Agrega una trama en tu idiomaIn Paris, a young American is in debt to a nightclub owner who forces him to woo an heiress in hopes of reaping her fortune.In Paris, a young American is in debt to a nightclub owner who forces him to woo an heiress in hopes of reaping her fortune.In Paris, a young American is in debt to a nightclub owner who forces him to woo an heiress in hopes of reaping her fortune.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados en total
André Cheron
- Croupier
- (as Andre Cheron)
George Beranger
- Hat Clerk
- (as Andre Beranger)
Bill Robinson
- Self
- (escenas eliminadas)
Demetrius Alexis
- Gambler
- (sin créditos)
Lynn Bari
- Cafe Patron
- (sin créditos)
Eugene Borden
- Waiter
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It must be 35 years or so since I saw this film in an "Art House" Theatre. But it still has left one, strong, lingering impression.
There is one scene on the dance floor that took my breath away. Power is wearing a tailcoat and white tie. Young is in a satin floor length gown that clung to even inch of her elegant form. They were dancing like a young god and goddess.
I remember thinking, "At that moment in time, they had to be the two most beautiful people on the face of the earth." I recall nothing else about the film save this moment. But it's quite sufficient.
Sometimes, all it takes is just one scene to leave an impression that makes the memory of a film vivid for decades. In an era when class and style are neither appreciated, celebrated or understood, a film like this is a reminder of these words mean -- or at least meant.
There is one scene on the dance floor that took my breath away. Power is wearing a tailcoat and white tie. Young is in a satin floor length gown that clung to even inch of her elegant form. They were dancing like a young god and goddess.
I remember thinking, "At that moment in time, they had to be the two most beautiful people on the face of the earth." I recall nothing else about the film save this moment. But it's quite sufficient.
Sometimes, all it takes is just one scene to leave an impression that makes the memory of a film vivid for decades. In an era when class and style are neither appreciated, celebrated or understood, a film like this is a reminder of these words mean -- or at least meant.
Tyrone Power shows his considerable comic flare in his role as a young American in Paris who is blackmailed into posing as a Russian prince to court a wealthy heiress (Loretta Young). The script is extremely witty with fast-paced, sharp dialogue that keeps the viewer in stitches from start to finish. Highly recommended! Unfortunately, this movie is not available on video, but it is played on the Fox Movie Channel from time to time.
Cafe Metropole finds Adolphe Menjou owner of said title in some trouble. He's got to replace some money he took from the business or go to prison and he's got ten days before his crime is discovered. He thinks he's won it back from a certain American playboy, but when the check is admittedly false, Menjou has a problem.
Adolphe's a clever dude though, he uses the inebriated playboy who is Tyrone Power and tells him to woo and win it from an American girl, Loretta Young traveling in Paris with her parents Charles Winninger and Helen Westley. Be an exiled Russian nobleman, there are so many of them running around Paris these days.
As a romantic Ty can't be beat, but he's certainly one unconvincing Russian going in and out of his accent in the same sentence. But he and Young do hit it off. And why wouldn't Young fall for him, it's Tyrone Power.
Cafe Metropole is an amusing comedy of sorts with a Parisian setting recreated on 20th Century Fox's back lot. Just the kind of entertainment the movie-going public wanted, escapist stuff about Americans enjoying the good life with absolutely no hint of a rumor of a Depression out there. This also showed Ty Power's versatility in handling modern comedy as well as period drama. It holds up well today as people are still embezzling and trying all kinds of madcap schemes to cover and recover.
Adolphe's a clever dude though, he uses the inebriated playboy who is Tyrone Power and tells him to woo and win it from an American girl, Loretta Young traveling in Paris with her parents Charles Winninger and Helen Westley. Be an exiled Russian nobleman, there are so many of them running around Paris these days.
As a romantic Ty can't be beat, but he's certainly one unconvincing Russian going in and out of his accent in the same sentence. But he and Young do hit it off. And why wouldn't Young fall for him, it's Tyrone Power.
Cafe Metropole is an amusing comedy of sorts with a Parisian setting recreated on 20th Century Fox's back lot. Just the kind of entertainment the movie-going public wanted, escapist stuff about Americans enjoying the good life with absolutely no hint of a rumor of a Depression out there. This also showed Ty Power's versatility in handling modern comedy as well as period drama. It holds up well today as people are still embezzling and trying all kinds of madcap schemes to cover and recover.
