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Fenómenos

Título original: Freaks
  • 1932
  • B
  • 1h 4min
CALIFICACIÓN DE IMDb
7.8/10
54 k
TU CALIFICACIÓN
Olga Baclanova, Harry Earles, and Henry Victor in Fenómenos (1932)
Ver Warner Archive Trailer
Reproducir trailer1:09
1 video
99+ fotos
Drama del mundo del espectáculoHorror corporalDramaTerror

Una bella trapecista acepta casarse con el cabecilla de los artistas secundarios, pero sus deformes amigos descubren que solo se quiere casar con él por su herencia.Una bella trapecista acepta casarse con el cabecilla de los artistas secundarios, pero sus deformes amigos descubren que solo se quiere casar con él por su herencia.Una bella trapecista acepta casarse con el cabecilla de los artistas secundarios, pero sus deformes amigos descubren que solo se quiere casar con él por su herencia.

  • Dirección
    • Tod Browning
  • Escritura
    • Clarence Aaron 'Tod' Robbins
    • Willis Goldbeck
    • Leon Gordon
  • Estrellas
    • Wallace Ford
    • Leila Hyams
    • Olga Baclanova
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.8/10
    54 k
    TU CALIFICACIÓN
    • Dirección
      • Tod Browning
    • Escritura
      • Clarence Aaron 'Tod' Robbins
      • Willis Goldbeck
      • Leon Gordon
    • Estrellas
      • Wallace Ford
      • Leila Hyams
      • Olga Baclanova
    • 321Opiniones de los usuarios
    • 176Opiniones de los críticos
    • 80Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 1 nominación en total

    Videos1

    Warner Archive Trailer
    Trailer 1:09
    Warner Archive Trailer

    Fotos369

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    Elenco principal39

    Editar
    Wallace Ford
    Wallace Ford
    • Phroso
    Leila Hyams
    Leila Hyams
    • Venus
    Olga Baclanova
    Olga Baclanova
    • Cleopatra
    Roscoe Ates
    Roscoe Ates
    • Roscoe
    • (as Rosco Ates)
    Henry Victor
    Henry Victor
    • Hercules
    Harry Earles
    Harry Earles
    • Hans
    Daisy Earles
    Daisy Earles
    • Frieda
    Rose Dione
    Rose Dione
    • Madame Tetrallini
    Daisy Hilton
    Daisy Hilton
    • Siamese Twin
    Violet Hilton
    Violet Hilton
    • Siamese Twin
    Schlitze
    Schlitze
    • Self (Pinhead)
    Josephine Joseph
    Josephine Joseph
    • Half Woman-Half Man
    Johnny Eck
    Johnny Eck
    • Half Boy
    Frances O'Connor
    Frances O'Connor
    • Armless Girl
    Peter Robinson
    Peter Robinson
    • Human Skeleton
    Olga Roderick
    Olga Roderick
    • Bearded Lady
    Koo Koo
    Koo Koo
    • By Herself
    Prince Randian
    Prince Randian
    • The Living Torso
    • (as Rardion)
    • Dirección
      • Tod Browning
    • Escritura
      • Clarence Aaron 'Tod' Robbins
      • Willis Goldbeck
      • Leon Gordon
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios321

    7.854K
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    Opiniones destacadas

    10Ron Oliver

    Visit This Sideshow at Your Peril

    A forest glade somewhere in Europe. A warm, sunny day with children playing on the grass. But the camera moves closer and reveals that something is terribly wrong. For these are not children, but tragically misshapen human beings. Pinheads. Dwarfs. A young man with only half a body. A man without arms or legs. These are the Freaks.

    In 1932, director Tod Browning, fresh from his success with DRACULA, was instructed by Irving Thalberg to top FRANKENSTEIN. He succeeded. The resulting film was considered so ghastly that it was banned in Britain for 30 years. It is the strangest film MGM ever released.

    Browning wanted to tell a tale of love, greed & revenge set in a circus, most particularly in the sideshow of human anomalies. He scoured Europe & America for the perfect cast. He got them: Violet & Daisy Hilton, the celebrated Siamese twins; dwarf brother & sister Harry & Daisy Earles; Johnny Eck the Half Boy (a good actor, he will remain in your mind a long time); the tragic Josephine Joseph, a hermaphrodite; as well as a human skeleton, armless girls and the female pinheads, among others.

    While the plot is exploitive & the title tasteless, these people show us glimpses of their hearts, some of the agony of their condition and make us wonder, `What if I'd been born as one of them?'

    The rest of the cast is made up of MGM stock players Leila Hyams, Wallace Ford, Edward Brophy, Olga Baclanova and the screen's champion stutterer Roscoe Ates.

    The plot is simple. A beautiful trapeze artist marries a dwarf for his money, then plots his murder with her lover, the circus strong man. The subsequent action is both horrifying & strangely satisfying. Various scenes - the Freaks' Banquet, the chase through the storm - are among the most bizarre ever filmed. You won't soon forget the time you spend with the FREAKS.
    10Neon_Gold

    A Timeless and Touching Tale of Outcasts

    It's interesting to me that this film is viewed as offensive. People say that these people are being made fun of and exploited. I wouldn't like to comment on how they were treat on set or anything but I will say that they all see to enjoying them selfs for the most part and as for being made fun of, I think the total opposite is happening.

    This movie came out in 1932 so before I watched it I also was nervous that these people would be used to make others laugh at their expense but it was the furthest thing from the truth. This film hands its subject matter with such care and deft that I was astounded that it came out in 1932.

