Alexander Hamilton

This movie features an Alexander Hamilton who looks like (and is as lovable as) game show host Gene Rayburn, of the Match Game. Even though we now know that Hamilton was a knowing and frequent philanderer, this movie sets him up as a victim, who would never have strayed had he not been the victim of a plot by his enemies. The conceit of making up a "Senator Roberts" who sets up the plot to bring Hamilton and the Assumption Bill down, is such an outlandish whitewash.

But there is a good bit of real history in the movie that you simply don't expect. Making the Assumption Bill into something dramatic (this bill would have the federal government assume the debts of the states, especially those owed to vets of the Revolution) is a masterstroke. Who would believe that you could make drama out of the deal to trade Hamilton's desire to create a national bank, with southerners' desire to have a capital on the Potomac.

It's an intellectual drama, with a focus on Hamilton as an honorable man, and a great treasury secretary. Probably the only treasury secretary to have a movie made about him. It's so stilted, but very dramatic, and somewhat true. For comic relief, they threw in a shufflin' and jivin' black servant, so it's also funny and somewhat offensive. But it moves along, and you won't get bored. A must for history buffs.

During the first years of sound, George Arliss was Warner Brothers featured answer to what Jack Warner saw as class films for the studio, biographical films. Later on Paul Muni fulfilled the same function.

One of the worst, maybe the worst of the ones he did was Alexander Hamilton. In this film we have the 63 year old Arliss playing the 30 something Hamilton in a play where his financial assumption plan and the eventual selection of a southern capital got interposed with America's first sex scandal, Hamilton's affair with Maria Reynolds.

Historians will be aghast at this screenplay, but even more aghast at the casting of Arliss as Hamilton, next to younger actors like Montagu Love as Thomas Jefferson and an even younger Alan Mowbray as George Washington.

After a brief prologue with Washington and Hamilton at the end of the Revolutionary War, where Hamilton expounds on his nationalist views, the action fast forwards to the early 1790s and the first Washington term as president. Arliss is trying to push his financial plan for the federal government to assume all state debts to put the new United States of America on a sound financial basis. Love and his supporters which include a completely fictional character, a Senator Timothy Roberts played by Duddley Digges, see the idea as a power grab. They want the capital relocated to somewhere in the southern states.

Digges wants more than that. He offers to swing votes Hamilton's way in order to get a plum ambassadorship to gay Paree, in the midst of its own revolutionary problems. Arliss is mortified by the offer and flat turns him down. Digges vows revenge.

The revenge comes in petticoats in the person of June Collyer as Maria Reynolds. Her husband, encourages the affair with Hamilton and then seeks to blackmail him. Of course Hamilton is vulnerable in this way because his dear wife Elizabeth has had to visit her sister Angelica in Paris. Elizabeth is played by Daisy Kenyon.

The only thing this travesty got right was Elizabeth Schuyler Hamilton's total devotion to her man. Hamilton however never missed an opportunity for a long affair or quick roll in the hay in his life. Including that unseen sister Angelica who also at a different time was involved with Thomas Jefferson.

The worst thing about Alexander Hamilton however was the casting. Arliss was a co-author of the play this movie is based on and I'll bet it was a role he did on stage many times. The key here is that Hamilton had an active libido, but it was a young man's libido and that Washington was a father figure for him. Hamilton was of illegitimate birth and rose from poverty, a fact he never forgot. The last thing he was would have been a lonely guy pining for his wife who was away over the seas.

Hamilton was at times, brilliant, loyal, arrogant all in the same person. Not the wizened old fox we see. In real life Hamilton was 49 when he died years later in that duel with Aaron Burr. His assumption plan and the deal for the capital was struck much before the Reynolds affair.

A great deal is made of Hamilton's honesty and in financial matters he was scrupulously honest. In real life his choice of subordinates was not always the best. His first Under Secretary of the Treasury had to resign because he was caught speculating in those bond obligations Hamilton wanted the federal government to assume. It was the first insider trading scandal in American history. Hamilton took quite a few hits from that one also from Jefferson, etc.

