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IMDbPro

You're Darn Tootin'

  • 1928
  • Passed
  • 20min
CALIFICACIÓN DE IMDb
6.6/10
1.3 k
TU CALIFICACIÓN
Oliver Hardy and Stan Laurel in You're Darn Tootin' (1928)
ComediaCortoMúsica

Agrega una trama en tu idiomaStan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners prov... Leer todoStan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners proves to be more perilous than they had imagined.Stan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners proves to be more perilous than they had imagined.

  • Dirección
    • Edgar Kennedy
  • Guionista
    • H.M. Walker
  • Elenco
    • Stan Laurel
    • Oliver Hardy
    • Wilson Benge
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Edgar Kennedy
    • Guionista
      • H.M. Walker
    • Elenco
      • Stan Laurel
      • Oliver Hardy
      • Wilson Benge
    • 25Opiniones de los usuarios
    • 8Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos34

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    Elenco principal19

    Editar
    Stan Laurel
    Stan Laurel
    • Stanley - Clarinet Player
    Oliver Hardy
    Oliver Hardy
    • Ollie - French Horn Player
    Wilson Benge
    Wilson Benge
    • Musician
    Chet Brandenburg
    Chet Brandenburg
    • Manhole Worker
    Christian J. Frank
    Christian J. Frank
    • Policeman
    Dick Gilbert
    Dick Gilbert
    • Boarder
    Charlie Hall
    Charlie Hall
    • Musician
    William Irving
    William Irving
    • Musician
    Ham Kinsey
    Ham Kinsey
    • Musician
    Otto Lederer
    Otto Lederer
    • Bandleader
    Sam Lufkin
    Sam Lufkin
    • Man in Restaurant
    George Rowe
    George Rowe
    • Pedestrian
    Frank Saputo
    Rolfe Sedan
    Rolfe Sedan
    • Drunk
    Agnes Steele
    Agnes Steele
    • Landlady
    Bob Minford
    • Kicking Victim
    • (sin créditos)
    Clarence Moorehouse
    • Musician
    • (sin créditos)
    • …
    John M. O'Brien
    John M. O'Brien
    • Street Combatant
    • (sin créditos)
    • Dirección
      • Edgar Kennedy
    • Guionista
      • H.M. Walker
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios25

    6.61.3K
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    Opiniones destacadas

    7Boba_Fett1138

    Amusing Laurel & Hardy silent short.

    Although I certainly don't consider this movie to be Laurel & Hardy's best, it still is of course a very amusing short, that features plenty of good slapstick moments.

    The movie is a bit dragging at times with its gags but overall the movie has plenty of moments in that will surely make you laugh. Especially the ending is purely classic. The slapstick comedy is very typically Laurel & Hardy like, so fans of the two will surely enjoy watching this comedy short.

    Like often was the case with Laurel & Hardy, the movie can be divided into two parts. The first halve is about the comedy duo playing in a municipal band, while the second halve is about the two coping with the fact that they are fired from the band by trying to earn some money on the street by playing. Both parts have their up- and downsides but overall the upsides overcome its lesser parts.

    The movie got directed by Edgar Kennedy, who also directed the other Laurel & Hardy silent short "From Soup To Nuts". Kennedy is still best known though as an actor playing in several Laurel & Hardy movies, most often as the cop Kennedy.

    Amusing, especially for the fans.

    7/10

    http://bobafett1138.blogspot.com/
    8TheLittleSongbird

    Striking up the band

    Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

    While not classic Laurel and Hardy, later films, short and feature, had stronger chemistry when fully formed and used their considerable talents better, 'You're Darn Tootin' is a lot of fun. Before, Laurel was much funnier and more interesting while Hardy in most of the previous outings had too little to do. 'You're Darn Tootin' is very good, to me it's easily one of their best at this point of their careers and one of the first, along with the two mentioned above, to feel like a Laurel and Hardy short rather than a short featuring them.

    'You're Darn Tootin' is flimsy in story, and doesn't feel quite enough for the short's length.

    A few gags are a bit repetitive and old-fashioned.

    Laurel however is very funny, and sometimes hilarious. It is wonderful seeing Hardy having more to do and he is on Laurel's level and actually even funnier. The chemistry is certainly much more here than in previous outings of theirs, namely because there's more of them together and it was starting to feel like a partnership. Support is nice.

    Both Laurel and Hardy have great moments, especially the orchestral presentation in the park sequence which is sheer hilarity.

