CALIFICACIÓN DE IMDb
6.2/10
1.1 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA New York bandleader journeys to Hollywood when he is offered a contract with a studio, but he is determined to do things his way and not theirs.A New York bandleader journeys to Hollywood when he is offered a contract with a studio, but he is determined to do things his way and not theirs.A New York bandleader journeys to Hollywood when he is offered a contract with a studio, but he is determined to do things his way and not theirs.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 1 nominación en total
Johnny Arthur
- Mr. Daviani
- (as John Arthur)
William B. Davidson
- Mr. Richards
- (as William Davidson)
Perc Launders
- Band Violinist
- (as Percy Launders)
Paul McLarind
- Band Member
- (as Paul McLarand)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
James Cagney got tired of film studios wanting him to make gangster films and typecasting him, so he went to Grand National Pictures and made this film with a Independent film maker. In this picture Caqney plays the role as Terry Rooney a band leader who has a great show in Manhattan with a great singer, Rita Wyatt, (Evelyn Daw) and there is plenty of comedy and great dancing routines throughout the show. Terry is very well liked as well as his singer Rita. Hollywood becomes interested in Terry and Bennett Regan, (Gene Lockhart) is a Hollywood director who wants to give Terry a contact to make a picture. Terry finds it hard to break into the Hollywood scheme of things and gets down in the dumps about his performances. Little does Terry realize that the producers and directors all like Terry and feel he is doing a great job, but Bennett Regan does not want to tell him that in order to keep him from getting a big head on his shoulders. Great Cagney film with outstanding dance routines.
This is the film that supposedly sank fledgling Grand National Films after an only three-year existence. Supposedly costing $900,000, the failure of this film sealed the studio's fate. While this is an enjoyable film with pleasant songs and attractive players, I find it hard to believe that cost assessment. The settings are attractive, but not lavish, and aside from James Cagney, there are really no box-office champs here that would require a hefty salary. Evelyn Daw was charming and a very good singer in this, and she supposedly made just one other film before yawing into oblivion. She deserved a better chance at success. There are some familiar faces among the supporting cast such as William Frawley and Gene Lockhart. Phillip Ahn has a surprisingly non-stereotypical role as Cagney's man-Friday, and Mona Barrie is good as a temperamental co-star for Cagney. The print on my DVD is clear and in pretty good shape. A good example of cinema from the mid-to-late '30s.
Okay we've been told all the stuff about Cagney arguing with WB and dancing over to Grand National, and we know this is the umpteenth remake of earlier Warner flicks.
The movie is low-low budget, but it is fun to watch so youse guys watch it. The main reason is its star who, too seldom, was given the opportunity to display his very unique dance prowess. Unfortunately, he was given too little time to dance in this pic, but when he did, it was 100% captivating.
Another treat was Evelyn Daw. One of the critics fairly compared her to Jeanette McDonald, and I agree. Beautiful voice, cute, good personality. (I boycott Jeanette movies. In "The Great Waltz" Miliza Korjus put her in the shade. Ms. M told Mr. MGM she would walk if they starred her anymore. She was a moneymaker, so Louis B did as he was told).
A couple other "Something To Sing About" pluses were Bill Frawley and Gene Lockhart as studio bigwigs with Lockhart as the biggest wig.
Anyway, if you want so spend some pleasant time, well, this sometimes frantic movie, will be fun. Just watching Cagney, whether he dances, fights, or struts like a peacock, is always a fat bonus.
The movie is low-low budget, but it is fun to watch so youse guys watch it. The main reason is its star who, too seldom, was given the opportunity to display his very unique dance prowess. Unfortunately, he was given too little time to dance in this pic, but when he did, it was 100% captivating.
Another treat was Evelyn Daw. One of the critics fairly compared her to Jeanette McDonald, and I agree. Beautiful voice, cute, good personality. (I boycott Jeanette movies. In "The Great Waltz" Miliza Korjus put her in the shade. Ms. M told Mr. MGM she would walk if they starred her anymore. She was a moneymaker, so Louis B did as he was told).