Cafe Metropole (1937)
** 1/2 (out of 4)
Decent comedy about the American Alexis (Tyrone Power) who loses a big bet to Monsieur Victor (Adolphe Menjou) and afterwards has to admit that he doesn't have the money to pay up. Through what's basically blackmail, Victor forces Alexis to romance the beautiful and rich Laura (Loretta Young) so that she will marry him and in return Alexis can pay Victor. CAFE METROPOLE offers up a terrific cast but sadly the screenplay is just a tad bit too silly and too far-fetched to be believable. Yes, you might argue that any type of comedy can be silly as long as it makes you laugh and this is certainly true but there's not enough laughs here to really call this a comedy and what happens at the end is just so out of touch with reality that you really can't help but roll your eyes. However, the two leads are in fine form and manage to have that wonderful chemistry that they did throughout their careers. Power isn't believable playing "Russian" but this here isn't all that important as I can overlook this as part of the comedy. Young is as charming as ever and just floats with her grace on camera. The two of them have that good chemistry together and help keep the film moving. Menjou is also good in his supporting role even though the screenplay does very little to actually help him. I think the film works best early on when we see Power and Menjou going after one another as they try to solve the issue with the money. Once Young enters the picture you have the before mentioned chemistry but the screenplay just becomes too wacky for its own good. I think a dose of reality would have really helped things and the various crosses in the final fifteen-minutes just don't work. Still, fans of the three stars will still want to check this one out.
** 1/2 (out of 4)
Decent comedy about the American Alexis (Tyrone Power) who loses a big bet to Monsieur Victor (Adolphe Menjou) and afterwards has to admit that he doesn't have the money to pay up. Through what's basically blackmail, Victor forces Alexis to romance the beautiful and rich Laura (Loretta Young) so that she will marry him and in return Alexis can pay Victor. CAFE METROPOLE offers up a terrific cast but sadly the screenplay is just a tad bit too silly and too far-fetched to be believable. Yes, you might argue that any type of comedy can be silly as long as it makes you laugh and this is certainly true but there's not enough laughs here to really call this a comedy and what happens at the end is just so out of touch with reality that you really can't help but roll your eyes. However, the two leads are in fine form and manage to have that wonderful chemistry that they did throughout their careers. Power isn't believable playing "Russian" but this here isn't all that important as I can overlook this as part of the comedy. Young is as charming as ever and just floats with her grace on camera. The two of them have that good chemistry together and help keep the film moving. Menjou is also good in his supporting role even though the screenplay does very little to actually help him. I think the film works best early on when we see Power and Menjou going after one another as they try to solve the issue with the money. Once Young enters the picture you have the before mentioned chemistry but the screenplay just becomes too wacky for its own good. I think a dose of reality would have really helped things and the various crosses in the final fifteen-minutes just don't work. Still, fans of the three stars will still want to check this one out.
The top billing casting Tyrone Power and Loretta Young play a normal roles in this romantic comedy, actually a couple of guys stolen the show, firstly the smart and cynical manager Adolphe Menjou and second Gregory Ratoff playing a no longer Russian Prince, but who still have a name to protect your honor when see a fancy phony guy use your name he decided make something to secure the long royal dynasty, well crafted plot on a fantastic movie from the past and glorious days!!!
Resume:
First watch: 2017 / How many: 1 / Source: DVD / Rating: 8
Resume:
First watch: 2017 / How many: 1 / Source: DVD / Rating: 8
¿Sabías que…?
- TriviaTwo scenes featuring Bill Robinson (aka "Bojangles Robinson") were cut from the final version of the film: a solo tap dance performance in black tie by the dancing legend and a duet in beachcomber outfits with Geneva Sawyer. Both scenes are included in a DVD released by Fox as part of "Tyrone Power, Matinee Idol."
- ErroresThe Russian National Anthem that is sung by the waiter is incorrect. For 1937, the year the film is set in, the National Anthem of Russia would have been "Worker's Marseillaise", instead of "God, save the Tsar". Likewise, aristocracy would have been expelled or executed from the fledgling Russian Provisional Government.
- Citas
Alexis: Love not only comes, it goes. Comes and goes. Comes...
Laura Ridgeway: Yes, I know... like your accent.
- ConexionesFeatured in Hidden Hollywood: Treasures from the 20th Century Fox Film Vaults (1997)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Kafe Metropol
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 23min(83 min)
- Color
- Relación de aspecto
- 1.37 : 1
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