    A good deal of the humour is well timed, hugely energetic and very funny if not always hilarious, with everything going at a lively pace and there is a lot of charm and good nature to keep one going. 'You're Darn Tootin' looks quite good still with some interesting shots.

    In summary, a lot of fun. 8/10 Bethany Cox
    8Better_Sith_Than_Sorry

    Chaos Theory

    This is a highly entertaining Laurel and Hardy short from the silent era.

    Plot In a Nutshell: Two unemployed and recently homeless musicians turn to panhandling, with disastrous results.

    Why I rated it an '8': Simply put, it had me laughing or at least smiling throughout the entire 20 minutes. I don't know if any moment reaches the heights of their absolute best work, but there are plenty of funny moments here. From the band stand to the lodging house to the city streets, Laurel and Hardy bring their "A" game to this loose collection of sketches woven into a story. The highlight is unquestionably the finale, where no less than 15-20 men engage in a pants-ripping melee that will leave you in stitches. I sure was!

    8/10. Would I watch again (Y/N)?: Yes, absolutely. Good stuff!
    bob the moo

    A funny and entertaining silent short that fans will enjoy

    This is the story of two musicians who played neither by note no ear, instead they used brute strength. On the night in question the orchestra leader was making his farewell appearance – something the public had been demanding for years. Fired for messing this up the pair find themselves out of their house as well as they are already 14 weeks late with the rent. On the city streets with only their instruments the pair find it hard going earning money.

    Shown as part of BBC3's generally good documentary series on silent comedy legends "Silent Clowns", this Laurel and Hardy short is one of the very few silent films of theirs I have seen. I do love their "talky" short films and looked forward to this. It took a minute or two to get used to the lack of audible jokes and the short does demonstrate that this was something they wanted, because the title cards are mostly funny and not solely used to describe plot. Naturally though the vast majority of this is physical comedy, which for fans will be just fine because they still deliver this really well.

    It is impressive how the pair do so much with very basic routines and obvious gags. The opening orchestra scene is funny and, after a bridge scene, the streets produce some good laughs leading up to the famous sidewalk chaos bit. Newcomers might not see what the fuss is about (this is always the risk – some viewers just watch L&H and think "all been done before", missing the point that no, it has all been done since) but fans will take to it despite the lack of sound. As always Laurel and Hardy work really well together, trading laughs off one another and delivering their parts equally well. Kennedy's directorial approach is wisely to pretty much just point and shoot.

    Overall an enjoyable and funny silent short that Laurel and Hardy fans will lap up even if, like me, those accustom to sound will feel its absence.
    6JoeytheBrit

    You're Darn Tootin' review

    More of a collection of loosely linked sketches than a plot, You're Darn Tootin' builds to a crescendo which finds a dozen men doing battle in the street without their trousers.

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    Argumento

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    • Trivia
      Filmed at the start of 1928, Stan's and Ollie's characters had now come into their own, and story ideas began flowing. Early in January, one of the gag men had seen some musicians performing in a park bandstand and mentioned it to Stan, and soon they were filming what was called 'The Music Blasters'; this title was changed just before its release. It was filmed almost in sequence in 10 days with the shin kicking and pants tearing sequence taking 2 days. Due to an existing still, it's known that one gag was filmed and then dropped. This featured an elderly lady about to give some money to the Boys who are street musicians but pulls a face at hearing their 'music' and turns away. The gag where Stan loosens the top of the salt and pepper shakers was reused in The Hoose-Gow (1929) a year later. Ham Kinsey, who was billed as a musician, was also Stan's stand in.
    • Errores
      In the course of the escalating tiff on the street between Stan and Ollie, there are multiple instances of Ollie punching Stan in the stomach, followed by Stan kicking Ollie in the shins. After a few of these, tactics change to ripping handkerchiefs, removing or shredding ties, etc. After the latter takes place, the handkerchief and tie are seen lying on the ground. Then, a couple of shots are inserted of more stomach punching and shin kicking, which were actually shot earlier and show the boys' ties and handkerchiefs still intact.
    • Citas

      Title Card: The orchestra leader was making his farewell appearance - The public had been demanding it for years...

    • Conexiones
      Edited into The Golden Age of Comedy (1957)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de abril de 1928 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idiomas
      • Ninguno
      • Inglés
    • También se conoce como
      • The Music Blasters
    • Locaciones de filmación
      • Culver City, California, Estados Unidos
    • Productora
      • Hal Roach Studios
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 20min
    • Color
      • Black and White
    • Mezcla de sonido
      • Silent
    • Relación de aspecto
      • 1.33 : 1

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