The Clairvoyant

Always enjoyed the great acting of Claude Rains, who became very famous for his role in "The Invisible Man",'33. It was after this film that Rains went on to become a great dramatic actor as in "Casablanca",42, and many greater starring roles. Rains never needed cue cards, he remembered his many long lines to perfection in great Classics of the 30's, 40's and 60's with many TV appearances. In this picture Rains plays a Clairvoyant, who is really a con-artist and for some unknown reason gains great powers to foretell the future, but is unable to prevent them from happening. There is a train wreck, a horse race and many more fascinating events he predicts. Fay Wray stars as his wife and looks very attractive without her blonde hair as she appeared in "King Kong". Fay Wray also became very famous because of her role in the Kong picture and went on to have a great acting career, without all the screaming. If you have not viewed this film, try to catch it on TV.

"The Clairvoyant", also known as "The Evil Mind", is a far-fetched but interesting story, which works primarily because of Claude Rains' excellent acting in his role as a phony music-hall psychic who suddenly discovers that he has genuine psychic powers whenever a particular woman is nearby.

Rains was one of the finest actors of his era, and was at his best in playing complex, multi-faceted characters. In "The Clairvoyant", his character must struggle both to understand the nature of the unexpected ability that he has discovered, and also to handle the complications that it produces in his life and marriage, since the woman whose presence grants him real extra-sensory ability is not his wife.

The concept itself is an interesting premise, although quite implausible. It preserves some believability that no convoluted attempt is ever made to explain just why the psychic gift worked as it did - the film concentrates instead on the gift's consequences. The rest of the film works as well as it does because of Rains and also because of good work by Fay Wray and Jane Baxter as the women in his life.

There is a good suspense climax and an amusing final scene.

The writing is also good. The screen version was written by Charles Bennett, who is better known for writing the screen adaptations for several of Alfred Hitchcock's finest movies, including "The 39 Steps", "Foreign Correspondent", and both versions of "The Man Who Knew Too Much".

"The Clairvoyant" will definitely appeal to any fan of Rains, and it is a short, fast-moving picture that should also provide good light entertainment to who anyone who enjoys vintage cinema.

The Clairvoyant (1935)

This is a British movie with the flavor, and look, of Hitchcock's British films, and it's as good in many ways.

And Claude Rains as the title character is sharp, funny, sophisticated, warm, all in that way Rains has of being a little removed, gently above it all without being above his peers. He is way younger (of course) than his famous persona from, say, "Casablanca" or "Notorious" but it's still the same Rains, and in a way if you appreciate him in his American films, you should see this to see where he came from.

The filming and editing feels so much like Hitchcock at times I wondered just what kind of connections there might be between him and the director here, Maurice Elvey, and couldn't find anything obvious (like a shared cinematographer). But Elvey was the most established and famous and therefore the most influential of British filmmakers, making a hundred films before Hitchcock made his first. So the influence is probably one way at first, with Hitch picking up on Elvey's methods.

But by 1932, when Elvey made a talkie remake, "The Phantom Fiend," of an earlier Hitchcock masterpiece, the 1927 "The Lodger," the influence is obviously going the other way. The whole train scene in the first half of this movie is a masterpiece of filming and editing. In all, the plot is so interesting, with some honest twists to accompany what seems at first to be a slightly mystical theme, it deserves an honest remake of its own.

I think it's further worth noting some serious content. The movie deals (at least obliquely) with labor relations in the mines, with the acceptance by the establishment that mediums and clairvoyants are charlatans (or entertainers, as the charlatan says), with greed (in the depression), and with marital fidelity.

The copy you can stream on Netflix is only fair--not especially sharp, and with muddled sound, probably thrown together for television broadcast decades ago. It's good enough to watch anyway, but let's all hope for a remastered version soon.

Claude Rains plays the psychic Maximus, a man with no discernable talent until his mind connects with a newspaperman's heiress daughter. This little film directed with some panache and skill by Maurice Elvey chronicles the abrupt rise and fall of a vaudevillian-like music hall act. Rains is, as always, very good. A good performance with some moments of genuine ham - just watch him do the things with his eyes. Fay Wray is also a nice asset as his wife. She seems to be very bubbly and brings some gentle humor and emotion to the film. The story has some nice twists and turns and has a surprise ending of sorts. The film is obviously somewhat old and has some creaky qualities to it as well. All in all, however; I found The Clairvoyant to be a nice way to spend a cold evening.

Seems very strange to see two famed Hollywood actors, Rains and Wray paired together in this early British low-budget film, but there they are...and a marvellous job they make of it. Rains plays Maximus, a charlatan "clairvoyant", and Wray plays his wife and act sidekick. The act is dying on it's feet when Rains pulls of an act of genuine clairvoyance, with a little help from Jane Baxter. All good fun from there...a nice little twist at the end. Well worth a look at.