El papamoscas

This appears to have been the last movie of the great John Barrymore. (The filmography listed here must be wrong in following it with a movie in 1966. I've seen that movie and it is an old one.) As such, it has historical importance.

John Barrymore will always be remembered as one of the great men of American theater as well as a fine movie actor. He looks puffy and tired here, but boy! Does he give it his best shot.

The on screen credits have him as a supporting player, with Kay Keyser -- a tiny fleck on the radar screen of movie history -- before the title. However, I'd guess that Barrymore has at least as many lines as Keyser.

As to the quality of the lines: That is another story. In the movie, the always funny Patsy Kelly plays his agent. In real life, it's hard to imagine that any agent would have allowed him to play in such a startlingly vulgar movie. Maybe bills just needed to be paid.

This movie is so vulgar, it is entertaining, though our hearts break for Barrymore being paraded around in such sorry physical shape (and ending the movie in some sort of bizarre drag, hardly flattering to his corpulent figure. It is supposed to be Shakespearean garb but I've never seen a play by the immortal Bard that had its lead got up like that.) (Of course, I have never seen one with a male Portia, either, though Keyser is shown practicing her lines from "The Merchant Of Venice.") Lupe Velez is also served very badly here. She has a small role and is, as she generally was, a caricature. She is overly made up and is made to seem thoroughly unappealing in character as well.

May Robson is always good. I have never seen a bad performance from her. Here she is in the small role of Keyser's mother and does fine with what she has. It is scarcely one of the highlights of her career, though.

Ish Kabibble is a very odd presence. He seems to have the haircut on which the Beatles (whom I love; please understand) based theirs. He is harmless, as is Keyser, as is Ginny Simms. I don't care for that style of music, but obviously many did.

Having John Barrynore laugh at, or even be on the same sound stage with, Ish's corny jokes is really sad, though. The whole thing is sad. But it isn't dull.

If Barrymore were alive today, one has the feeling from his presence here, he might be doing guest bits on reality TV shows -- letting it all hang out but making enough to pay the bills and to keep his name in the public eye.

Playmates (1941)

* 1/2 (out of 4)

John Barrymore plays himself in this his final movie, which sees the great actor go out on a rather bad note. In the film Barrymore is pretty much playing his real life problem as he can't get any good press so his agent (Patsy Kelly) comes up with a scheme to say he's going to teach bandleader Kay Kyser how to be a Shakespearean actor. As with Barrymore's THE GREAT PROFILE, this so-called comedy has more frowns than anything else as it's rather sad seeing Barrymore having to spoof himself and make fun of his rather serious alcohol problem, which would claim his life the following year. With that in mind, it's sometimes rather hard to laugh at certain jokes that are clearly aimed to spoof him and his drinking. It's also rather obvious that he's quite bloated here and in many scenes he appears to be drunk so this here too will stick in your mind while watching the film. I will add that he isn't a complete wash out like many reviews would have you believe. Yes, he's incredibly over the top but no one does that quite like Barrymore and in his own charming way the performance is rather charming. His first appearance in the film will certainly put a smile on your face and you can't help but feel, at times, that he's really giving it all and giving a complete work out of a performance. We also get to see him act out Hamlet and give the famous "To be or not to be..." line. That alone is worth sitting through this otherwise forgettable film. The biggest problem is the actual screenplay that has one joke and it's not a very funny one. Barrymore teaching Kyser to do Shakespeare. That whole joke isn't funny and that means the film itself isn't going to be funny. We do have some mildly amusing moments but the pacing is incredibly bad and the 94-minute running time drags by rather painfully. Kyser gets a couple good musical numbers and he has his own bit of charm in terms of his performance. Kelly gets a few good lines with Lupe Velez and May Robson giving some support. In the end however, this is a pretty poor film that would sadly be Barrymore's last. Fans of his might want to check it out but others would be better served to see the actor in some of his better roles.

Agents Patsy Kelly (as Lulu Monahan) and Peter Lind Hayes (as Peter Lindsay) decide to get their famous clients - legendary actor John Barrymore (as John Barrymore) and popular band-leader Kay Kyser (as Kay Kyser) together for a profitable publicity stunt. The plan is to have Mr. Barrymore teach Mr. Kyser to perform Shakespeare on stage. At first, both resist. But, Kyser relents and Barrymore needs money. This film features Kyser's very popular band members, sweet singers Harry Babbitt and Ginny Simms along with Beatle-Ish Kabibble, guest star Lupe Velez, Sully Mason, and others...

More importantly, this was Barrymore's last film appearance; he died shortly after its release, and "Playmates" is considered evidence of the once highly-respected actor's sad decline. This is true, for the most part, but you've got to love Barrymore's reciting of Hamlet's "To Be or Not to Be" speech. The Great Profile's reaction after saying "there's the rub" for Kyser in "Playmates" is a must for Barrymore followers. His performance of "Hamlet" on stage was considered one of Barrymore's greatest roles, but there was, sadly, no filmed version; note, a tantalizing "Hamlet" color screen test scene is available on popular video sites.

***** Playmates (12/26/41) David Butler ~ John Barrymore, Kay Kyser, Patsy Kelly, Peter Lind Hayes

I would have had a much more positive view of this movie if I didn't know and admire John Barrymore.

On the surface of it, this is as good as any of the rest of Kay Kyser's ouevre. If you like him (he is, admittedly, an acquired taste), you will probably like this movie. Lupe Velez and Patsy Kelly add their talents to the usual mix of corn and Swing supplied by Kay, Harry Babbitt, and Ish Kabibble (the true inventor of the Beatle haircut).

What keeps me from truly enjoying this film is the presence of the great John Barrymore in a role more suited to Edgar Kennedy. In his last screen appearance, Barrymore grimaces and cavorts like a Stooge and is obviously reading his lines from cards because he can't remember them anymore. Whether or not the tears in his eyes and on his cheeks are real as he mumbles through Hamlet's soliloquy one last time, mine were real enough.

If you don't reverence Barrymore, and you are a student of the Kollege of Musical Knowledge, this will be your cup of tea. If either of the above isn't true, give it a miss.

I have to agree with akroyal's review above, and say that I really enjoyed this movie and laughed out loud many times! Although I did know that Barrymore was a great and respected actor when I watched the movie, I wasn't all that familiar with his life story, so his scenes didn't have a pathos or pain for me. I didn't feel pity for him: I believe he was having fun with a silly, over-the-top role, and was giving it his all.

I'm not a fan of Kay Kyser, and find him rather silly, but he was okay in this movie. Can't say the same for the members of his band, though, whose dopey dialogue and antics got tiresome fast.

I am a big fan of Patsy Kelly, and she gets lots to do here, which adds to the merriment.

All in all, a really fun comedy!