Agrega una trama en tu idiomaStan and Ollie hold out money from their paychecks from their shrewish wives so they can enjoy a night out on the town... with predictable results.Stan and Ollie hold out money from their paychecks from their shrewish wives so they can enjoy a night out on the town... with predictable results.Stan and Ollie hold out money from their paychecks from their shrewish wives so they can enjoy a night out on the town... with predictable results.
- Dirección
- Guionistas
- Elenco
Tiny Sandford
- Waiter
- (as S.J. Sandford)
Jimmy Aubrey
- Cook
- (sin créditos)
Chet Brandenburg
- Waiter
- (sin créditos)
Ed Brandenburg
- Waiter
- (sin créditos)
Betty Caldwell
- Nightclub Cigarette Girl
- (sin créditos)
Dorothy Coburn
- Hatcheck Girl
- (sin créditos)
Edgar Dearing
- Waiter
- (sin créditos)
Gracie Doll
- Pink Pub Midget Performer
- (sin créditos)
Daisy Earles
- Pink Pub MIdget Performer
- (sin créditos)
Harry Earles
- Pink Pub Midget Perfomer
- (sin créditos)
Helen Gilmore
- Pink Pub Patron
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
5tavm
This is another of Laurel & Hardy's early shorts that I watched on Hulu as linked from IMDb. This seems to be the first time they have wives that boss them around so they have to sneak around in order to have some fun like later on in films like Be Big or Sons of the Desert. In this one, Stan & Ollie go to a restaurant after a couple of men run out on their dates so the boys volunteer to help pay for the women (Kay Deslys, Anita Garvin) left behind. But both men find out their wives took their money without them knowing. And the gossiping woman, seeing them all there, goes back to tell the spouses what's what. I'll stop there and just say that not much funny happens until the food fight that ends the picture. It replaced an earlier sequence that involved Stan & Ollie dressing as women that was filmed but I'm guessing that's now lost. There's a still from that scene in Randy Skrevedt's book "Laurel and Hardy: The Magic Behind the Movies". On that point, Their Purple Moment is at least worth a look.
Once again I seem to be in the minority: I think that Their Purple Moment sees Laurel and Hardy in fine form. It starts with Stan (playing Mr. Pincher) being waylaid by his battle-axe wife at the front door, the woman demanding the poor guy's wages. However, Mr. Pincher has been holding back a few dollars from each pay packet in preparation for a special night out with his pal Ollie.
Pretending to be going ten-pin bowling, the two men sneak off for a wild time at a boozy joint where they hook up with a couple of young women. The foursome tuck into big steaks and pints of beer while enjoying a dancing midget cabaret act, but when it comes to settling the bill, Mr. Pincher realises that his wife has found his hidden cash and replaced it with grocery coupons.
Laurel's facial expressions after he discovers that he has no money are hilarious, alternating between confusion to utter dismay; Hardy's face is also a treat when he sees that they are skint. Together, the pair try to leave the establishment without paying, but must avoid their wive (who have tracked them down) while also dodging angry staff.
In addition to the funny expressions, the dancing midgets, and the angry sped-up wives striding down the street, viewers are also treated to Laurel doing one of his fancy tricks (catapulting a spoon into a glass), and a messy finalé in the kitchen that sees lots of grub being hurled (others seem to find the ending something of a let down, but I love a good food fight!).
Admittedly, the originally planned ending involving Stan and Ollie pretending to be midgets to escape the club might have been even better, but this is still worth at least 7/10 in my book.
Pretending to be going ten-pin bowling, the two men sneak off for a wild time at a boozy joint where they hook up with a couple of young women. The foursome tuck into big steaks and pints of beer while enjoying a dancing midget cabaret act, but when it comes to settling the bill, Mr. Pincher realises that his wife has found his hidden cash and replaced it with grocery coupons.
Laurel's facial expressions after he discovers that he has no money are hilarious, alternating between confusion to utter dismay; Hardy's face is also a treat when he sees that they are skint. Together, the pair try to leave the establishment without paying, but must avoid their wive (who have tracked them down) while also dodging angry staff.
In addition to the funny expressions, the dancing midgets, and the angry sped-up wives striding down the street, viewers are also treated to Laurel doing one of his fancy tricks (catapulting a spoon into a glass), and a messy finalé in the kitchen that sees lots of grub being hurled (others seem to find the ending something of a let down, but I love a good food fight!).
Admittedly, the originally planned ending involving Stan and Ollie pretending to be midgets to escape the club might have been even better, but this is still worth at least 7/10 in my book.
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
After their previous 1928 efforts saw a step in the right direction and the two were starting to hit their stride while still evolving, 'Their Purple Moment' sees a couple of steps backwards and something of a disappointment. Certainly far from terrible and it is a long way from a misfire of theirs (up to this point '45 Minutes from Hollywood' was the only one to fit this distinction), but 'Their Purple Moment' is far from a gem. It is a shame because their previous 1928 efforts were so promising and the concept here was not a bad one.
