Agrega una trama en tu idiomaA woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.A woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.A woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.
Irving Bacon
- Grover - Brooks' Chauffeur
- (sin créditos)
Maurice Black
- Cuban Jewelry Salesman
- (sin créditos)
George Chandler
- Joe - Desk Clerk
- (sin créditos)
Heinie Conklin
- Mr. Smith - Man Exiting Room 410
- (sin créditos)
Gino Corrado
- Gino - Hotel Metropole Waiter #2
- (sin créditos)
Bill Elliott
- Partygoer
- (sin créditos)
George Humbert
- Hotel Metropole Waiter #1
- (sin créditos)
John Sheehan
- Ship Bartender
- (sin créditos)
Leo White
- Porter in Cuba
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaFirst film pairing of Kay Francis and George Brent. They would co-star in a total of six films together, all at Warner Bros. Their six film collaborations are The Keyhole (1933), Stranded (1935), Living on Velvet (1935), La favorita (1935), Give Me Your Heart (1936), and Secrets of an Actress (1938).
- ErroresIn the restaurant of the Hotel Metropole in Havana, the supposedly Cuban waiters (one of whom is referred to as "Pedro") speak to each other in Italian rather than Spanish. The actors playing these roles, George Humbert and Gino Corrado, were both born in Florence, Italy.
- Citas
Ann Brooks: [to Maurice] And the next time you try to kill yourself, let me know; I'd love to help you.
- ConexionesRemade as Romance en alta mar (1948)
Opinión destacada
"The Key Hole" is one of those "If you've seen one, you've seen them all" type films, though it's certainly not bad. Francis plays Ann Brooks, married to a wealthy man (Henry Kolker). She was married before, to Maurice (Monroe Owsley) who never got the divorce he promised her and is now blackmailing her because of it. She works out a scheme with her sister-in-law Portia (Helen Ware) to lure him out of the country, and then Portia would use her influence to have his visa taken away.
As part of the plan, Ann heads for Havana by ship, with Maurice following. Her suspicious husband has hired a detective, Neil Davis (George Brent) to try and seduce her, and along with Brent comes his spy, Hank Wales (Allen Jenkins). Wales meets Dot (Glenda Farrell), and these two provide the film's humor.
Well, you can guess what happens.
Kay Francis wears many fabulous gowns. I used to think the kind of lifestyle her character lived was just in the movies until I saw a 1930s Vogue magazine. What a formal time that was, with people dressing to the nines for lunch and to do any kind of traveling. Almost all the ads in Vogue were for trips on ocean liners. We've come a long way, and I'm not sure that's a good thing.
Anyway, the film is predictable, but Francis is good, as are Jenkins and Farrell. Brent is very smooth and charming.
Kay Francis made these films by the truckload, and I have to admit I watch them when they appear on TCM. She really epitomizes that early '30s era for me - an era that has not one vestige of it visible today.
As part of the plan, Ann heads for Havana by ship, with Maurice following. Her suspicious husband has hired a detective, Neil Davis (George Brent) to try and seduce her, and along with Brent comes his spy, Hank Wales (Allen Jenkins). Wales meets Dot (Glenda Farrell), and these two provide the film's humor.
Well, you can guess what happens.
Kay Francis wears many fabulous gowns. I used to think the kind of lifestyle her character lived was just in the movies until I saw a 1930s Vogue magazine. What a formal time that was, with people dressing to the nines for lunch and to do any kind of traveling. Almost all the ads in Vogue were for trips on ocean liners. We've come a long way, and I'm not sure that's a good thing.
Anyway, the film is predictable, but Francis is good, as are Jenkins and Farrell. Brent is very smooth and charming.
Kay Francis made these films by the truckload, and I have to admit I watch them when they appear on TCM. She really epitomizes that early '30s era for me - an era that has not one vestige of it visible today.
- blanche-2
- 20 ago 2012
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
Taquilla
- Presupuesto
- USD 169,000 (estimado)
- Tiempo de ejecución1 hora 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was The Keyhole (1933) officially released in India in English?
Responda