    It can be like looking at window into the past as sometimes it almost plays like a documentary due to the fact that most of these actors were actually circus performers. There are so many scenes where the performers are just relaxing and chatting to each other. It shows people they are just like us, it doesn't mater if they look different. It shows them doing mundane things like hanging washing, struggling with problems like infidelity. It shows ignorant people that they are human just like you.

    I think the title "Freaks" is interesting. I think there is two ways to look at it. The first way is the obvious and offensive way demeaning the performers but I think by the end of the film the only freaks in this movie are the people who look normal. The movie shows this makeshift family coming together for each other, the only people who are outcasts are the able bodied "normal people". I think that is one way to interpret it any way or maybe I am reading into it.

    That is the interesting thing about this movie. You can read a lot into it and it is never clear what the director was really trying to say as another interesting part is all of the performers are shown to be good people, kind people for the most part friendly and loving. Once again the only truly evil people in this movie are the people who are able bodied people. The reason I lean to the side of the director was showing these people are simply just people is it is framed as shocking and wrong when bad things happen to the performers and I don't think it is ever played for laughs.

    It also really bothers me that this movie is labelled a horror movie. It is a drama. There isn't really any horror elements to be found.

    One more thing I just want to point out is that I am astounded how much Ryan Murphy took from this movie for season 4 of American Horror Story. Like I think his only reference point for "freak shows" was this movie. Just a stray observation.

    So I would say definitely watch this movie. It is only short as it was cut down due to the fact people believed it was too outrageous and offensive. It has a lot of heart and is really head of it's time.
    Iron Horse

    Disturbing & Thought Provoking

    The subject of human disability is still a taboo subject in Cinema, even over 70 years since this film's release.

    It's difficult to imagine what impact this film would have had in the 1930's, but as it still has the ability to shock ( through the images of bodily deformity ) I can understand why many shunned and disowned this work, and why it totally ruined Todd Browning's film career.

    The basic premise - that beauty is more than skin deep - can appear to be wielded with a sledgehammer, but perhaps the contemporary audience needed to be hit harder in order to make them understand the point.

    The film is short ( due to enforced cuts ), and at times can move rather slowly and can appear rather 'stagey' which is a trait of many films from the 20's / 30's.

    But don't let that put you off. The plot is simple, but it's the telling of the story rather than the story itself that is important. And you really do need to remind yourself that these are real people - not actors - and this was the live they led.

    I rate it 9 outa 10 because they really don't make them like this any more.
    8Twins65

    I finally found out where Joey got his inspiration...

    D-U-M-B! Everyone's accusin' me!

    I've been listening to The Ramones' music off and on for almost 30 years now, and despite reading and viewing tons of stuff about the band and its origins, I'd never run across how they came up with the whole "pinhead" theme.

    Well, I've finally seen FREAKS, often listed as one of the great cult flicks of all time. And wouldn't you know it, the "pinheads", including "Schlitze", the inspiration for The Ramones' mascot who always came out to join the band during their live shows at the end of the Pinhead song, were in FREAKS.

    The Ramones also slightly modified the "freak chant" from the wedding scene, changing "Gooble-Gobble" to "Gabba-Gabba". I guess Jeffrey Hyman (Joey Ramone) must have viewed himself as somewhat "freakish" (he did have an incredible look), and really related to the group of circus curiosities assembled for this film.

    After being shelved for about three decades, FREAKS started playing again at art-house theaters in the mid-60's, and that's where Joey had to have come across it.

    As far as my film review, this movie needs to be viewed. Look past the stilted acting, and soak up the message. It will stay with you for a long, long time.
    8HumanoidOfFlesh

    Great horror classic from early 30's.

    "Freaks" is one of the most controversial horror films from the 30's,mainly because director Tod Browning hired as the actors real sideshow freaks.It does have a rather unsettling effect,but I think that really does work for the film.Browning builds up a great amount of suspense with the good use of locations,story and lots of atmosphere.The ending,where we see freaks crawling in the mud,is pretty creepy.Anyway check this one out-it's worth watching.

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    Intereses relacionados

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    Drama del mundo del espectáculo
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    Horror corporal
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    Drama
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    Terror

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The on-screen romance between Hans and Frieda was very subdued because the roles were being played by real life brother and sister Harry Earles and Daisy Earles.
    • Errores
      At 43:40 when Cleo tosses the wine at Angeleno, she is standing in front of him, but the wine she throws comes from the far right side of the frame.
    • Citas

      Freaks: We accept you, one of us! Gooble Gobble!

    • Versiones alternativas
      Reissue prints included a two-and-a-half minute written prologue about historical interpretations and contemporary studies of "misshapen misfits." These same prints remove the MGM Lion (the studio having disowned the film for many years).
    • Conexiones
      Edited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
    • Bandas sonoras
      Gruesome Tales
      (uncredited)

      Music by William Axt and Erno Rapee

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    Preguntas Frecuentes22

    • How long is Freaks?Con tecnología de Alexa
    • What is 'Freaks' about?
    • Is "Freaks" based on a book?
    • Are the freaks real or just actors in costumes?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 16 de junio de 1932 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Alemán
      • Francés
    • También se conoce como
      • Freaks
    • Locaciones de filmación
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Estados Unidos(Studio)
    • Productora
      • Metro-Goldwyn-Mayer (MGM)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 310,607 (estimado)
    • Total a nivel mundial
      • USD 4,693
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 4min(64 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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