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Agrega una trama en tu idiomaDonald continually heckles Mickey's magic act, but Mickey bests him at every turn. Donald shoots off a magic pistol that causes all the stage props to fall down on them at the finish of the ... Leer todoDonald continually heckles Mickey's magic act, but Mickey bests him at every turn. Donald shoots off a magic pistol that causes all the stage props to fall down on them at the finish of the act.Donald continually heckles Mickey's magic act, but Mickey bests him at every turn. Donald shoots off a magic pistol that causes all the stage props to fall down on them at the finish of the act.
- Dirección
- Guionista
- Elenco
Pinto Colvig
- Goofy
- (voz)
- (sin créditos)
Walt Disney
- Mickey Mouse
- (voz)
- (sin créditos)
Clarence Nash
- Donald Duck
- (voz)
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Mickey is a master magician. He is utterly amazing. The problem is a heckler in the audience, Donald Duck. Mr. Duck is abusive and confrontational (really?). He begins to try to sabotage the act, but it only leads to greater and greater tricks where Donald becomes the victim. In true cartoon tradition, Donald will not let it go. It soon becomes a color extravaganza, with Goofy, the stage hand, getting his two cents worth in.
A Walt Disney MICKEY MOUSE Cartoon.
Donald Duck will live to regret the evening he decided to heckle the performance of MAGICIAN MICKEY.
This is a wonderful little film from Disney's Golden Age, full of excellent animation and truly hilarious legerdemain. The pyrotechnic prestidigitation at the conclusion, involving stagehand Goofy, makes a spectacular use of Technicolor. Walt Disney provides Mickey with his squeaky voice; Clarence Nash does the honors for Donald.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
Donald Duck will live to regret the evening he decided to heckle the performance of MAGICIAN MICKEY.
This is a wonderful little film from Disney's Golden Age, full of excellent animation and truly hilarious legerdemain. The pyrotechnic prestidigitation at the conclusion, involving stagehand Goofy, makes a spectacular use of Technicolor. Walt Disney provides Mickey with his squeaky voice; Clarence Nash does the honors for Donald.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
This is a Disney cartoon that features three of its biggest stars: Mickey Mouse, Donald Duck and Goofy. Mickey is a stage magician, performing all sorts of tricks from cards to rabbits, while Goofy is his stagehand. Sitting in the box in the audience is Donald, heckling at Mickey for what he thinks are childish tricks until Mickey uses his magic on him.
This is a hilarious cartoon short from start to finish and it is funny to see all three characters interact, especially how Mickey tries to counterattack the heckling Donald, resulting in endless funny scenes from Donald spitting our cards to shrinking to a size smaller than an egg. Goofy is his usual goofy self, trying to work all the gadgets without getting entangled in the stage ropes. You'll probably be roaring with laughter in how it all ends.
It's a show full of magic and misadventures - comical, delightful and fun for the entire family!
Grade A
This is a hilarious cartoon short from start to finish and it is funny to see all three characters interact, especially how Mickey tries to counterattack the heckling Donald, resulting in endless funny scenes from Donald spitting our cards to shrinking to a size smaller than an egg. Goofy is his usual goofy self, trying to work all the gadgets without getting entangled in the stage ropes. You'll probably be roaring with laughter in how it all ends.
It's a show full of magic and misadventures - comical, delightful and fun for the entire family!
Grade A
Usually, when Mickey Mouse is paired up with Donald Duck (or, more often than not, with Donald and Goofy), they separate and do their own routines, with Mickey getting the comedy short stick. Here, however, the two are constantly in contention, and the cartoon is all the better for it. Mickey is a magician whose act is constantly being interrupted by a certain web-footed heckler in the balcony. He soon makes Donald an unwilling assistant, using his skills of prestidigitation to humiliate him. He makes him spit out cards, turns him into a paper doll chain, and even makes a monkey out of him, literally. It's a pity they weren't used more as adversaries, since it brings out the best in them, pitting Mickey's resourcefulness and pluck against Donald's irascibility and mischievousness. Incidentally, Goofy is in this one also, mostly out of sight as a stage hand. Highly recommended.
"Mickey" is doing his best to entertain an audience with his magical trickery but "Donald" is sitting in his front row box determined to expose him as a shyster! He continually attempts to disrupt the act - but each time he is bettered by the increasingly irritated entertainer who eventually resorts to filling "Donald" with decks of playing cards so as to stifle his constant haranguing. This is an enjoyable comedy that has a duelling nature to it. The comedy is end-to-end for eight minutes of combative fun that uses magic (well conjuring and illusionism, really) as a conduit for the action that leads to a suitably messy ending that wouldn't have looked out of place in the "Sorcerer's Apprentice". Good fun!
¿Sabías que…?
- TriviaWas re-released in theatres with El jorobado de Notre Dame (1996)
- ConexionesEdited into Down and Out with Donald Duck (1987)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Magician Mickey
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución8 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was Mickey el Mago (1937) officially released in India in English?
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