Charlie Chan at the Circus

All 14 Chans go to the circus and the fun starts from the very beginning. But you know Charlie must find a case there, too. Charlie sleuths while enjoying the circus and number one son Lee (Keye Luke) gets into everything in a vigorous way, including some romance with a cute contortionist.

This film has more entertainment value than most other Chan films in my opinion. Featured are the talented Brasno dance team, trapeze action, a lot of circus animals and loads of circus atmosphere.

You also get several crooked subplots, an ape on the loose, good Chan aphorisms and a briskly directed, fast-moving film in general. Its great to see all 14 Chans in an outing with a fun atmosphere- you can't help but enjoy "Charlie Chan at the Circus".

This is not 'just' one of Charlie Chan's fascinating, intricate murder cases, but it's also set in very special surroundings: a circus show - and the circus atmosphere here is presented so wonderfully genuine that it really fills every circus fan with nostalgic feelings...

The whole Chan family (14 altogether...) have been invited to see the show by the circus' co-owner Joe Kinney; but not without a reason: he wants to show Charlie some threatening letters he's received. But before the show's even ended, Kinney is found murdered in his wagon - mysteriously bolted from the inside... And Charlie very soon finds out that it could have been almost any member of the circus ensemble who'd have liked to see him dead: he was a mean cheat who threatened to take away his co-owner's shares because the circus wasn't doing too well, he was rude, cruel and PRETTY unpopular with all his staff; and besides that, he was a reckless womanizer who simply used to drop his girl when he'd found another one.

And that was also the case with Nellie Farrell, whom he pushed off to the wardrobe department when he became sweet on trapeze artist Marie - but in the fight for his money, more things come to light: Kinney had been married to Nellie, according to a marriage license the police find in his safe. But Marie knows otherwise; and she promises to tell as soon as she'll have finished her trapeze act - that fact alone automatically makes our hair raise while we're awaiting her daring stunt that she always does without a net...

An incredible amount of suspense and a plot that demands a lot of our 'little gray cells' mixed with a fair amount of humor (son number one, Lee, who never can resist flirting, tries to impress a Chinese contortion artist...) - an unforgettable hour of entertainment and excitement, just like those good old-fashioned circus performances!

I am a big fan of Charlie Chan, owning all the Warner Oland/Sidney Toler episodes I can find and enjoying them, but that doesn't mean they automatically are all wonderful. This one is okay, but disappointing considering how much better it could have been.

It did have its customary comic moments with Keye Luke as Number One Son and Charlie had a ton of proverbs, but they weren't particularly profound or humorous, just so-so. One thing different was the co-starring of real-life "small people" circus performers, George and Olive Branso, who were okay as actors.

With a setting like the circus, and with Chan's huge family all there (a dozen kids) they could have all kinds of interesting scenarios, but outside of a quick cobra scene and an ape making noise a few times, not much happened. This story was just plain flat overall until the final 10 minutes. The ending was pretty clever but it was a case of too-little, too-late.

Overall, it's not a bad film but there is an "edge" to this murder-mystery that is missing.

Filmed and released in 1936, CHARLIE CHAN AT THE CIRCUS is the eleventh film in the Chan series--and although many tend to dismiss it as "only average," it is among my favorites of the Chan films.

This episode finds Chan on vacation on the mainland with the entire family--but when he takes the family to the circus he finds himself embroiled in the murder of the show's co-owner, a man so widely disliked by his co-workers and employees that virtually any one might have killed him. Begged into assisting the investigation by circus performer "Lady Tiny," Chan and number one son Lee join the circus train in an effort to ferret out the truth.

Like most Chan films, the plot is full of holes--but what makes this installment particularly enjoyable is the supporting cast. Son Lee (the ever-enjoyable Keye Luke) finds romance with Chinese contortionist Su Toy (the beautiful Shia Jung) and trapeze footage of Marie Normand (played by real-life trapeze artist Maxine Reiner) offers a glimpse into the circus world of the 1930s that is quite fascinating. Most enjoyable of all, however, are Col. Tim and Lady Tiny, played by popular circus stars and occasional film actors George and Olive Brasno; their sideshow dance alone would make this film worth the effort. It's all a tremendous amount of fun.

Chan films are often accused of being racist, and critics often complain that the actors playing Chan wore "yellowface" make up. The films, however, must be seen within the context of their era. In the 1930s, Hollywood presented most Asian characters as either servile or as Fu Manchu-like entities; Chan was actually just about the only positive Asian character going, and as such the films were tremendously popular with Asian-American audiences of the era.

True enough, Chan is inevitably played by an occidental actor, but this was typical of the era, in which star status was considered more important than racial accuracy. (Other Asian characters are almost always played by actors of Asian heritage, with Keye Luke and Shia Jung cases in point.) Whatever the case, neither Warner Oland or the later Sidney Toler wore significant make-up for the role, and Oland--although a Swede by birth--actually had a strong strain of Asian ancestry in his family tree. But most significantly, while Chan often allows the suspects to dismiss him through their own prejudices, as a character he is always presented in a positive light.

While I would not rank it along such knock-out Chan films as CHARLIE CHAN AT THE OPERA or CHARLIE CHAN AT TREASURE ISLAND, CHARLIE CHAN AT THE CIRCUS is a thoroughly enjoyable entry in the series, and in many respects the film's "old fashioned" qualities (watch out for that wild gorilla suit!) add to the fun. Recommended for Chan fans everywhere.

Gary F. Taylor, aka GFT, Amazon Reviewer

Charlie and all 13 members of the immediate family are given passes to the Kinney and Gaines traveling circus, compliments of Joe Kinney, who wants Charlie to investigate some threatening letters he's been receiving. Anyone at the circus could have sent them, since Kinney is as popular as cancer, driving partner Gaines to bankruptcy and using violence on other performers at the circus. Naturally he is found murdered in the business wagon, which Charlie and Lee believe was done by the wild ape Ceasar. Tiny, one half of a man and wife midget sideshow, asks Charlie to work further on the case, which Mrs. Chan, Lee, and the other 11 children plead with him to do. Charlie and Lee travel with the circus and find out that one performer, Nellie Farrell, married Kinney in Mexico, which drives the rift with Marie Normand, trapeze artist and Kinney's fiancé. Marie doesn't believe that Kinney was with Nellie on the marriage date, but.... well that's her own secret and that may cost her life from the mysterious killer. Above average entry in the Chan series, and probably the most humorous entry (especially from the Fox series). The mystery angle is prevalent throughout the movie but is played down because of the humor which by the 50 minute mark does seem to get old and have the audience wanting the mystery we expect from the series. The circus setting really does look authentic giving the audience of being at the big top. Lachman uses plenty of low and high angle shots to create suspense and character interpretations, but in the context of the film itself it wasn't necessary. It was nice to see all 14 members of the family in an appearance rather than the photograph used in previous entries. Rating, 7.