A couple other "Something To Sing About" pluses were Bill Frawley and Gene Lockhart as studio bigwigs with Lockhart as the biggest wig.
Anyway, if you want so spend some pleasant time, well, this sometimes frantic movie, will be fun. Just watching Cagney, whether he dances, fights, or struts like a peacock, is always a fat bonus.
The plot of this film is fairly ordinary--bandleader/hoofer goes to Hollywood and becomes a star, studio wants to play up his credentials as a lover so they put the kibosh on announcing his marriage and cook up an on-set romance for the papers, the strain threatens his marriage. If it were with any other cast, that might have been the end of it. But with Cagney in the starring role, the movie just pops. The man had star quality positively oozing out of him, which had been evident from his earliest bit roles, in films like "A Handful of Clouds."
This was Cagney's second and last film with Grand National studios, where he'd taken refuge during a contract dispute with Warner Brothers. The first film had cast him in standard dramatic fare, but this one reunited him with his NY dance coach, Harland Dixon, who staged the dances for the film. Cagney's dancing is even more spirited than in "Yankee Doodle Dandy"--at one point, where other dancers might kick their heels, he kicks his knees! According to a NY Times article cited in the AFI Catalog, Cagney practiced his steps with Fred Astaire before filming.
What's most striking to me, though, in this film is Cagney's incomparably naturalistic acting. One scene in particular, where Cagney phones his fiancée back in New York while sitting in the dark in his Hollywood apartment, and listens to her sing a new song, is as moving and realistic as anything I've seen.
Many scenes will evoke more famous moments from later films--Cagney dancing on piano keys, like Tom Hanks and Robert Loggia in "Big," or Cagney working on his pear-shaped tones, like Gene Kelly in "Singin' in the Rain." Cagney gives them all his unique brand of liveliness. There is also an almost anachronistic recognition of the degradation Hollywood visited on minorities, in the person of Philip Ahn, who plays Cagney's manservant, Ito.
Evelyn Daw, as Cagney's fiancée, was a discovery of the director, Schertzinger, and this was her first film. She's got a cute little smile, but her voice is absolutely wrong for the sort of band Cagney is supposed to be leading. She does well enough, though, and holds her own with William Frawley as Cagney's sympathetic press agent and Gene Lockhart as the studio boss. The only real sour note is sounded by Mona Barrie, as the Hungarian star set up as Cagney's love interest by the studio press machine. She's neither attractive nor talented, and one has to wonder why she was supposed to be such a big star.
This movie is out on DVD, unlike all too many of Cagney's early efforts, and it's worth checking out for a side of Cagney seen entirely too seldom.
This was Cagney's second and last film with Grand National studios, where he'd taken refuge during a contract dispute with Warner Brothers. The first film had cast him in standard dramatic fare, but this one reunited him with his NY dance coach, Harland Dixon, who staged the dances for the film. Cagney's dancing is even more spirited than in "Yankee Doodle Dandy"--at one point, where other dancers might kick their heels, he kicks his knees! According to a NY Times article cited in the AFI Catalog, Cagney practiced his steps with Fred Astaire before filming.
What's most striking to me, though, in this film is Cagney's incomparably naturalistic acting. One scene in particular, where Cagney phones his fiancée back in New York while sitting in the dark in his Hollywood apartment, and listens to her sing a new song, is as moving and realistic as anything I've seen.
Many scenes will evoke more famous moments from later films--Cagney dancing on piano keys, like Tom Hanks and Robert Loggia in "Big," or Cagney working on his pear-shaped tones, like Gene Kelly in "Singin' in the Rain." Cagney gives them all his unique brand of liveliness. There is also an almost anachronistic recognition of the degradation Hollywood visited on minorities, in the person of Philip Ahn, who plays Cagney's manservant, Ito.
