Breakfast for Two

Barbara Stanwyck and Herbert Marshall had some fine movie performances to their credit when they starred in "Breakfast for Two." Stanwyck was one of the best actresses at the time, equally at home with mysteries, drama, and comedy. She especially excelled in the latter. While he did some comedies, Marshall was more known and regarded for his dramatic works. Some of his comedies were quite good, but others not so. This isn't one of his good roles. It may not be all his fault though. The idea for the plot is a good one, but the screenplay doesn't pull it off well. For instance, Marshall's Jonathan Blair changes so suddenly from his devil-may-care attitude and disinterest in his business, to one of protecting the family tradition that it just isn't believable. The directing and film editing likely played a hand in this as well. There were other little things that didn't quite ring true with Blair's character. He wakes with a hangover after sleeping on a couch. Yet his clothes are neat as can be and not a tussle of his hair appears out of place. He doesn't act like he has a hangover.

Stanwyck's Valentine Ransome is excellent. No more needs to be said about her. There are a couple of very hilarious scenes in the film, but not much witty dialog. Eric Blore and Donald Meek give good performances to enhance the movie. No one can play a butler so amusingly as Eric Blore. His part as Butch is big enough that it helps Stanwyck carry the film.

"Breakfast for Two" isn't full of laughs, but it's a light comedy that most should enjoy. Stanwyck has a large portfolio of very good films, so this isn't one I would keep in my library.

Barbara Stanwyck and Herbert Marshall enjoy "Breakfast for Two" in this 1937 comedy which also stars Eric Blore, Brenda Farrell, and Donald Meek.

Stanwyck is Valentine Ransome from Texas, who meets playboy Jonathan Blair one night and ends up spending the night at his apartment. No, it's not precode, it's just that Blair's dog frightened her when she went for the door. Valentine is attracted to Jonathan, but he appears to have a lack of direction. He runs his family shipping company and has just about plowed it into the ground.

Valentine buys the company in the hopes that Jonathan will get in there and make good. Meanwhile, she has to worry about his marriage to an actress (Glenda Farrell) and how she's going to stop it.

Some hilarious scenes, including a chorus of window washers and a funny performance by Donald Meek as the poor justice of the peace. As the dizzy actress Carol, Glenda Farrell is a riot.

There's some slapstick that involves Marshall which I assume was done with a stand-in since he had an artificial leg - but it was done seamlessly.

Beautiful sets and nice production values, a cute comedy, with the young Stanwyck looking beautiful.

The film begins with rich and drunk playboy Herbert Marshall being taken to his home by nice girl Barbara Stanwyck. The butler's reaction (Eric Blore) at seeing her in the shower instead of his master is priceless! It seems that the Stanwyck and Marshall met the night before while he was on a bender and they share some sweet moments over breakfast. However, the nice moment is interrupted when Marshall finds that the fun and games are over, as he is practically broke and his family steamship line is about to be sold. Unknown to all, Barbara is loaded with cash and she buys the business and plans on letting Marshall run it--hoping to make him more responsible and her future husband! When Marshall discovers her plan, he is understandably miffed and immediately proposes to another woman!

This is a film that fans of old time Hollywood can enjoy. More "sophistsicated" viewers might see the premise of the film as very contrived and silly (which it is), but the point of the film is to enjoy the journey and NOT question the implausibility. Let me explain.... The film stars some excellent actors (Herbert Marshall and Barbara Stanwyck) and are very ably supported by some wonderful familiar faces--in particular, Eric Blore and Donald Meek. Unlike more modern films which often rely heavily on the stars, like some of the best 1930s films the supporting players give the film life and provide great laughs--providing a wonderful balance that is often missing in newer films. Heck, considering Blore's performance alone, I'd strongly recommend this movie. His appearances in TOP HAT and many other films of the 1930s did so much to improve the films, so I look forward to him at least at much as I looked forward to Stanwyck and Marshall! Also, while the plot is silly, the writing of the characters and dialog is amazingly witty and clever. In particular, the last 15 minutes of the film are sparkling and you can't help but laugh out loud--it's THAT good! Just turn off your brain and enjoy!

This movie was my first Barbara Stanwyck experience, so I perhaps enjoy it for more sentimental reasons than most. However, it is a terrific screwball comedy. Where else do you get Eric Blore (being his wonderful self), a talking dog, and Barbara Stanwyck wearing a boxing glove? I strongly recommend it to any Stanwyck fan. It is quite humorous and enjoyable. It's a cute little film and one of my all-time favorite comedies.

Rich drunken playboy Jonathan Blair (Herbert Marshall) wakes up in the morning to find Valentine Ransome (Barbara Stanwyck) ready to leave. He had passed out and she brought him home after a night of partying. Actress Carol Wallace, one of his girlfriends, shows up to find them having breakfast. Valentine vows to reform the irresponsible, spoiled, womanizing playboy despite only met him once and then marry him.

Stanwyck has plenty of fun with her smile and her sass. She has a great bit with boxing. She's all kinds of fun. He's a fine foil. It's not the hottest of romances but it's good light fun.