A cast of classically trained players do a decent job in bringing this historical travesty to the screen. Make no mistake, you are NOT seeing anything resembling the real Alexander Hamilton though.

As Alexander Hamilton, Mr. George Arliss struggles to keep the Treasury of the new-founded United States clean and honest. He also outwits the greatest minds of the era to have his Assumption Bill passed, which will establish the credit of the nation. In these efforts he is opposed by Dudley Digges, who will stick at naught in his efforts to stop it for happening because.... ah, because..... well, because he is the villain of the piece. Boo! Hiss!

This is the weakest of Arliss's movies, and I found it rather dull. Students of our history and fans of Lin-Manuel Miranda may understand what the fuss is about. Anyone coming fresh to this movie will find it as much a mystery as the reasons for those who oppose it -- "It is against our principles" says one character. What those principles are is never mentioned. Perhaps it's a deep-seated belief that anyone fool enough to lend you money should never get paid. Likewise, those who enjoy Arliss' historical turns because of his sly wit and good humor will be disappointed. Instead,we are subjected to speeches, from Alan Mowbray bidding the troops farewell, to Arliss' curtain speech on finding they've passed the bill. It is then we recall that Arliss was a 19th-century actor, a period when declaiming your love of mother at the top of your lungs was much admired. Arliss doesn't rattle the rafters, but the thinking man or woman will be left befuddled at the lack of linkages. The 'oi polloi will cheer at the playing of "Yankee Doodle." With Doris Kenyon, June Collyer, Montagu Love, and Lionel Belmore.

Alexander Hamilton is a 1931 film written by and starring George Arliss and produced by Warner Bros in an attempt to match MGM's prestige films.

George Arliss (1868-1946) plays Hamilton. Arliss was a major star on the stage and in the silent and the early talkie period, with films like "Disraeli" (1921 and 1929) and "Voltaire" (1933). He won the Academy Award for "Disraeli" (1929) and was nominated again for "The Green Goddess" (1930). He seems strangely cast as young Hamilton given that Arliss was in his 60s playing a man in his 30s.

Note that Arliss was so well regarded by Warner Bros. his name is even larger than the title of the film.

Alan Mowbray (1896-1969) plays George Washington. He appeared in more than 140 films from 1931 to 1962. He had a recurring role in the "Topper" series and made memorable contributions to films such as "The King and I" (1956), "The Man who Knew Too Much" (1956), "My Darling Clementine" (1946) and "Wagon Master" (1950).

Montagu Love (1877-1943) plays Thomas Jefferson. Love was a major star in the silent and early talkie period, playing in more than 100 films. He's best known for supporting roles as the Bishop in "Robin Hood" (1938), Henry VIII in "Prince and the Pauper": (1937), and Zorro in "The Mask of Zorro" (1940).

The film is directed by John Adolfi (1888-1933) a silent film director who made several films with Arliss. The film shows its stage origins.

The film centers on where to locate the capital and how to finance the new government, as well as Hamilton's indiscretion. But much of the dynamism of Hamilton's life (his active libido, his relationship with Washington, his feud with Aaron Burr) are missing.

1931 was a great year for film. The top grossing films were "Frankenstein", "Cimarron", "Mata Hari", "City Lights", and "Dracula". The Oscars went to "Cimarron" (Picture), "The Champ" (Actor), and "Min and Bill" (Actress). Other notable films released that year include "M", "Public Enemy", "Dr. Jekyl and Mr. Hyde", and "Monkey Business". Any of these films hold up much better than this one.

George Arliss played several "great men of history" during the early sound era, Alexander Hamilton being among them. While he is in no way credible when portraying the sexually-charged element of the man (to start, he's neither young nor handsome), he channels the appropriate charisma and intelligence. The film is a pretty standard biopic, but Arliss is good.