Agrega una trama en tu idiomaStan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners prov... Leer todoStan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners proves to be more perilous than they had imagined.Stan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners proves to be more perilous than they had imagined.
- Dirección
- Guionista
- Elenco
- Kicking Victim
- (sin créditos)
- Musician
- (sin créditos)
- …
- Street Combatant
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The movie is a bit dragging at times with its gags but overall the movie has plenty of moments in that will surely make you laugh. Especially the ending is purely classic. The slapstick comedy is very typically Laurel & Hardy like, so fans of the two will surely enjoy watching this comedy short.
Like often was the case with Laurel & Hardy, the movie can be divided into two parts. The first halve is about the comedy duo playing in a municipal band, while the second halve is about the two coping with the fact that they are fired from the band by trying to earn some money on the street by playing. Both parts have their up- and downsides but overall the upsides overcome its lesser parts.
The movie got directed by Edgar Kennedy, who also directed the other Laurel & Hardy silent short "From Soup To Nuts". Kennedy is still best known though as an actor playing in several Laurel & Hardy movies, most often as the cop Kennedy.
Amusing, especially for the fans.
7/10
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While not classic Laurel and Hardy, later films, short and feature, had stronger chemistry when fully formed and used their considerable talents better, 'You're Darn Tootin' is a lot of fun. Before, Laurel was much funnier and more interesting while Hardy in most of the previous outings had too little to do. 'You're Darn Tootin' is very good, to me it's easily one of their best at this point of their careers and one of the first, along with the two mentioned above, to feel like a Laurel and Hardy short rather than a short featuring them.
'You're Darn Tootin' is flimsy in story, and doesn't feel quite enough for the short's length.
A few gags are a bit repetitive and old-fashioned.
Laurel however is very funny, and sometimes hilarious. It is wonderful seeing Hardy having more to do and he is on Laurel's level and actually even funnier. The chemistry is certainly much more here than in previous outings of theirs, namely because there's more of them together and it was starting to feel like a partnership. Support is nice.
Both Laurel and Hardy have great moments, especially the orchestral presentation in the park sequence which is sheer hilarity.
A good deal of the humour is well timed, hugely energetic and very funny if not always hilarious, with everything going at a lively pace and there is a lot of charm and good nature to keep one going. 'You're Darn Tootin' looks quite good still with some interesting shots.
In summary, a lot of fun. 8/10 Bethany Cox
Plot In a Nutshell: Two unemployed and recently homeless musicians turn to panhandling, with disastrous results.
Why I rated it an '8': Simply put, it had me laughing or at least smiling throughout the entire 20 minutes. I don't know if any moment reaches the heights of their absolute best work, but there are plenty of funny moments here. From the band stand to the lodging house to the city streets, Laurel and Hardy bring their "A" game to this loose collection of sketches woven into a story. The highlight is unquestionably the finale, where no less than 15-20 men engage in a pants-ripping melee that will leave you in stitches. I sure was!
8/10. Would I watch again (Y/N)?: Yes, absolutely. Good stuff!
Shown as part of BBC3's generally good documentary series on silent comedy legends "Silent Clowns", this Laurel and Hardy short is one of the very few silent films of theirs I have seen. I do love their "talky" short films and looked forward to this. It took a minute or two to get used to the lack of audible jokes and the short does demonstrate that this was something they wanted, because the title cards are mostly funny and not solely used to describe plot. Naturally though the vast majority of this is physical comedy, which for fans will be just fine because they still deliver this really well.
It is impressive how the pair do so much with very basic routines and obvious gags. The opening orchestra scene is funny and, after a bridge scene, the streets produce some good laughs leading up to the famous sidewalk chaos bit. Newcomers might not see what the fuss is about (this is always the risk some viewers just watch L&H and think "all been done before", missing the point that no, it has all been done since) but fans will take to it despite the lack of sound. As always Laurel and Hardy work really well together, trading laughs off one another and delivering their parts equally well. Kennedy's directorial approach is wisely to pretty much just point and shoot.
Overall an enjoyable and funny silent short that Laurel and Hardy fans will lap up even if, like me, those accustom to sound will feel its absence.
¿Sabías que…?
- TriviaFilmed at the start of 1928, Stan's and Ollie's characters had now come into their own, and story ideas began flowing. Early in January, one of the gag men had seen some musicians performing in a park bandstand and mentioned it to Stan, and soon they were filming what was called 'The Music Blasters'; this title was changed just before its release. It was filmed almost in sequence in 10 days with the shin kicking and pants tearing sequence taking 2 days. Due to an existing still, it's known that one gag was filmed and then dropped. This featured an elderly lady about to give some money to the Boys who are street musicians but pulls a face at hearing their 'music' and turns away. The gag where Stan loosens the top of the salt and pepper shakers was reused in The Hoose-Gow (1929) a year later. Ham Kinsey, who was billed as a musician, was also Stan's stand in.
- ErroresIn the course of the escalating tiff on the street between Stan and Ollie, there are multiple instances of Ollie punching Stan in the stomach, followed by Stan kicking Ollie in the shins. After a few of these, tactics change to ripping handkerchiefs, removing or shredding ties, etc. After the latter takes place, the handkerchief and tie are seen lying on the ground. Then, a couple of shots are inserted of more stomach punching and shin kicking, which were actually shot earlier and show the boys' ties and handkerchiefs still intact.
- Citas
Title Card: The orchestra leader was making his farewell appearance - The public had been demanding it for years...
- ConexionesEdited into The Golden Age of Comedy (1957)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Music Blasters
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 20min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1