Ben Hur

It's true that watching this, the first version of Lew Wallace's monumental tome is a bit like watching one of those 5-minute condensed versions of the entire Star Wars saga acted out by enthusiastic amateurs in their mum and dad's back garden, but complaining about how amateurish it all is seems a bit churlish to me.

Sidney Olcott, who like the rest of the film-making community, was still feeling his way back in 1907, would go on to better things, but it's clear that he still has no real idea of how to handle such a massive challenge. Panning shots and close-ups had already been found in films before 1907, but neither are to be found here, which is a shame because you get the feeling that the filmmakers here are trying to create a spectacle of sorts. Even then, they were starting to realise that audiences were growing more discerning and didn't want to see endless variations on the same theme every time they sat in front of a screen.

To give the filmmakers credit, the sets are quite extravagant for the time. It's not exactly clear what's going on a lot of the time, even with titles explaining each piece of action that is about to take place, but a lot of the cast seem to spend a lot of their time raising their arms. Sometimes you can tell they're doing it on cue because every arm goes up at the same time. The big chariot race is something of a let-down: the camera focuses on the crowd (about 12 of them) while every now and then we see the occasional chariot go flashing past. You've got to wonder whether Olcott watched this in his later years and rued the opportunity that he missed.

Incidentally, this film was the subject of a landmark legal case when the estate of the late Lew Wallace took Kalem Pictures, the makers of the film, to court for failing to get permission from the copyright holder to film the story. Kalem, I believe, claimed it was based on the stage play (which also boasted a live chariot race with the horses running on a treadmill), but to no avail...

BEN HUR might seem an ambitious undertaking for the early days of the cinema but consider that by 1899 there had already been 2 filmed versions of H. Rider Haggard's SHE and 1 of Oscar Wilde's THE PICTURE OF DORIAN GRAY. The early 1900's saw early attempts at A TALE OF TWO CITIES, THE COUNT OF MONTE CRISTO and or course BEN HUR. The costumes are nice but I doubt the painted canvas backdrops convinced anyone even way back in 1906. The story is intact, as much as a single reel (12 minutes) will allow. In this version Hur does not get sent to the galleys; it is the chariot race which will decide if he is condemned as a criminal or not. Oh yes, even this early version has a chariot race and it is set up to be the highpoint of the picture. Alas, don't expect much in the way of special effects. This race has only two participants, Ben Hur and Massala, and they simply run their chariots around and around a camera which never moves. We all know how the story ends. The panorama, or "pan" shot was in use as early as 1896 when it was invented by an Venitian gondolier named Promio who put a camera in his boat to take a long shot of Venice as seen from the canal. The closeup was around in 1907 as evidenced by a short called MR. HURRY-UP OF NEW YORK but neither accomplishment is seen in this film. It's almost a certainty that audiences were easier to please then, at least they were for a little while, and for its time this version of BEN HUR did indeed offer more than the average one reel short. We are lucky that this version, and so many other early films survive to show us that filmmakers even back then were willing to take chances. At the time nobody knew that a fellow named D.W. Griffith was waiting in the wings gathering experience and developing some ideas of his own.

In Biblical times, Jerusalem rebels under Roman rule. After an (unfortunately staged) accident fells a Roman soldier, Herman Rottger (as Ben Hur) is taken into custody. William S. Hart (as Messala) orders Mr. Rottger become a slave. Soon, Rottger wins freedom, and seeks revenge against Mr. Hart, in a "Chariot Race". For the famed Chariot Race, the two stars simply ride by a stationary camera, while costumed people cheer.

The good folks at Kalem (the film company responsible) were counting on viewers to have either seen "Ben-Hur" on stage, or read the Lew Wallace book. And, undoubtedly, most 1900s flicker watchers had the prior knowledge necessary to understand the action. This film highlights the inferiority of the medium, at that time. Director Olcott and Gene Gauntier, who was credited with having written the "Ben Hur" scenario, would have much greater artistic success with films like "From the Manger to the Cross" (1912).

** Ben Hur (12/7/07) Sidney Olcott, Frank Rose ~ Herman Rottger, William S. Hart

Ben Hur (1907)

** (out of 4)

The first version of the classic novel has a bit of history behind it but the actual film doesn't hold up. We get Herman Rottger playing Ben Hur, the man who becomes a slave and will eventually revolt and go up against Messala (William S. Hart). For starters, if anyone tries comparing this to the 1925 or 1959 versions then they're really cheating all three films. This is a 13-minute short so there's a lot to get crammed in here and of course the story is going to have to bounce around and not spend too much time on one plot point. With that said, the end result here is pretty disappointing because none of the apparent five directors knew how to build any real suspense or to make us care about anything we're seeing. We can never really get into the actual story and it's hard to care for any of the characters. Another problem is that the film really doesn't even appear to try and do anything overly special. We get some very impressive costumes but that's about it. This movie remains entertaining as a curio if you've seen what films would follow. On the historic side, this was the first film to end up in court due to copyright violations so I guess all authors has this film to thank for filmmakers not being able to take their work without credit.

This movie shows how way behind France the USA was in 1907 in film-making. In fact, most of the movies being shown in the nickelodeons that had multiplied all over the US in that year were from France, and even most of the output of the American Lubin company were copies of or just pirated French movies. Pathe in France was the first real movie studio to be up on its feet. When you compare the sophistication their The Life and Passion of Christ, made the same year, with this Ben Hur, it's astonishing to think that things were going to completely turn around within a decade. This movie is really worth seeing though; it's an unforgettable experience! Particularly the chariot race where we see even more than ten, even more than twenty even, people wave their arms up and down for several minutes and there is a brief blur of a chariot going by every now and then, until the card suddenly comes up to say The Victory of Ben Hur. The camera is completely static and the actors just wave their arms around in front of a stage set, endlessly. The 'Ben Hur Goes to the Galleys' section is just that, people waving their arms up and down against each other interminably, when Ben Hur is being arrested, in a house. No boat. No sea. And then straight into the 'chariot race', which at least was filmed from an angle, to try and keep the chariot in camera for a fraction of a second longer. But at least they made something! And there they still are, and continue to be, though they have all died, gesturing forever in silence.