Evelyn Daw, as Cagney's fiancée, was a discovery of the director, Schertzinger, and this was her first film. She's got a cute little smile, but her voice is absolutely wrong for the sort of band Cagney is supposed to be leading. She does well enough, though, and holds her own with William Frawley as Cagney's sympathetic press agent and Gene Lockhart as the studio boss. The only real sour note is sounded by Mona Barrie, as the Hungarian star set up as Cagney's love interest by the studio press machine. She's neither attractive nor talented, and one has to wonder why she was supposed to be such a big star.
This movie is out on DVD, unlike all too many of Cagney's early efforts, and it's worth checking out for a side of Cagney seen entirely too seldom.
Contrary to many reviews there is much to like in "Something To Sing About", a minor Cagney movie produced by Grand National Productions (Cagney was in the midst of a dispute with Warner Bros. at the time). There are equal measures of comedy, music and romance blended together to create what must have been one of 1937's most underrated films. Cagney sings, dances and, counter to type, has some tender love scenes with Evelyn Daw, who is pretty and petite and has a lovely singing voice.
Nutshell; song and dance man Cagney gets an offer from Hollywood. He succeeds, and is bound to secrecy regarding his marriage to Daw, the 'band canary' in the same band. Complications arise as a result, with some alternately funny and tender scenes. On hand are William Frawley as the studio's publicity man, Gene Lockhart the studio head and Mona Barrie the studio prima donna. Victor Schertzinger directed and wrote the songs, the best of which are the title song and "Out Of The Blue". Unfortunately, all the songs are long-forgotten.
"Something To Sing About" is one of those forgotten gems which show up on TCM from time to time. Do yourself a favor and catch it next time it's on.
7/10 - Website no longer prints my star rating.
Nutshell; song and dance man Cagney gets an offer from Hollywood. He succeeds, and is bound to secrecy regarding his marriage to Daw, the 'band canary' in the same band. Complications arise as a result, with some alternately funny and tender scenes. On hand are William Frawley as the studio's publicity man, Gene Lockhart the studio head and Mona Barrie the studio prima donna. Victor Schertzinger directed and wrote the songs, the best of which are the title song and "Out Of The Blue". Unfortunately, all the songs are long-forgotten.
"Something To Sing About" is one of those forgotten gems which show up on TCM from time to time. Do yourself a favor and catch it next time it's on.
7/10 - Website no longer prints my star rating.
¿Sabías que…?
- TriviaKnown as "the picture that broke Grand National". Grand National Pictures, which produced and distributed it, was a "B" studio known mostly for low-budget westerns and action pictures. It signed James Cagney during one of his frequent disputes with Warner Bros. and saw this picture as its chance to compete with the major studios by doing a lavish musical with a major star. It poured more than $900,000 into this film--not much by MGM or 20th Century-Fox standards but a tremendous sum for a small studio like this. Unfortunately, the film was a major flop and the studio lost just about all the money put into it. Grand National, established in 1936, folded in 1939, having never recovered from the financial beating it took on this picture. Its remnants were purchased by RKO in 1940.
- ErroresRita is in New York when she reads of Terry's supposed relationship with Steffie on the front page of the "Express" newspaper. Meanwhile in Hollywood, Terry learns of the false rumours in exactly the same way, from the exact front page of an identical "Express" newspaper. Props used the same newspaper for both coasts. Highly unlikely.
- Citas
Rita Wyatt: [laying down winning cards] You now owe me 129 million dollars.
Terrence 'Terry'; Rooney: A mere bagatelle.
Rita Wyatt: I'll settle for a box of candy.
Terrence 'Terry'; Rooney: You'll take chewing gum and like it.
- ConexionesFeatured in Hooray for Hollywood (1982)
- Bandas sonorasSomething to Sing About
(uncredited)
Written by Victor Schertzinger
Sung over the opening credits by Evelyn Daw
Sung by James Newill
Reprised by Evelyn Daw
Played as background music often
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Battling Hoofer
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 900,000 (estimado)
- Tiempo de ejecución1 hora 33 minutos
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Spanish language plot outline for Something to Sing About (1937)?
Responda