Laurel and Hardy's work was never known to have particularly great stories, which tended to be the weakest element. 'Their Purple Moment' is no exception, on top of being flimsy it is also more predictable, hackneyed and repetitive than most with outcomes being easily foreseeable and some of the content being hit and miss as well as rather repetitive at times.
The pace sometimes could have been tighter. 'Their Purple Moment's' weak link is the ending, a real fizzler that is rushed, uninspired and somewhat tasteless.
On the other hand, Laurel and Hardy are more than very amusing, particularly Laurel, and they work well together. Three quarters of 'Their Purple Moment' does mostly amuse and has some fun and well timed moments and gags.
It's not dull, is competently directed, has a nice supporting cast and holds up quite well visually.
All in all, definitely worthwhile but not a Laurel and Hardy essential. 6/10 Bethany Cox
After their previous 1928 efforts saw a step in the right direction and the two were starting to hit their stride while still evolving, 'Their Purple Moment' sees a couple of steps backwards and something of a disappointment. Certainly far from terrible and it is a long way from a misfire of theirs (up to this point '45 Minutes from Hollywood' was the only one to fit this distinction), but 'Their Purple Moment' is far from a gem. It is a shame because their previous 1928 efforts were so promising and the concept here was not a bad one.
Laurel and Hardy's work was never known to have particularly great stories, which tended to be the weakest element. 'Their Purple Moment' is no exception, on top of being flimsy it is also more predictable, hackneyed and repetitive than most with outcomes being easily foreseeable and some of the content being hit and miss as well as rather repetitive at times.
The pace sometimes could have been tighter. 'Their Purple Moment's' weak link is the ending, a real fizzler that is rushed, uninspired and somewhat tasteless.
On the other hand, Laurel and Hardy are more than very amusing, particularly Laurel, and they work well together. Three quarters of 'Their Purple Moment' does mostly amuse and has some fun and well timed moments and gags.
It's not dull, is competently directed, has a nice supporting cast and holds up quite well visually.
All in all, definitely worthwhile but not a Laurel and Hardy essential. 6/10 Bethany Cox
The Laurel and Hardy team was now reasonably well established at this time in 1928,but for some reason THEIR PURPLE MOMENT takes one or two steps back;Stan is billed as 'Mr.Pincher'and not Mr.Laurel,and a proposed final scene involving an escape from the night club involving a midget troupe was removed before the film's release,and replaced with a rushed,rather(for L & H)hackneyed final pie throwing sequence.Still,there are some very funny moments,especially with a waiter who keeps on falling into a tray of mashed potatoes;these gags were reworked into the following year's THAT'S MY WIFE(1929).Edgar Kennedy was apparently in these deleted scenes.
This is a comedy that lacks some good laughs. Even though the movie still is good and enjoyable entertainment of course, I don't think I laughed even once. This is probably due to the fact that the movie doesn't have any slapstick moments in it and instead relies on just one comical situations the boys has got themselves into.
The main plot line is pretty funny but it's a bit tiresome to base the entire movie around this one plot line. It's well acted out and constructed but it basically is too much of the same the whole time.
The settings are pretty enjoyable. It gives us a good view into the late '20's night life. A life which we normally only know from movies who tried to recreate the atmosphere and settings from that period. But this movie is the real stuff and therefor it's still a pretty interesting watch. The atmosphere and settings are probably the only reason why this movie is still good to watch present day.
There are some good comical constructed moments in the movie but it's all not enough to make this movie a grand and excelling Laurel & Hardy silent short.
6/10
http://bobafett1138.blogspot.com/
The main plot line is pretty funny but it's a bit tiresome to base the entire movie around this one plot line. It's well acted out and constructed but it basically is too much of the same the whole time.
The settings are pretty enjoyable. It gives us a good view into the late '20's night life. A life which we normally only know from movies who tried to recreate the atmosphere and settings from that period. But this movie is the real stuff and therefor it's still a pretty interesting watch. The atmosphere and settings are probably the only reason why this movie is still good to watch present day.
There are some good comical constructed moments in the movie but it's all not enough to make this movie a grand and excelling Laurel & Hardy silent short.
6/10
http://bobafett1138.blogspot.com/
¿Sabías que…?
- TriviaThe troupe of midgets hired for a deleted scene in the film came from the Al G. Barnes Circus, which was wintering in Los Angeles, at the time. They were paid $50 a day.
- ErroresWhen Stan knocks on the front door and enters the door is completely different in the interior shot. It's the same when Ollie and his wife enter.
- Citas
Title card: [Opening lines] Dedicated to husbands who "hold out" part of their pay envelope on their wives - And live to tell about it...
- ConexionesFeatured in Cuatro cómicos (1970)
- Bandas sonorasOh, You Beautiful Doll
(1911) (uncredited)
Music by Nat Ayer (as Nat D. Dyer)
Instrumental version in restoration background music
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Detalles
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- Tiempo de ejecución22 minutos
- Color
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- Relación de aspecto
- 1.33 : 1
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By what name was Their Purple Moment (1928) officially released in India in English?
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