Agrega una trama en tu idiomaDill leaves Mary standing at the altar in order to marry his old flame, Connie, instead. Knowing that Mary still has feelings for Dill, Jeff keeps quiet about his own love for her.Dill leaves Mary standing at the altar in order to marry his old flame, Connie, instead. Knowing that Mary still has feelings for Dill, Jeff keeps quiet about his own love for her.Dill leaves Mary standing at the altar in order to marry his old flame, Connie, instead. Knowing that Mary still has feelings for Dill, Jeff keeps quiet about his own love for her.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
- Telegram Messenger
- (sin créditos)
- Paula's Chauffeur
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- Party Guest
- (sin créditos)
- Mrs. Cobal - Customer
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- Party Guest
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Opiniones destacadas
This film was released about six months after the precode era ended, so there is nothing really racey going on here. About the most extreme thing you will see is Robert Montgomery in a dress. However, W.S. Van Dyke is the director of this film, and he knew how to combine sexual tension and comedy in an age of aggressive censorship, and this is a fine example of his work. I highly recommend it to fans of films of the 1930's.
Crawford is Mary Clay, who is about to be married to Dill (Montgomery). Gable is Jeff Williams, who returns from Spain with the intention of proposing to Mary. When he walks in, there's a party going on celebrating the upcoming wedding. Jeff puts on a brave face as Dill and Mary are two of his closest friends. Dill, however, has some old business, and that's his ex-girlfriend Connie (Frances Drake). Turns out Connie's business isn't as old as Mary and Dill thought because, as Mary prepares to walk down the aisle, Jeff gets a telegram saying that Connie and Dill are married.
This is an entertaining comedy, with the three stars in top form. Montgomery is a riot, and Gable - what can I say. I always liked him, but let's face it, at this point in the 1930s the man was irresistible! That smile! That dimple! And that dynamite screen presence - he's wonderful. And he injects the film with warmth. Though comedy was never Crawford's forte, she actually plays this straight and is very good.
Billie Burke costars and Rosalind Russell has a small role. Good fun.
Robert Montgomery's and Joan Crawford's characters grow tiresome after a while, but the film is saved by the performances of Butterworth and Burke in their sidekick roles. Billie Burke is at her fluttery best. Clark Gable is Clark Gable: solid the whole way through. His character is the most likable of the three leads, but he drops out from the middle of the film.
The plot takes some tedious turns, but the ending is satisfying. I like how the scenes at the end of the film mirror the scenes at the start of the film. While I felt the production overall was uneven, I must say that the script really sparkles in places, setting this overlooked comedy apart from the pack.
'Forsaking All Others' is not one of the best of the genre. Have also seen everybody in the cast give better performances than here, though they do come off very well still and are the main reason for seeing the film. 'Forsaking All Others' is one of those films that starts off very well but runs out of steam in the latter stages in material and momentum. It is certainly not a bad film, let alone terrible, but considering the talent it had potential to be much better.
Beginning with the good, it looks good with some lovely shots and Crawford's typically knockout wardrobe. Van Dyke's direction is slick and accomplished for the first half. Really liked the song choices for the soundtrack, some real classics here and all used appropriately and it was surprising to hear a few of the songs sung by the cast a capella. The script is very witty and sophisticated in the first half and is also very funny.
The first half also moves at a lively pace and has fun and charm. Crawford clearly enjoys herself while not playing her role too heavily, which she did do in some of her comedies, and has nice comic timing. Gable despite being underused later is charming and dashing, didn't like how his character was written in the second half but Gable really makes the most of what he is given. Montgomery also has great comic timing and is suitably caddish, though again his character didn't appeal to me. Butterworth and Russell are very amusing.
However, 'Forsaking All Others' could have been better. The second half for me was not near as good as the first, it drags in pace, any turns are predictable and the material becomes tired and contrived. It actually felt like a different film. The ending comes over as hokey and would have made more sense and rang true if Gable's character was written better in the second half and didn't make such an unwarranted and out of the blue decision.
The character does come over as simpering and too easily fooled and Montgomery's character's negative character traits are also overblown to the extent that his appeal gets lost on the viewer. Van Dyke's direction also isn't as focused and it was like he lost control or gave up. Burke has too little to do to shine.
In conclusion, uneven but just about above average. 6/10.
¿Sabías que…?
- TriviaThe screenplay was written for Loretta Young, George Brent, and Joel McCrea but later was given to Clark Gable, Joan Crawford, and Robert Montgomery.
- ErroresAs Mary and Aunt Paula exit the room after telling Jeff that Mary is to be married, he takes out his cigarette case and opens it. The scene cuts to Shep coming in and back to Jeff who suddenly doesn't have the case out and is leaning against a table.
- Citas
Mary Clay: Jeff, has it ever occurred to you that this is none of your business?
Jeffrey 'Jeff': It's none of my business when I see a dog being whipped, but I'll stop it every time.
- Créditos curiososIn the opening credits the three stars of the film, Joan Crawford, Clark Gable, and Robert Montgomery are seen walking hand in hand.
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA Srl: "LA DONNA È MOBILE - Widescreen Edition" (in double version 1.33:1 and 1.78:1), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- Bandas sonorasForsaking All Others
(1934) (uncredited)
Music by Walter Donaldson
Lyrics by Gus Kahn
Written for the movie and possibly played as background music
Selecciones populares
- How long is Forsaking All Others?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 420,069 (estimado)
- Tiempo de ejecución1 hora 23 minutos
- Color
- Relación de aspecto
- 1.37 : 1