Wedding Rehearsal

Wedding Rehearsal is an interesting and gloriously dated film of upper class society in Great Britain between the World Wars. It's hard to believe that these twits actually ruled a world wide empire, coming apart at the seams as it was in 1932.

Roland Young a titled Marquis loves the life of a bachelor, but unless he gets married and quick he's going to be cut out of the will and then heaven forfend might have to go to work. So he becomes a matchmaker to the Shropshire twins Wendy Barrie and Joan Gardner to a pair of commoners but with the distinctly British upper crust names of Binkie (John Loder) and Toodles (Maurice Evans).

In the meantime it's commoner Merle Oberon who sets her cap for Young and of course what do you think happens in the end. Not terribly hard to figure out.

To say this is dated is to say milk is white. Back in the day Hitler over in the Germany he took over used to import films like this to show how truly decadent the British had become and what an easy place it would be to knock over. After looking at Wedding Rehearsal you might think so.

This was Alexander Korda's first film and he did love the British aristocracy.

Binkie and Toodles? I mean, really.

Minor London Films comedy, chiefly interesting now because of the number of British actors it features who later went on to greater things. The plot concerns the Marquis of Buckminster (Roland Young), who must marry or be cut out of a rich relative's will. Instead he sets about marrying off all his friends to the eligible girls on his relative's hit-list in an attempt to save himself from such a ghastly fate. Only as the moon sets on the day of his friends' weddings does he finally find himself smitten...

Not as witty nor as farcical as it pretends to be, Young (later Mr Topper) gives a marvellous performance that makes it sort of worthwhile. Other notables include John Loder, Wendy Barrie (of The Saint, Falcon and Sherlock Holmes films), Joan Gardner (later Mrs Zoltan Korda), Maurice Evans (later Dr Zaius in Planet of the Apes) and a stunning Merle Oberon. Something perhaps for an older generation - or those deeply in love with early cinema - to savour, but an acquired taste for everybody else.

Korda had gone from Hungary to the US before landing on these shores.In this first film we see the early London Films logo and much of the trademark signs of Kordas films.It is no surprise that this his first British film is concerned with manners of the British aristocracy much the same as his penultimate film as a director "An Ideal Gentleman".The most impressive part of the film though is the beginning where the news of Vesuvius erupting and killing thousands of people is displaced from the front page by news of social happenings with the undercurrent of a chorus.It feels like Korda is digging with sly humour at the aristocracy.This is really a rather amusing film and at 76 minutes was clearly designed to qualify for the quota requirements.

... as it lampoons both the working and upper classes and how they see themselves and one another in this British romantic comedy from director Alexander Korda.

The film opens with the presses being held at a major London newspaper for details of an upper class wedding. At a working class flat in London a man arrives home to find his grown daughter reading about the wedding and he is told his dinner is not ready because his wife is at the wedding. He goes into a "workers of the world unite" tirade against the upper classes, but then he hears some tidbit about the wedding and it appears he is just as easily taken up by the story as his daughter and next door neighbor.

That newspaper article I mentioned gets the attention of the dowager Marchioness of Buckminster, who is annoyed that her grandson the Marquis (Roland Young, ), a confirmed bachelor, is once again a best man and not a groom. She demands that he get married or risk being financially cut off. She gives him a list of eligible women of proper breeding from which to choose. At the top of the list are the Roxbury twins (Wendy Barrie and Joan Gardner), but they have their hearts set on "Bimbo" (John Loder) and "Toodles" (Maurice Evans). Young facilitates the marriage of those four, and then sets out to see all of the other women on the list are married to others, too. Young's antics are observed under the scornful eye of his grandmother's secretary (Merle Oberon).

Everybody is just wonderful in this film including George Grossmith as the Earl of Stokeshire and the father of the twins who does a wonderful unintentional impression of the Monopoly Man, and Lady Tree as his sweetly addled-pate wife and mother of the twins. She has a hilarious scene where she is trying to explain the facts of life to the twins before the wedding using the example of prepackaged food. You'd think she'd figure they already know that, as they have an abundance of cats and dogs who have recently given birth which would at least give them the general idea.

Roland Young is the Marquis of Buckminster. He enjoys his bachelorhood. He's also dependent on the largess of his aunt -- I imagine he doesn't collect much rent on the palace. She insists he get married, and from a very short list of high-born ladies. Discussing this problem with two of the ladies he's actually friends with, twins Wendy Barrie and Joan Gardner, Young discovers they're engaged to two commoners who lack noble ancestors, and of whom their families heartily disapprove: John Loder and Maurice Evans, who rejoice in the names of "Bimbo" and "Tootles." He figures that if he can get all the eligible young women married, he's safe for another twenty years, and decides to start with these two.

It's an amusing P. G. Wodehouse sort of story, although it lacks the hilarious imbecility of the Master. Young is fine as the diffident, aging youth, and the cast is nicely filled out Merle Oberon as the unrealized object of his affection, George Grossmith, Lady Tree and Diane Napier.