazes, Esq.

When Harold Lloyd switched from his Lonesome Luke character to his "Glasses" character in 1917, it was so he could appear in a wider variety of stories. Luke's ill-fitting assortment of clothes -- visually an anti-Charie-Chaplin type-cast in lower-class and bum characters. By adopting his more normal -looking garb, he could offer more situations.

For a while, he did not. He continued offering the same old gags-in-a-setting film; gags at the beach in BY THE SAD SEA WAVES; gags in a park in TAKE A CHANCE. However, by 1919, he was actually doing stories, and with this one, we see a fine integration of high-speed gag construction and story. Oh, true enough, it's a pure burlesque of western stories, with Harold as the gunslinger, Bebe Daniels as the pretty barmaid who is menaced and Snub Pollard as the sheriff. However, he was ready, and in a few months, he would switch from two-reelers to three-reelers and full stories and take the take the industry by storm.

It's the mining town of the ironically named Peaceful Vale. Sheriff 'Gun Shy' Gallagher is not that helpful. Crooked Charley is the true ruler of the town. He demands payment from the father and daughter who own the local saloon. He kidnaps the daughter Nell. Billy Blazes (Harold Lloyd) arrives in time to save the day.

It's a 12 minute short. I don't really buy Harold Lloyd for this character. He should be a bumbling peacenik who lucks into winning the fight. He still does some high stunts walking on the roofs. I can't tell if he's doing his own stunt riding. It's fine, but not what I want from Lloyd.

This very old western satire short has Harry Lloyd as a hero cowboy named Billy Blazes who has to take on a bad guy named Crooked Charlie. It's about what you would expect, just a bunch of silly physical gags and a spoof of old western movie tropes, but it's good for what it is even though it is obviously very dated.

This one reel comedy is a pretty good parody of the westerns of its time. It's nothing fancy, but it takes a light, upbeat approach and has some funny gag ideas. Harold Lloyd and Bebe Daniels always seem to work together well, and Snub Pollard is also here, in a smaller role.

Lloyd plays the title character, who is a parody of the kinds of western heroes common both at the time and in many other eras. The character is probably based more than anything on the kinds of characters played by William S. Hart, but you wouldn't have to be familiar with Hart's movies to be able to enjoy most of "Billy Blazes".

The story squeezes quite an assortment of familiar western elements and themes into 13 minutes or so of film, and it does a good job with most of them. The big showdown between Billy and the villain is played strictly for laughs, and it features some clever turns.

Unusual for a Harold Lloyd movie in his July 1919's "Billy Blazes, Esq." The comedian doesn't make his appearance until five minutes into the film. Prior to his marvelous introduction where he adroitly hand wraps a cigarette in one palm in the windy plains, "Billy Blazes, Esq" first introduces the town's cast of characters, establishing the villains as well as the proverbial beauty in distress, Bebe Daniels.

Lloyd's initial roles in cinema when he first arrived in Hollywood was playing extras in Tom Mix westerns. His movements in "Billy Blazes Esq," both on the horse and handling his sidearms, are fluid and natural because of his experiences on the western sets. In Lloyd films, no one ever gets seriously injured or killed. Here, despite thousands of bullets flying and some hitting the keisters of the bad guys, the potentially fatal objects appear to cause a sting rather than a bleeding wound. That was the secret to Lloyd's oeuvre: physicality and danger are to be laughed at, and the greater the potential for injuries, the louder the laughs. And "Billy Blazes Esq." delivers that and more.