Agrega una trama en tu idiomaMiddle-aged George F. Babbitt is a leading citizen in the town of Zenith, the fastest-growing community in America according to its town sign. George is a large part of that growth as a prop... Leer todoMiddle-aged George F. Babbitt is a leading citizen in the town of Zenith, the fastest-growing community in America according to its town sign. George is a large part of that growth as a property developer and realtor.Middle-aged George F. Babbitt is a leading citizen in the town of Zenith, the fastest-growing community in America according to its town sign. George is a large part of that growth as a property developer and realtor.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
- Eunice Littlefield
- (as Nan Gray)
- Harry - Bartender
- (sin créditos)
Opiniones destacadas
Zenith realtor and booster George Babbitt is bullish on the land of opportunity he lives in. A bit of a braggart and blow hard he is nevertheless a popular figure in the community and among fellow lodge members. In moments of brief introspection he has his doubts about his pursuit of all things material attempting to get away from it all by going camping with a long time friend and dallying with a young client. His social climbing and chase for the almighty buck however get him involved in a corrupt land deal and he faces ruin.
Kibee's George Babbitt is an abrasively generous and sympathetic character whose ego is exploited by more devious and cynical types. His defense of his pal who shoots his nagging wife is noble but wrongheaded, the unsavory land deal more than just acceptable business practice. Kibee's non-threatening flustered stage demeanor negates any an all villainy though, his greatest guilt being pride and a touch of arrogance.
With it's slim running time Babbitt spends little time on the book's satiric and metaphorical possibilities with great swaths excised, leaving it up to George's flustered optimism and gullibility to carry the film and Kibee does not disappoint even if the choppy storyline does.
I'm sure that Guy Kibbee could have played the role had Warner Brothers written the film just as the novel was written by Sinclair Lewis. But seeing when it came out it was at the dawn of the Code. The Babbitt we see here is a typical Guy Kibbee part, a fatuous, but essentially good hearted soul. Kibbee is married to Aline McMahon and has two children (there were three in the Lewis novel)played by Glenn Boles and Maxine Doyle.
Kibbee gets himself in a pair of jackpots. First he gets involved with Claire Dodd who was in a typical Claire Dodd role as the other woman. It's all quite innocent, but she's going to make trouble. At the same time Kibbee who is a real estate salesman gets involved with a pair of schemers looking to benefit from some inside information one of them is a city commissioner (Russell Hicks) and the other a millionaire whose lifestyle Babbitt craves and is played by Walter Walker. The two potential scandals intertwine.
Since is a codified version of Babbitt the ending is a soft landing for Kibbee. How he does it you'll have to watch the film for, but let's say he's mighty glad he's married to Aline McMahon who gives the best performance in the film.
There is a silent version of Babbitt put out by Warner Brothers as well. It might be closer to what Sinclair Lewis was writing about. As entertainment this version isn't bad though.
At the other extreme, George's wife, Myra, is the beautiful and obviously intelligent Aline MacMahon. The wife ought to be a frumpy dimwit who idolises George, who is indeed her superior. But this Myra, as she herself says, regards George as a little boy, protects him, and saves him, most dramatically (in a way that makes no sense at all) from destroying his reputation and losing their money.
However, having said that, the film is full of funny lines and tart observations on the childishness of men and the maturity of women, and there is plenty of social texture to enjoy, as well as the inimitable Hattie McDaniel, as the Babbitts' maid, who sees it as her duty to pep up their dinnertime with colourful bulletins from the other side of the tracks.
I don't necessarily like Babbitt but I do like the prank. I figured that it was a scam but couldn't guess where it was going for a long while. After that reveal, the movie loses its steam. It needs a reason for being. At some point, I realized that I need to see him doing some real work. He's a lot of talk and undeserved arrogance to his family. It's a flawed character getting into trouble of his own making. It's based on a novel and I do wonder if there could be a better adaptation.
"Babbitt" is based on a Sinclair Lewis novel and it's a metaphor for the acquisitive middle class--folks whose value of money blinds them to the important values in life. However, much of the story has been changed-- particular the ending and the wise intervention of Mrs. Babbitt to extricate him from a bad business deal that apparently isn't even in the original story.
Despite being a best-selling book, Warner Brothers gives "Babbitt" a B- movie treatment. It has a lot of style and polish like a Warner film but has lower-level actors for the film. Considering the story, having Kibbee and MacMahon in the leads wasn't a bad thing--and both were excellent in this film. Overall, a light and entertaining film with some covert criticisms for modern life. Worth seeing.
¿Sabías que…?
- TriviaThe $10,000 in blackmail would equal over $233,000 in 2024.
- ErroresAt the beginning of the film at the breakfast table, when the toast pops out of the toaster and startles the maid, the bread is white in close-up. Then in the next long shot Mrs. Babbitt takes the toast out of the toaster and it's burnt black.
- Citas
George F. Babbitt: Come, Zill. What you need to do is get your feet hot and your head cool.
- ConexionesFeatured in Los Angeles Plays Itself (2003)
- Bandas sonorasBlues Ain't Nothing but a Good Man Feeling Bad
(uncredited)
Traditional folk blues
Sung by Hattie McDaniel
Selecciones populares
Detalles
- Tiempo de ejecución1 hora 14 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1